MARCH ART

Important oil on board titled "Ox Narrows", signed lower left, 61 x 91.4cm (24 x 36in); Provenance: The Fine Art Galleries, T. Eaton Co.

"Untitled: Vast Riverscape Scene Along the Shoreline", signed lower right, watercolour on paper, sight 24.8 x 33cm (9 3/4 x 13in) - Clare Bice, Canadian, 1909-1976

Titled "Plenty of Space", signed verso, acrylic on canvas, 55.9 x 71.1cm (22 x 28in) - Ross Bishop, contemporary London, Ontario abstract artist whose works are exhibited in London, Toron

"Untitled: Seascape View at Capri", signed lower right, oil on canvas, 61 x 91.4cm (24 x 36in) - Guido Odierna, Italian, 1913-1991; this is a large scale and major work by the artist

"Man and Bear", disc number 8213-553, dated May/1982 to label, large soapstone carving measuring 22.9cm (9in) high x 30.5cm (12in) wide x 17.8cm (7in) deep - David Aungituq, 20th century Inuit arti

"Untitled: Deer Study". signed lower right, mixed media on paper including watercolour, felt pen and collage, sight 20.3 x 25.4cm (8 x 10in) - Cawthra Mulock, Canadian, 1915-1998

Titled "Victory Rose", signed verso, acrylic on canvas, 91.4 x 61cm (36 x 24in) - Val Sloggett, contemporary London, Ontario abstract artist whose paintings are exhibited in London, Toron

Titled "Winter Silence", pencil signed to the margin lower right, original aquatint in colours, image size 19.1 x 22.2cm (7 1/2 x 8 3/4in) - Nicholas Hornyansky, Canadian, 1896-1965

Titled "University Avenue Armories, Toronto", pencil signed to the margin lower right, original aquatint in colours, image size 12.1 x 16.5cm (4 3/4 x 6 1/2in) - Nicholas Hornyansky, Cana

Titled "The Dickson House, Galt", pencil signed to the margin lower right, original aquatint in colours, image size 11.4 x 14cm (4 1/2 x 5 1/2in) - Nicholas Hornyansky, Canadian, 1896-196

Titled verso "Rolling In", signed lower left and verso, acrylic on canvas, 27.9 x 35.6cm (11 x 14in) - Andrew Plum, British/Canadian, born 1965

Titled "Charleston Barn", signed lower right, watercolour on paper, sight 24.1 x 30.5cm (9 1/2 x 12in); frame outer dimensions 64.8 x 74.9cm (25 1/2 x 29 1/2in) - Alfred Bowman Yates, Bri

Titled "West Dean", signed lower left and dated 1927, watercolour on paper, sight 21 x 26.7cm (8 1/4 x 10 1/2in); frame outer dimensions 64.8 x 74.9cm (25 1/2 x 29 1/2in) and framed to ma

"Cirque, 1950" double page lithograph in colours, each page measuring 41.9 x 32.4cm (16 1/2 x 12 3/4in), overall measurement 41.9 x 64.8cm (16 1/2 x 25 1/2in); originally from the book Ci

"Cirque, 1950" double page lithograph in colours, each page measuring 41.9 x 32.4cm (16 1/2 x 12 3/4in), overall measurement 41.9 x 64.8cm (16 1/2 x 25 1/2in), framed to match the precedi

Carved whalebone of a mother seal and three pups, label on underside identifying this carving as number 8212-2789; height 17.8cm (7in), width approximately 20.3cm (8in)

"Horse Race", signed in the plate and pencil signed lower left, limited edition lithograph print in colours numbered 104/500, sight 41.3 x 58.4cm (16 1/4 x 23in) - Louis-Ferdinand Malespi

Limited edition coloured print after "Old Store in Salem", numbered 111/200, pencil signed by Casson lower right, image size 52.1 x 63.5cm (20 1/2 x 25in); frame outer dimensions 81.3 x 8

Vintage sepia photograph print published in Canada by New Press Order Department, Toronto, after the original by American photographer Edward Sheriff Curtis (1868-1952), sheet size 38.7 x 28.6cm (1

