SEPTEMBER ART SESSION II

Titled "Breakup", signed lower left, oil on board, 30.5 x 35.6cm (12 x 14in); note staining to matting, the painting itself appears to be in excellent condition; Provenance: Linchrist Gal

Titled "Columbine #4, Queen Charlotte Islands", signed lower right, watercolour on paper, sheet size 27.9 x 38.1cm (11 x 15in); artist handwritten label verso; Patricia Mary Fairhead, Can

Hardcover volume "A.J. Casson / His Life & Works / A Tribute" by Paul Duval, signed on the title page by Casson, 285 pages in overall good condition, some wear to dust jacket

Titled verso "The Fisherman", signed lower right, watercolour on paper, sight 31.8 x 45.7cm (12 1/2 x 18in); Provenance: Lacewing Fine Art Gallery, with written valuation verso of £1100.0

"Untitled: Wolf Rider", signed left side, acrylic on canvas, 40.6 x 50.8cm (16 x 20in); the canvas is unframed but affixed to a wood stretcher; Provenance: present Toronto collection, acq

Titled verso "The South Downs, England (Near Chanctonbury Ring)", signed and dated 1939 lower right, watercolour on paper, sight 36.8 x 53.3cm (14 1/2 x 21in) - Edwin Lawson James Harris

"Untitled: Landscape Scene", signed lower right, oil on masonite, 45.7 x 61cm (18 x 24in) - William John Hopkinson, Canadian, 1887-1970

"Untitled: Study of Apples and Grapes", signed indistinctly lower left, oil on panel, 35.6cm (14in) square

Titled and signed indistinctly to the lower margin, charcoal on paper, sight 26.7 x 35.6cm (10 1/2 x 14in); small tear and staining to lower section

"Untitled: River Scene in Winter", signed lower right, oil on canvas, 40.6 x 50.8cm (16 x 20in)

Titled verso "A Brittany Pier", signed lower left and verso, oil on canvas board, 30.5 x 40.6cm (12 x 16in); board stamped verso; William Dudley Burnett (or Brunett) Ward Jr., Canadian, 1

Titled verso "Lobster Traps - Nova Scotia", signed lower left and dated (20)03, watercolour with pen and ink on paper, sight 12.7 x 15.2cm (5 x 6in)

Lithograph print in colours from the artist's "Around the World in Eighty Days" series, pencil signed to the lower right margin, image size 33 x 48.3cm (13 x 19in) - David McCall Joh

A major double-sided oil on board, the front depicting a winter scene with cabin, verso titled upper middle "Rural Pennsylvania", both sides signed by the artist, 61 x 76.2cm (24 x 30in)

Signed and stamped with red seal lower left, watercolour on paper, sight 27.3 x 21.6cm (10 3/4 x 8 1/2in)

Inscribed verso "After A.Y. Jackson", signed lower left, acrylic on canvas board, 20.3 x 25.4cm (8 x 10in)

"Untitled: Harbour Scene with Sailing Ships", signed lower left, oil on masonite, 25.4 x 36.6cm (10 x 14in) - note this work is offered in the style of French artist Maximilien Luce (1858

Titled "View Across the Bay", signed lower left, ink on paper, sight 33 x 48.3cm (13 x 19in); Provenance: The Drabinsky Gallery, Toronto; William Griffith Roberts, Canadian, 1921-2001

Titled verso "Study of Pink Flowers", signed verso, oil on panel, 25.4 x 30.5cm (10 x 12in); handwritten label verso; Eileen Bordessa, 20th century artist who is listed on the Government

"Untitled: Summer Landscape", appears unsigned, watercolour on paper, sight 27.3 x 21.6cm (10 3/4 x 8 1/2in); Provenance: acquired from the artist's estate, present London private co

"Untitled: Vase with Flowers", signed indistinctly lower right, oil on board, sight 15.9 x 10.8cm (6 1/4 x 4 1/4in)