Etching in colours "Arch of Titus", pencil signed to the margin lower middle, image size 69.2 x 45.7cm (27 1/4 x 18in) - Luigi Kasimir, Austro-Hungarian, 1881-1962

"Bear" stone carving, disc number 8510-90 and dated Oct/(19)85, height 21.6cm (8 1/2in) - Lyda Pitsulak, Inuit artist from Pangnirtung, in the Qikiqtaaluk Region of Nunavut

Etching in colours depicting a shadowy pergola and street scene view, pencil signed to the margin lower right, image size 22.9 x 17.8cm (9 x 7in)

Professionally framed limited edition print after "Country Road", numbered 477/1995, image size 45.7 x 55.9cm (18 x 22in), frame outer dimensions 91.4cm x 1.02m (36 x 40in) - Alfred Josep

Black soapstone carving of a Walrus, dated 03/(19)84 on label and numbered 847-144, height 9.5cm (3 3/4in), width 20.3cm (8in) - Joamaasie Mannuk, Inuit artist from Sanikiluaq, on the north coast o

Stone carving in the form of a loon, signed on base, carving number 877-3129, dated Sept/(19)87 to label, height 12.7cm (5in), length 15.2cm (6in); faint hairline on neck and body - George Arraqata

Carved stone carving in the form of a Loon, signed to base in syllabics and numbered 877-2214, height 11.4cm (4 1/2in), length 24.1cm (9 1/2in)

Titled "Island of the Storm - Spirit", pencil signed lower right and dated 1981, silkscreen print in colours editioned 32/70, image size 47 x 34.3cm (18 1/2 x 13 1/2in)

Titled "Guardian Spirit", pencil signed to the lower right margin and dated 1983, serigraph in colours editioned 41/45, image size 43.8 x 36.2cm (17 1/4 x 14 1/4in)

"Untitled: Buffalo, Portrait and Sun", no signature evident, acrylic on paper, sight 44.5 x 59.7cm (17 1/2 x 23 1/2in)

Hardcover volume "The Art of Robert Bateman", introduction by Roger Tory Peterson, text by Ramsay Derry, a rare unsigned copy; together with a framed Bateman print of a Hummingbird, frame

Titled "Soul Vision", pencil signed to the margin, silkscreen print in colours editioned 18/93, image size 64.1 x 47cm (25 1/4 x 18 1/2in); frame outside dimensions 86.4 x 67.3cm (34 x 26

Modern Canadian acrylic on canvas, signed lower right, 40.6 x 50.8cm (16 x 20in)

Quality still life oil on canvas, signed lower left, 75.6cm (29 3/4in) square - housed in an impressive antique frame (some restorations)

"Untitled: Street Corner", signed lower left, watercolour on paper, sight 21.6 x 17.8cm (8 1/2 x 7in) - Bill Schwarz, contemporary Canadian artist and member of CSA (Canadian Society of A

Titled to the margin and lower right in the plate "Canalside Workshops", pencil signed to the margin lower right, etching on paper, image size 17.8 x 12.7cm (7 x 5in) - Frederick Cecil Jo

Titled verso "First Snow", signed lower right, oil on board, sight 11.4 x 16.5cm (4 1/2 x 6 1/2in) - Robert P. Leithwood, Brampton, Ontario artist

Signed "Wayne" lower right, mixed media on handmade paper housed in a contemporary 1.04m x 52.1cm (41 x 20 1/2in) frame

Titled to frame nameplate "Old Ingersoll Town Hall, 1858-1995", watercolour on paper, sight 26 x 33.7cm (10 1/4 x 13 1/4in) - artist label verso

Titled to frame nameplate "Town Hall and Margaret Cross", signed and dated (19)97 lower right, watercolour on paper, sight 26 x 33.7cm (10 1/4 x 13 1/4in) - artist label verso, framed to

Original graphite drawing on paper depicting ice skating on the Ottawa canal, signed lower left, sight 29.2 x 36.8cm (11 1/2 x 14 1/2in) - Yao Wenkui, a contemporary artist from Ottawa, Ontario

Titled and pencil signed to the margin, serigraph in colours editioned 26/38, image size 27.9 x 38.1cm (11 x 15in); Provenance: Gallery Pascal, Toronto; Toni Onley, Canadian, 1928-2004

Titled verso "First Day of School, Cabbagetown, Toronto", signed lower left, also verso signed and dated 2004, oil on masonite, 40.6 x 50.8cm (16 x 20in); two sections of board with staining, condi

"Untitled: Seaside Village", signed and dated 1962 lower right, oil on canvas, 40.6 x 54.6cm (16 x 21 1/2in) - Laszlo B.

Titled "Csendelet", signed "Lakos" lower left, oil on board circa 1920, sight 17.8 x 22.9cm (7 x 9in); housed in an antique 38.1 x 43.2cm (15 x 17in) frame; Provenance: old gall

Titled "Mareggiata", signed lower right, oil on canvas, 40 x 50.2cm (15 3/4 x 19 3/4in); artist label verso - Remo Aldini, Italian, born 1943

"Untitled: Rural Scene with Three Figures, Chickens and Thatched Roof Houses", signed lower left, oil on canvas laid down, sight 55.2 x 77.5cm (21 3/4 x 30 1/2in); housed in a costly mode

Titled verso "Winter Gardens", signed and dated (19)95 lower right, signed and dated verso, oil on canvas, 45.7 x 61cm (18 x 24in) - Marjorie Hodgson, born 1932, a prominent Canadian artist in oil

Titled "Picnic Basket", pencil signed and dated (19)76 to the margin, artist proof etching, image size 10.8 x 14cm (4 1/4 x 5 1/2in) - Barry McCarthy, Canadian, born 1951

Acrylic on canvas painted after Lawren Harris, signed lower right, 50.8 x 61cm (20 x 24in)

Titled "Redeyes", pencil signed and dated (19)79, screenprint in colours editioned 50/50, sight 45.7 x 55.9cm (18 x 22in) - Jackson Beardy, Canadian, 1944-1984

Both signed "Hope", well-executed watercolours on paper, sight for each 33 x 25.4cm (13 x 10in) - housed in matching vintage frames

Titled "Old Mill, Cambridge #3", signed and dated (19)82 lower right, watercolour on paper, sight 18.4 x 26cm (7 1/4 x 10 1/4in) - artist studio label verso

"Untitled: Mountain Landscape and Blue Sky", pencil signed indistinctly to the margin lower right, serigraph in colours, image size 17.8 x 24.1cm (7 x 9 1/2in)

Titled verso "Baby Bird Bath and Lilies", signed lower right and verso, acrylic on canvas, 40.6 x 50.8cm (16 x 20in)

"Untitled: Impressionist Forest View", signed lower right, pastel on paper, sight 30.5 x 45.7cm (12 x 18in)

"Untitled: Mountain Range and River", signed and dated (19)73 lower right, watercolour on paper, sight 25.4 x 33.7cm (10 x 13 1/4in) - Margaret Dorothy Shelton, Canadian, 1915-1984

Titled verso "Cape Croker in August", signed and dated (19)88 lower right, acrylic on masonite, 22.9 x 61cm (9 x 24in); Jake Peekstok, contemporary Ontario artist, label verso from his Ca

Limited edition serigraph print numbered 24/300, image size 61 x 41.9cm (24 x 16 1/2in) - frame stamped verso

Signed indistinctly lower right depicting a harbour scene, oil on masonite, 61 x 76.2cm (24 x 30in) - housed in a contemporary shabby chic 1.02m x 83.8cm (40 x 33in) frame

"Untitled: Sunflowers", signed lower left, oil on board, 1.02m x 76.2cm (40 x 30in) - Vanguard Studios, California mid-century art firm circa 1960's-1970's

"Untitled: Heading Home with Approaching Storm", signed lower left, oil on canvas circa late 19th/early 20th century, 30.5 x 45.7cm (12 x 18in)