"Untitled: Early Autumn River Scene", signed lower left, oil on board, 29.8 x 40.6cm (11 3/4 x 16in) - William Gardner Blackwood, Scottish/Canadian, born 1892

Titled "Honest Ed's, Toronto", signed lower left, watercolour on paper, sight 20.3 x 30.5cm (8 x 12in); Provenance: acquired directly from the artist; Marilyn Ramsingh, active in Tor

"Untitled: Abstract Female Figure", signed lower right, serigraph print in colours, sight 35.6 x 26.7cm (14 x 10 1/2in) - Marino Marini, Italian, 1901-1980

"Untitled: Beach, Pink Sky", signed lower right, watercolour on paper, sight 24.8 x 32.4cm (9 3/4 x 12 3/4in)

Vintage lithograph print on artist paper after "Don Quixote and Sancho Panza", signed and dated in the print lower left, sight 59.7 x 49.5cm (23 1/2 x 19 1/2in) - Pablo Picasso, Spanish,

"Untitled: Gourd and Pear Still Life", signed lower right, watercolour on paper, sight 20.3 x 25.4cm (8 x 10in)

"Untitled: Coastal View with Boats and Figures", signed lower right, oil on canvas board, 30.5 x 40.6cm (12 x 16in)

"Untitled: Hearth, Cottage Interior", no signature evident, oil on masonite, 40.6 x 50.8cm (16 x 20in); housed in a vintage frame, believed to have been painted by the same artist

"Untitled: Landscape Abstract", signed lower right, watercolour on paper, 55.2 x 75.6cm (21 3/4 x 29 3/4in)

"Untitled: Portrait of a Terrier", pencil signed lower right, lithograph print, sight 38.1 x 27.9cm (15 x 11in)

"Untitled: Country Homestead", signed "S.C. Shaw" faintly lower right, oil on board, 25.4 x 30.5cm (10 x 12in) - Stuart Clifford Shaw, Canadian, 1896-1970

Lithograph print in colours on card after "Woman of Majorca", signed in the print lower left, sight 50.8 x 40.6cm (20 x 16in) - Pablo Picasso, Spanish, 1881-1973

"Untitled: Rocky Mountain Scene with Waterfall", signed indistinctly upper left, oil on board, 25.4 x 35.6cm (10 x 14in)

"Untitled: Flowers and Bowl Still Life", signed lower left, gouache on silk, sight 26.7 x 21.6cm (10 1/2 x 8 1/2in)

Original wood carving with inlaid abalone shell in the form of a Polynesian warrior, appears unsigned, 28.9 x 35.6 x 3.8cm (11 3/8 x 14 x 1 1/2in)

"Untitled: Desert Camel Caravan", signed lower left, watercolour on paper, sight 11.8 x 23.5cm (4 5/8 x 9 1/4in); Provenance: John R.

"Untitled: Fishing Fleet Near the Coast", signed lower right, watercolour on paper, sight 12.1 x 24.5cm (4 3/4 x 9 5/8in) - William Stewart, British, 1823-1906

Antique print in colours depicting gem specimens, sight 20.3 x 13.3cm (8 x 5 1/4in)

"Untitled: Young Woman Reading", appears unsigned, original graphite on paper attributed to the early 20th century continental school, sight 41.9 x 31.8cm (16 1/2 x 12 1/2in); housed in a

Titled verso "Loch Linnhe - Scotland", signed lower right, watercolour on paper, sight 26 x 37.5cm (10 1/4 x 14 3/4in) - Robert Hogg Nesbit, American, 1879-1961

"Untitled: Tranquil River Scene with Boaters and Mount Fuji in the Distance", signed lower left, watercolour on paper, sight 23.5 x 29.8cm (9 1/4 x 11 3/4in) - Emiko Satsuta, 20th century

Pair of ink and watercolours on paper from the series "Clochard de Paris" (French Bum of Paris), both signed lower right, sight for each 49.5 x 31.1cm (19 1/2 x 12 1/4in); housed in match

Titled "Eagle Spirit Dance, Ninstints, Gwaii Haanas, 2015", signed lower left, acrylic on panel, 60.3cm (23 3/4in) square; unframed; gallery label verso with original price of $1800.00 -

Including "Rafaralahy", "Te Po" and "Tropical Scenery", all three have been framed in costly antique frames measuring 29.2 x 24.1cm (11 1/2 x 9 1/2in) to 39.4 x 34.3cm

Titled verso "Head of a Young Woman", signed lower right, coloured pencil and graphite on paper, sight 34.9 x 27.3cm (13 3/4 x 10 3/4in) - Gary Peter Slipper, Canadian, born 1934

Beautifully painted on an old wood panel, 40 x 29.8cm (15 3/4 x 11 3/4in) - note some surface wear and losses in corners, typical of age

"Untitled: Abstract Study", signed and dated (19)85 lower left, mixed media on paper, sight 18.1cm (7 1/8in) square; Provenance: Museo Hollander, Pizarra, Spain; Gino Hollander, American,

Original etching on paper depicting The Bank of Montreal, signed in the plate and pencil signed to the lower right margin, image size 27.9 x 21cm (11 x 8 1/4in) - Herbert Raine, Canadian, 1875-1951

Titled verso "The Fiddler", signed and dated 1968 lower right, oil on canvas, 40.6 x 30.5cm (16 x 12in)

Historic London, Ontario oil on panel depicting Sir Frederick Banting working in his laboratory, signed by both artists and dated 1991, unframed, 38.1 x 76.2cm (15 x 30in); some surface marks to bo

Titled verso "Rain Forest Canopy, Peru, 1993", signed lower right, watercolour on paper, sheet size 76.2 x 55.9cm (30 x 22in); from the same Toronto collection as the previous lot - Audre

Pair of hand-coloured 18th century engravings, one titled "The Amorous Shepherd", sight for each 47 x 36.8cm (18 1/2 x 14 1/2in); housed in matching antique frames; Philip James de Louthe

Painted after Daniele Crespi's "St. Francis Weeping", oil on canvas circa 1970's signed "Bitzie" lower right, 61 x 50.8cm (24 x 20in)

"Untitled: Morning Fog in Paris", signed lower left, oil on masonite, 59.7cm x 1.09m (23 1/2 x 43in) - Pablo Matania, Argentinian postwar and contemporary painter, born 1936

Early graphite drawing on paper depicting thatched-roof cottages and trees along a river, sight 19.7 x 24.8cm (7 3/4 x 9 3/4in)

19th century British school oil depicting a landscape scene at sunset with several figures in the foreground, river and castle in the distance; appears unsigned; oil on canvas, 25.4 x 35.6cm (10 x

Antique diptych Japanese woodblock print in colours, signed and stamped with red seal, each image size measures approximately 20.3 x 15.2cm (8 x 6in)

Titled "Esthetic Moment", signed with initials lower right, oil on masonite, 85.1 x 61cm (33 1/2 x 24in) - artist label verso with original price of $500.00; some surface marks to board n

"Untitled: Highland Cattle", signed indistinctly lower right, oil on canvas, 25.4 x 35.6cm (10 x 14in) - old Philadelphia gallery label verso

Original etching on paper with unknown monogram lower left, sheet size 50.2 x 33cm (19 3/4 x 13in) - unframed

Original charcoal drawing on card, signed and artist stamped lower right, dated 1961, 35.6 x 47.6cm (14 x 18 3/4in); unframed; Peter Stoyanoff, Canadian, 1900-1994

Titled "Le Soleil", signed and dated (19)97 lower right, acrylic on paper, sight 44.8 x 59.7cm (17 5/8 x 23 1/2in); handwritten inscription verso; some surface marks to paper noted