Titled to the margins "Dublin", "Marine School, Dublin, Looking Up The Liffey" and ""Provost's House, Dublin", all antique hand-coloured engravings housed in

Highly detailed painting on vintage linen depicting a dancer, sight 82.6 x 30.5cm (32 1/2 x 12in)

"Untitled: Still Life Study", signed lower right, oil on board, 40.6 x 30.5cm (16 x 12in); housed in a period antique frame

Vintage tapestry housed in a quality 61 x 73.7cm (24 x 29in) antique oak frame, depicting a turkey and geese

Including "North East Side of Belgrave Square, Pimlico", "Whittingtons Alms Houses", "Builders, Highfield, Camden Road" and "New Church, Stepney", antique ha

Miniature autumn landscape watercolour on paper, signed and dated lower left, sight 7.6 x 12.7cm (3 x 5in)

Watercolour on paper depicting a garden view with large fountain and manor house in the distance, signed lower left, sight 10.8 x 17.1cm (4 1/4 x 6 3/4in) - Emily Mary Bibbens Warren, Canadian, 187

Antique print in 61 x 73.7cm (24 x 29in) oak frame of "The Doctor" by Luke Fildes; together with a black and white print in 43.2 x 52.1cm (17 x 20 1/2in) frame, new matting required

Titled verso "Lake Simcoe", signed lower left, dated 1948 verso, oil on board, 30.5 x 40.6cm (12 x 16in)

Pencil signed to the margin lower right, limited edition print numbered 28/50, image size 27.9cm (11in) square

Including two framed sets of Clarence T.

Both vintage framed reproduction prints, frame outer dimensions 68.6 x 81.9cm (27 x 32 1/4in) and 57.8 x 73cm (22 3/4 x 28 3/4in)

"Untitled: Ship at Shore", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in)

"Untitled: Horse Portrait", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in) - Saverio Tralli, Italian, born 1927, immigrated to Canada in 1960 and resided in Toronto

"Untitled: Old Rome", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in)

Attractive mid-century modern still life oil on canvas, signed lower left, 61 x 91.4cm (24 x 36in)

"Untitled: Modern Seascape", signed lower left, oil on canvas, 61 x 91.4cm (24 x 36in)

"Untitled: Town Scene at Night", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in)

"Untitled: Floral Study", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in)

"Untitled: River Landscape in Autumn", signed lower right, oil on canvas, 61 x 76.2cm (24 x 30in) - Frederic Charles Vipont Ede, 1865-1943, a prominent Canadian painter, Ede studied at th

Fine Canadian school oil painted in the manner of the Group of Seven, signed lower right, signed and dated 1953 verso, oil on panel, 29.8 x 40cm (11 3/4 x 15 3/4in)

Vintage framed print in colours, hand-signed to the margin lower right, image size 34.3 x 43.2cm (13 1/2 x 17in); some moisture damage to matting, the image excellent condition; Alfred Joseph Casso

"Untitled: Autumn Landscape with Stream", signed lower left, oil on board, 22.9 x 27.9cm (9 x 11in) - Otto Planding, Canadian, 1887-1964

Titled "Campbell" lower left, signed lower right, oil on board, 22.9 x 30.5cm (9 x 12in); framed to match the preceding lot; Otto Planding, Canadian, 1887-1964

Titled "Fisherman's Wharf", signed lower left, watercolour on paper, sight 25.4 x 74.3cm (10 x 29 1/4in); Provenance: collection of Mrs. E.

Vintage print "North Country", image size 34.9 x 43.2cm (13 3/4 x 17in) - Frederick Stanley Haines, Canadian, 1879-1960

Mid-century oil on canvas depicting a busy street scene, signed lower right, 40.6 x 50.8cm (16 x 20in)

Vintage painting on celluloid panel "Untitled: Birds, Flowers and Nest", no signature evident, sight 39.4 x 26cm (15 1/2 x 10 1/4in) - old gallery label verso from Matthews Bros.

Set of five vintage prints from C.W.

"Untitled: Landscape Scene, Late Autumn", signed lower right, pastel on paper, sight 24.8 x 49.5cm (9 3/4 x 19 1/2in)

Quality framed print after Morisot's 1889 masterpiece "Girl in a Boat, with Geese", frame outside dimensions 87.6 x 74.9cm (34 1/2 x 29 1/2in)

"Carte Generale de L'Amerique Septentrionale" depicting the southern United States to the north, Caribbean and northern South America to the south, sight 53.3 x 49.5cm (21 x 19 1/2in

Vintage mixed media (lithograph in colours with hand-colouring/watercolour highlights) depicting a bedroom interior with figure, pencil signed lower right, image size 22.9 x 33cm (9 x 13in); frame

"Untitled: Farm Scene in Autumn", signed lower left and dated 1939, watercolour on paper, sight 29.2 x 40cm (11 1/2 x 15 3/4in) - John Berrie Rennie, Canadian, 1895-1965

Titled "Bluenose I, Close Hauled (1931)", pencil signed to the matting lower right, photograph, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in) - Wallace R. Macaskill, Canadian, 1890-1956

"Untitled: Afternoon in the Park", signed lower left, oil on Reeves canvas board, 33 x 40.6cm (13 x 16in)

"Untitled: Study of Clematis", signed lower left, watercolour on paper, sight 35.6 x 25.4cm (14 x 10in)

"Untitled: Coastal Scene with Boats and Lighthouse", signed and dated 1983 lower right, oil on board, 30.5 x 40.6cm (12 x 16in)

"Untitled: Still Life with Table Setting", signed and dated 2010 lower right, oil on board, 30.5 x 40.6cm (12 x 16in)

Titled "In the Garden", pencil signed lower right, limited edition print numbered 51/180, image size 10.8 x 16.5cm (4 1/4 x 6 1/2in) - Tony Diodati, Canadian, born 1955

Signed with initials "SJC" and dated 1922 lower right, oil on canvas, 25.4 x 30.5cm (10 x 12in)

Titled "Peggy's Cove - Nova Scotia" and pencil signed to the margin, vintage print, image size 27.3 x 21.6cm (10 3/4 x 8 1/2in) - William Edward Degarthe, Canadian, 1907-1983

Depicting Winter and Autumn landscape scenes, both signed, oils on board, sight for each 8.9 x 14cm (3 1/2 x 5 1/2in); housed in matching frames - Eldon A. Leis, Canadian, born 1934

"Untitled: View Along the Shoreline", signed and dated 1904 lower right, watercolour on paper, sight 16.5 x 42.5cm (6 1/2 x 16 3/4in)

"Untitled: Northern Landscape", no signature evident, oil on board, 30.5 x 40.6cm (12 x 16in)

Titled verso "Christmas Blizzard of 2022", signed verso, mixed media on reverse plexiglass, 50.8 x 54.6cm (20 x 21 1/2in); Provenance: Crystal Beach Studio, inventory number 5639; David C

Exceptionally well-painted portrait oil on canvas depicting a young boy in Victorian-era attire, signed with initials "F.H. and S." - 30.5 x 24.8cm (12 x 9 3/4in)

"Untitled: Still Life with Books, Spectacles, Pipe, Inkwell and Documents", signed lower right, oil on canvas, 50.8 x 61cm (20 x 24in) - Czene Janos Apatfalvi, Hungarian, 1904-1984

"Untitled: Memories of Amsterdam", signed lower right, massive oil on canvas housed in a costly 1.04 x 1.18m (41 x 46 1/2in) frame

"Untitled: Tavern Interior", signed lower left, oil on canvas, 54.6 x 68.6cm (21 1/2 x 27in); frame outside dimensions 80 x 94cm (31 1/2 x 37in); please note craquelure to canvas

Attributed to the 19th century Continental school, no signature evident, 43.2 x 55.9cm (17 x 22in)

Two sets of George Baxter miniature oil prints circa 1840 housed in quality Victorian frames, the scenes depict Victoria and Albert, and two London scenes - frame outer dimensions 22.9 x 27.9cm (9