Titled "Girl with Hat", signed lower right, watercolour with conte on paper, sight 27.3 x 21.6cm (10 3/4 x 8 1/2in)

Titled "Bella Bella Killer Whale" and signed in pencil lower left, acrylic on paper, sight 34.9 x 27.3cm (13 3/4 x 10 3/4in)

Titled "Blackfoot Princess", signed and dated (19)84 lower left, watercolour on paper, sight 26.7 x 40cm (10 1/2 x 15 3/4in) - note verso this work was purchased from the artist in Kingst

Vintage Japanese woodblock print in colours depicting a busy street scene with shoppers and buildings, signed right side, sight 15.2 x 22.2cm (6 x 8 3/4in)

Signed "Johnson" and dated (19)75 lower right, etching on paper, sight 22.2 x 29.8cm (8 3/4 x 11 3/4in)

"Untitled: Figure with Math Problems", signed lower right, mixed media on paper, sight 34.9 x 26.7cm (13 3/4 x 10 1/2in); Provenance: Art One, Toronto, Ontario; biography of the artist ve

Vintage decorative wall panels with figures in relief, outside dimensions 91.4 x 30.5cm (36 x 12in)

Titled verso "Miel", signed lower right, also signed and dated (19)98 verso, acrylic on paper, sheet size 40.6 x 30.5cm (16 x 12in); unframed; Provenance: Innervision Arts, Curve Lake, On

"Untitled: Approaching the Front Door", signed lower right, watercolour on paper, sight 30.5 x 21.6cm (12 x 8 1/2in) - artist label verso

Pencil signed and titled to the lower margin, pastel on paper, sight 24.1 x 17.8cm (9 1/2 x 7in); Provenance: Royal Canadian Military Institute Museum, Toronto stamp verso

Pair watercolours on paper depicting mountain scenes, both signed, sight for each 14 x 22.9cm (5 1/2 x 9in) - housed in matching frames

Graphite drawing on paper, signed lower right for Canadian artist Blagoi Ralevski-Rale, sight 15.2 x 11.4cm (6 x 4 1/2in) - note verso this image was used in Omni Magazine

Titled "As She Sleeps", signed and dated (19)90 lower right, acrylic on canvas, 29.2 x 21.6cm (11 1/2 x 8 1/2in)

Vintage charcoal print on paper, signed by the artist lower right, sight 25.4 x 40.6cm (10 x 16in)

Titled verso "Chippewa Creek, North Bay, Ontario", signed verso, oil on board, 40.6 x 50.8cm (16 x 20in) - Russ Stonehouse, 20th century Canadian

Both signed and dated (19)97, acrylics on canvas board, sight for each 49.5 x 39.4cm (19 1/2 x 15 1/2in); housed in matching frames; Randy Knott, Canadian, born 1955

Titled verso "Mastrubate", signed upper right and dated (19)88, also signed verso, large oil on canvas measuring 1.51m x 93.3cm (58 3/4 x 36 3/4in) - Vasilije Bukčev, Canadian, born 1929<

Abstract collage on paper, pencil signed to the lower margin, sight 78.7 x 55.9cm (31 x 22in) - gallery stamp verso

Large Kandinski-esque laminated abstract print, outside dimensions 1.04m x 78.7cm (41 x 31in) - some surface marks noted

"Untitled: Portrait Study", signed lower left middle, acrylic on paper, sight 37.5 x 33cm (14 3/4 x 13in)

Titled "Hunter Gatherers", signed lower middle, watercolour on paper, sight 34.3 x 49.5cm (13 1/2 x 19 1/2in); Provenance: The Little Shop of Art, Port Stanley, original price $595.00

Limited edition print depicting a reclining nude, pencil signed indistinctly to the lower right margin, editioned 8/49, image size 31.8 x 49.5cm (12 1/2 x 19 1/2in) - professionally framed and matt

Titled verso "Scott Thomas", signed upper left, signed and dated (19)73 verso, oil on canvas board, 61 x 45.7cm (24 x 18in) - Vera Uss, Canadian, 1936-2020, a prominent member of the Burl

"Untitled: River Landscape", signed lower right, watercolour on paper, sight 16.5 x 11.4cm (6 1/2 x 4 1/2in); Provenance: from the collection of H.J.

Painted after Eugen von Blaas' (Austrian, 1843-1931) famous work "A Helping Hand", appears unsigned, oil on canvas, 91.4 x 61cm (36 x 24in); housed in an impressive 1.12m x 81.3cm (44 x 32in) custo

"Untitled: Reaching for the Butterfly", signed lower left, giclee print on canvas, 81.3 x 45.7cm (32 x 18in) - William Benecke, American, 1934-2001

Original mixed media on paper, signed indistinctly lower right and dated 1971, sight 14.6 x 10.2cm (5 3/4 x 4in) - professionally framed and matted in archival materials

"Untitled: Impressionist Nude Study", appears unsigned, watercolour on paper, sight 26.7 x 19.1cm (10 1/2 x 7 1/2in)

Titled "Gwen's Room II", signed lower left, watercolour on paper, sight 54.6 x 59.7cm (21 1/2 x 23 1/2in); Provenance: Nancy Poole's Studio, Toronto

Pencil signed to the lower margin, etching in colours, image size 5.1 x 3.8cm (2 x 1 1/2in)

"Untitled: Nude Study", signed lower left, oil on canvas board, 71.1 x 50.8cm (28 x 20in) - Vera Uss, Canadian, 1936-2020, a prominent member of the Burlington arts scene

Titled "Morning Mist", pencil signed to lower margin, print in colours editioned 1/1, image size 36.8 x 48.9cm (14 1/2 x 19 1/4in)

Titled "Naturela Morta XIII" and "Naturela Morta XIV", both pencil signed to the lower margins, acrylics on paper housed in matching frames - frame outside dimensions for each 5

Titled "Winter Morning, Baie St.

"Untitled: Country Road in Summer", signed lower right, oil on board, 25.4 x 29.8cm (10 x 11 3/4in)

Titled "Making Change", pencil signed lower right, artist proof print in colours editioned 7/45, image size 33.7 x 48.9cm (13 1/4 x 19 1/4in)

"Untitled: Boats Along the Shore", appears unsigned, oil on canvas, 39.4 x 49.2cm (15 1/2 x 19 3/8in)

"Untitled: Blue Morning Glory", signed lower right, oil on masonite, 20.3cm (8in) square

Titled "Kashe River Falls", signed lower left and artist label verso, watercolour on paper, sight 16.5 x 25.4cm (6 1/2 x 10in)

Titled "Where the Senneville Road Turns", signed indistinctly lower left, acrylic on paper, sight 9.5 x 13.3cm (3 3/4 x 5 1/4in)

Titled "Local Talk", pencil signed to the lower right margin, limited edition etching numbered 64/75, image size 16.5 x 22.9cm (6 1/2 x 9in) - John Neville, Canadian, born 1952

Titled "Musical Chairs", signed lower left, limited edition print numbered 313/450, sight 39.4 x 52.7cm (15 1/2 x 20 3/4in); Provenance: Decher Art Gallery Ltd., London

Pencil signed to the lower margin and editioned, etching in colours, sight 35.6 x 24.1cm (14 x 9 1/2in)

Watercolours on paper, signed, sight 40.6 x 19.1cm (16 x 7 1/2in), 39.4 x 27.9cm (15 1/2 x 11in), 14cm (5 1/2in) square and 15.2 x 15.9cm (6 x 6 1/4in); three with artist labels verso

"Untitled: Vast Landscape View", signed indistinctly lower right, oil on board, sight 38.1 x 33cm (15 x 13in)