"Untitled: Winter Scene in Quebec", no signature evident, pastel on paper, sight 61 x 48.3cm (24 x 19in)

"Untitled: Sailboats", signed lower right, enamel measuring 12.7 x 15.2cm (5 x 6in) - Joan Pattee, Canadian Enamelist, BFA

"Untitled: Trees", signed with initials lower right, graphite drawing on paper, sight 25.4 x 20.3cm (10 x 8in) - Henry James Martin, Canadian, 1832-1904

Artist proof print "Stone House in Snow", pencil signed to the margin lower right, image size 39.4 x 56.5cm (15 1/2 x 22 1/4in) - Jack Reid, Canadian, 1929-2009

"Untitled: Boathouses at Jackson's Point" circa 1890, no signature evident, watercolour on paper, sight 29.2 x 48.9cm (11 1/2 x 19 1/4in)

Depicting a hunter with knife, carved linoleum plaque mounted to 35.6 x 30.5cm (14 x 12in) backboard

20th century Chinese school including a pair housed in matching frames, sight for each 22.9 x 17.8cm (9 x 7in); and 34.3 x 10.2cm (13 1/2 x 4in) bouquet study

Framed lithograph print "Bear Sliding Down Slope", 27.9 x 20.3cm (11 x 8in) - William Kurelek, Canadian, 1927-1977

Titled verso "General James Wolfe, Siege of Quebec 1759", antique coloured lithograph, sight 41.9 x 31.8cm (16 1/2 x 12 1/2in)

Titled "Stepping Stones", pencil signed to the margin lower right and dated (19)75, limited edition lithograph in colours numbered 10/18, image size 41.9cm (16 1/2in) diameter - small gla

Three miniature hand-coloured engravings housed in a 48.3 x 25.4cm (19 x 10in) custom frame, including "Royal Humane Society Serpentine", "Bridge Over the Serpentine" and "

Titled "A Patch of Sunlight", pencil signed to the margin lower right, etching editioned 11/49, image size 24.8 x 37.5cm (9 3/4 x 14 3/4in) - John Benn, Canadian, born 1949

Antique hand-coloured engraving, titled "An Ardent Admiral", image size 10.2 x 15.2cm (4 x 6in); together with a lithograph "French Basset", sight 19.1 x 26.7cm (7 1/2 x 10 1/2i

"Untitled: Wreck on the Coast with Figures", signed with initials "RWGC" and dated (19)88, oil on board, 25.4 x 20.3cm (10 x 8in); housed in a quality period frame

Titled "Osgoode Hall, Toronto", pencil signed to the margin lower right, etching, image size 21 x 24.1cm (8 1/4 x 9 1/2in) - Malte Sterner, Canadian, 1903-1952

Two hand-coloured engravings by G.A.

"Untitled: Nude Study on Blue Chair", no signature evident, pastel on paper, sight 44.5 x 29.2cm (17 1/2 x 11 1/2in)

Including two etchings by Roland A.

"Untitled: Two Women at a Cafe", signed indistinctly lower right, acrylic on canvas, 30.5 x 40.6cm (12 x 16in)

Titled "Jersey Meadows near Manhattan", signed in pencil and dated 1926 to the margin, etching on wove paper, image size 10.8 x 14cm (4 1/4 x 5 1/2in)

Set of 6 photographic prints suitable for framing, sheet size for each 27.9 x 35.6cm (11 x 14in)

Signed indistinctly lower right, oil on board, 25.4 x 20.3cm (10 x 8in)

Including a Theodore Lane engraving "A.

Assortment of 6 antique frames including convex glass, together with an unframed 62.2 x 52.1cm (24 1/2 x 20 1/2in) needlepoint

Titled verso "West of Melville", signed lower left and dated (19)84, also signed and dated verso, oil on board, 40.6 x 50.8cm (16 x 20in); some staining on matting; Bill Johnson, well kno

Titled verso "Meadow Green", signed lower right, also signed and dated (19)72 verso, egg tempera on panel, sight 41.3 x 34.3cm (16 1/4 x 13 1/2in)

All three signed, mixed medias on paper, sight for each 45.7 x 30.5cm (18 x 12in)

Original oil print, image size 13.3 x 9.5cm (5 1/4 x 3 3/4in); housed in a custom frame

One signed "Commanda", the other "392", serigraph prints in colour, sheet sizes 99.1 x 66cm (39 x 26in) and 91.4 x 61cm (36 x 24in) - both unframed, some surface marks which should clean off, one w

"Untitled: River Scene in Late Autumn", signed with unknown monogram lower right, sight 83.8 x 31.8cm (33 x 12 1/2in)

"Untitled: Water Lilies", signed lower right, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in)

Editions Canada print in two colours, pencil signed and dated lower right, sheet size 59.7 x 49.5cm (23 1/2 x 19 1/2in) - Kim Ondaatje, Canadian, born 1928

"Untitled: Landscape Vista", signed indistinctly lower right, oil on canvas, 30.5 x 40.6cm (12 x 16in)

Titled verso "Ancient Ruins - Corfe Dorset", signed lower right and dated 1964, also signed verso, oil on Academy canvas board, 40.6 x 50.8cm (16 x 20in)

Titled verso "Chinook Triptych", each signed lower right, also signed and dated 1979 verso, watercolours on paper, frame outside dimensions 40.6 x 42.5cm (16 x 16 3/4in)

"Untitled: Rocky Coastline with Crashing Waves", signed lower left, oil on board, 35.6 x 45.7cm (14 x 18in)

After Marcel Duchamp's "Nu Descendant Un Escalier", image size 75.6 x 45.7cm (29 3/4 x 18in)

"Untitled: Sailboats", signed verso, oil on masonite, 50.8 x 40.6cm (20 x 16in) - Peter Van Den Brekel, Dutch, 1896-1979

"Untitled: Northern River Scene in Autumn", signed lower right, oil on masonite, 15.2 x 20.3cm (6 x 8in)

Contemporary canvas print in colours, 60.3 x 59.7cm (23 3/4 x 23 1/2in) - unframed but on a wood stretcher

Titled "Montmartre (Paris)", unsigned, oil on canvas, 49.5 x 61cm (19 1/2 x 24in) - note verso this work was purchased from a street artist in Paris, 1967; unframed but the canvas is on a

Gouache on paper depicting a bouquet of flowers, no signature evident, 55.2 x 40.6cm (21 3/4 x 16in); note discolouring to matting

Limited edition print numbered 278/500, hand-signed lower middle, sight 48.3 x 62.2cm (19 x 24 1/2in)

"Untitled: Church Interior with Figure", signed "Ryza" and dated (19)65 lower left, oil on board, 81.3 x 63.5cm (32 x 25in)

Four vintage (1943 - 1947) Metal Progress magazine covers including one designed by Flora Robb, housed in matching 47 x 38.7cm (18 1/2 x 15 1/4in) custom frames

"Untitled: Winter Road Near the River", signed lower left, oil on board, 20.3 x 25.4cm (8 x 10in)

Mid-century oil on canvas "Untitled: Still Life Study", signed lower right, 30.5 x 40.6cm (12 x 16in); Provenance: Western Fair art exhibition, class 55, entry number 8 label verso

"Untitled: River Scene", no signature evident, pastel on paper, sight 16.5 x 34.3cm (6 1/2 x 13 1/2in); Provenance: Wolfe Studios, Chatham

"Untitled: Winter Landscape Scene with Stream", signed lower left, oil on canvas, 50.8 x 76.2cm (20 x 30in); unframed but on a wood stretcher; 2cm canvas imperfection upper left

"Untitled: Victorian Country Home", no signature evident, oil on board, 45.7 x 36.8cm (18 x 14 1/2in)

"Untitled: Forest Interior with Waterfall", signed lower right and name painted on frame, oil on canvas, 27.9 x 38.1cm (11 x 15in); some paint losses

Oil on canvas depicting a landscape scene with house, winding road and trees, signed lower left, 40.6 x 30.5cm (16 x 12in) - according to online research, "Carlo of Hollywood" was a mid-c