Depicting an arrangement of flowers in vase, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in)

Antique chromolithograph print after a work by Ada Hansbury, sight 17.8 x 14cm (7 x 5 1/2in)

Titled "Water Garden", signed lower right, oil on canvas board, 30.5 x 40.6cm (12 x 16in)

Both signed "C. Walrid" to the lower margins, image size for each 6.4 x 8.3cm (2 1/2 x 3 1/4in); housed in matching frames

"Untitled: Still Life with Flower Arrangement", signed lower right, oil on canvas board, sight 29.8 x 24.8cm (11 3/4 x 9 3/4in) - Clare Bice, Canadian, 1909-1976

"Untitled: Fantasy Tree", signed lower right and dated (20)03, watercolour on paper, sight 20.3 x 15.2cm (8 x 6in) - Vyvyan Green, contemporary Stratford, Ontario artist

Antique coloured engraving after "La Bella Principessa", pencil signed indistinctly to the lower margin, published Williamsbridge, New York, image size 26.7 x 16.5cm (10 1/2 x 6 1/2in)

Both mixed media on board including "Sunflowers" and "Bees", both signed (by Mohammed Asgari and Tanya Zaryski), image sizes 15.2 x 10.2cm (6 x 4in) and 10.8 x 11.4cm (4 1/4 x 4

Titled "Farm Field at Medway, May, No. 3", signed lower right, oil pastel on paper, 24.1 x 21.6cm (9 1/2 x 8 1/2in) - artist label verso

Including "The Skein-Winder" and "Edinburgh Illustrated - Princess Street in the Season" from the London Illustrated News, both professionally framed, image sizes 19.7 x 24.1cm

Antique photographs in colour, two signed and titled to the lower margins, image sizes 19.1 x 24.1cm (7 1/2 x 9 1/2in), 11.4 x 16.5cm (4 1/2 x 6 1/2in) and 16.5 x 22.9cm (6 1/2 x 9in)

"Untitled: Floral Still Life", signed lower right, watercolour on paper, 21.6cm (8 1/2in) diameter

Titled verso "Little Flowers in Glass", signed lower right and dated 2011, acrylic impasto on panel, 45.1 x 31.8cm (17 3/4 x 12 1/2in) - contemporary Guelph, Ontario artist

Two Quebec etchings, signed, titled and editioned to the lower margins, image sizes 10.2 x 21.6cm (4 x 8 1/2in) and 8.9 x 12.7cm (3 1/2 x 5in)

Well-executed floral study, signed lower right, oil on board, sight 27.9 x 68.6cm (11 x 27in)

Titled "The Five Elms", pencil signed to the lower margin, etching on paper, image size 16.5 x 13.3cm (6 1/2 x 5 1/4in) - Charles William Dahlgreen, American, 1864-1955

Including a vintage Arthur Elsley print "Home Again", signed engraving by Wesley Bates, two Carol Clark signed prints, Glen Loates print, textured print and a framed sampler "Peace o

"Untitled: Paris Scene", signed lower right, oil on canvas, 50.8 x 61cm (20 x 24in) - Jean Daumier, French, born 1948

"Untitled: Blue Mountain Landscape", signed lower right, oil on masonite, 30.5 x 40.6cm (12 x 16in)

"Untitled: Abstract in Four Colours", signed lower right, oil on Grumbacher canvas board, 67.3 x 52.1cm (26 1/2 x 20 1/2in)

"Untitled: Trains Arriving During the Snowstorm", signed lower right, acrylic on paper, sight 35.6 x 50.8cm (14 x 20in)

"Untitled: Portrait of a Child", signed indistinctly lower left, oil on canvas, 54.6 x 44.5cm (21 1/2 x 17 1/2in)

"Untitled: Landscape with Dilapidated Barn", signed lower right, watercolour on paper, sight 38.1 x 54.6cm (15 x 21 1/2in) - artist information verso

"Untitled: Quiet Seas with Sailing Vessel", signed and dated 1976, watercolour on paper, sight 61 x 47cm (24 x 18 1/2in) - quality framed with non-reflecting glass

"Untitled: Northern Landscape with Forest Trail", signed lower right, oil on board, 50.8 x 76.2cm (20 x 30in) - some areas of paint loss

Contemporary acrylic on canvas, signed and dated (20)02 lower right, also signed verso, 61 x 91.4cm (24 x 36in)

Pair of framed prints housed in matching 77.5 x 86.4cm (30 1/2 x 34in) custom frames

Including a watercolour on paper by T.W.

"Untitled: Portrait of a Sea Captain", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in) - Saverio Tralli was born in 1927 in Matera, Italy, emigrated to Canada in 1960 where h

"Untited: Abstract with Deer in Landscape", signed lower right and dated (19)69, oil on canvas, 81.3 x 39.4cm (32 x 15 1/2in)

"Untitled: Autumn Riverscape", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in) - Matthew F. Kousal, Canadian, 1902-1990

"Untitled: Forest Interior", signed with initials lower right, oil on board, 30.5 x 26.7cm (12 x 10 1/2in) - Otto Planding, Canadian, 1887-1964

Major acrylic on masonite board depicting the Heathcote Antique Shop, signed lower right, 61 x 91.4cm (24 x 36in); housed in a custom rustic-style frame; John Mattar, Palestinian/Canadian, 1935-200

"Untitled: The Street Musician", signed lower right, oil on canvas, 61 x 30.5cm (24 x 12in)

Titled verso "Winter Landscape", signed lower left and verso, oil on board, 30.5 x 40.6cm (12 x 16in) - Alfred William Campbell, 19th/20th century Canadian artist

Titled "Light and Sweet", pencil signed to the lower margin, serigraph in colours, image size 38.1 x 25.4cm (15 x 10in) - Bruce Herchenrader, Canadian, born 1949

"Untitled: Sunflowers, Stoneware Crock and Vase", appears unsigned, oil on canvas, 91.4 x 61cm (36 x 24in)

"Untitled: Winter Landscape with River", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in) - J.

Titled verso "Father and Son", signed verso, acrylic on masonite, 30.5 x 19.7cm (12 x 7 3/4in) - Conrad Furey, Canadian, 1954-2008

Inscribed by the artist verso "Study for a painting The Celebrant", graphite on paper, sight 40.6cm (16in) diameter - artist label verso

"Untitled: Writing a Letter", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in) - Friedlander is the pseudonym used by artist Franz W.

"Untitled: Harbour View at Dusk", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in)

Titled verso "Baffin Island, After Lawren Harris", signed lower left, acrylic on board, 30.5 x 40.6cm (12 x 16in)

Titled verso "St. Basils Cathedral, Red Square, Moscow, Russia", signed lower left, watercolour on paper, sight 28.6 x 82.6cm (11 1/4 x 32 1/2in)

"Untitled: Landscape in Spain with Buildings and Rolling Hills", signed lower right, oil on canvas, 61 x 91.4cm (24 x 36in)

"Untitled: The Wine Taster", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in) - Saverio Tralli was born in 1927 in Matera, Italy, emigrated to Canada in 1960 where he operated

Titled verso "Natural Tendency #9", signed verso and dated 2007, mixed media on canvas, 76.2cm (30in) square; note the canvas is affixed to a wood stretcher but unframed; Kenneth W.

Painted after Lawrence Alma-Tadema's "A Coign Of Vantage", signed lower right, oil on board, 80 x 59.7cm (31 1/2 x 23 1/2in) - Joan Hall Staseson, Canadian, born 1947

Titled "Chester Basin", pencil signed lower right, lithograph in colours editioned 15/150, image size 55.9 x 78.7cm (22 x 31in) - Doug Forsythe, Canadian, born 1949