HOLIDAY ART AUCTION

Titled "The Weeping Pine, Algonquin Park", signed lower right, signed to label and studio stamp verso, acrylic on canvas, 76.2cm (30in) square; Provenance: East Queen Gallery, Toronto; Ja

Original serigraph print in colours, "Clothed Woman (In the Memory of My Father)", signed lower right and dated (19)63, plate size 31.8 x 81.3cm (12 1/2 x 32in); small glass chip upper right corner

Titled "Mother and Child", pencil signed lower right, oil chalks on paper, sight 61.6 x 47cm (24 1/4 x 18 1/2in); Provenance: Heffel Fine Art Auction House, Toronto; Louise Scott, Canadia

Mixed media sculpture titled to the base "Magic Box No.

Titled verso "Near St. Jerome, Quebec", signed and dated (19)44 lower right, also signed and dated to label verso, oil on canvas, 46.4 x 55.9cm (18 1/4 x 22in)

Sampson-Matthews silkscreen print in colours, signed in the plate lower right, 76.2cm x 1.02m (30 x 40in); also signed by A.J.

"The Parliament Buildings, Ottawa", Sampson-Matthews silkscreen print in colours, original label verso, 76.2cm x 1.02m (30 x 40in) - Stanley Francis Turner, 1883-1953

Sampson-Matthews silkscreen print in colours, signed in the plate lower right, 76.2cm x 1.02m (30 x 40in) - Alexander Young Jackson, Canadian, 1882-1974

Pencil signed and titled to the margin, watercolour on paper, sight 12.7 x 17.8cm (5 x 7in) - Audrey Garwood, Canadian, 1927-2004

Titled "Pont-Neuf, Paris" and pencil signed to the margin, etching, image size 20.3 x 26.7cm (8 x 10 1/2in) - Frank Milton Armington, Canadian, 1876-1941

Titled verso "Rocky Point, Vancouver Island, B.C.", signed lower left, oil on masonite, 61 x 76.2cm (24 x 30in) - John H.

Titled "Istanbul Sails", signed lower right, watercolour on paper dated 1965 verso, 40.6 x 56cm (16 x 22in); Provenance: Masters' Gallery, Toronto; Peter Goetz, Canadian, 1917-2007

"Untitled: Sleigh in Winter, Quebec", signed lower right, oil on masonite, 30.5 x 40.6cm (12 x 16in) - Roland Dostie, Canadian, born in Sherbrooke, Quebec, 1919, artist biography verso

Titled verso and signed lower right, oil on canvas, 61 x 30.5cm (24 x 12in)

Titled verso "Old Hotel Commercials, Thetford Mines", signed lower right, watercolour on paper, sight 35.6 x 50.8cm (14 x 20in)

Pencil signed, titled and editioned to the margin, abstract serigraph print in colours, image size 48.3 x 62.9cm (19 x 24 3/4in) - please note the print is sitting loose in frame

"Untitled: Figural Abstract Study", signed and dated 1968 lower right, oil on canvas, 81.3 x 39.4cm (32 x 15 1/2in) - framed to match the following two lots

"Untitled: Figural Abstract Study", signed and dated 1968 lower right, oil on canvas, 81.3 x 39.4cm (32 x 15 1/2in)

"Untitled: Figural Abstract Study", signed and dated 1968 lower right, oil on canvas, 81.3 x 39.4cm (32 x 15 1/2in)

"Untitled: Landscape Scene with Mill", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in) - Saverio Tralli, Italian, born 1927, emigrated to Canada in 1960 and resided in Toron

"Untitled: Seascape with Sailboats", signed lower right, oil on canvas, 49.5 x 100.3cm (19 1/2 x 39 1/2in) - J.

"Untitled: Fall River Scene with Dam", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in) - Eldon A.

"Untitled: Still Life with Sunflowers", signed lower right, oil on canvas, 91.4 x 61cm (36 x 24in) - Saverio Tralli, Italian, born 1927, immigrated to Canada in 1960 and resided in Toront

"Untitled: Still Life Study", signed lower right and dated, oil on board, 40.6 x 50.8cm (16 x 20in) - Paul Schleusner, born in Germany, immigrated to Canada in 1958 and opened his well-kn

"Untitled: Landscape View", signed lower middle and dated (19)85, watercolour on paper, sight 49.5 x 71.8cm (19 1/2 x 28 1/4in); Provenance: this and the next two lots are from the same L

Titled "Laurentian Evening", pencil signed lower right and dated (19)86, watercolour on paper, sight 21.6 x 29.2cm (8 1/2 x 11 1/2in) - from the same estate as the previous lot; Certifica

Titled "Reflections", signed lower right and dated (19)84, watercolour on paper, sight 32.4 x 24.1cm (12 3/4 x 9 1/2in) - from the same estate as the previous two lots; Certificate of Aut

"Untitled: Mountain Landscape", signed lower right, pastel on paper, sight 19.1 x 24.1cm (7 1/2 x 9 1/2in) - Maisie Wride, Canadian, 1892-1973

"Untitled: Laurentian Scene", signed lower right, watercolour on paper, sight 26.7 x 36.8cm (10 1/2 x 14 1/2in) - Graham Noble Norwell, Canadian, 1901-1967

"Untitled: Squirrel and Bluejay", appears unsigned, watercolour on paper, sight 40.6 x 50.8cm (16 x 20in)

Pencil signed and dated (19)78 to the margin lower right, limited edition print numbered 76/100, image size 35.6 x 48.3cm (14 x 19in) - Klaas Verboom, Canadian, 1948-2006

"Untitled: Corvette on the Beach", signed lower right, acrylic on canvas, 40.6 x 50.8cm (16 x 20in)

"Untitled: Landscape Scene with Dam", signed lower right and dated (19)49, watercolour on paper, sight 36.8 x 54.6cm (14 1/2 x 21 1/2in) - Ernest Caven Atkins, Canadian, 1907-2000, also k

Watercolour on paper, titled lower left and signed lower right, sight 25.4 x 35.6cm (10 x 14in) - Alexander Prowse, 20th century English artist, full biography verso

Painted after A.J. Casson's "White Pine", signed verso, acrylic on canvas board, 40.6 x 50.8cm (16 x 20in)

"Cottage Road", pencil signed lower right, limited edition print numbered 90/250, image size 45.7 x 61cm (18 x 24in)

"Untitled: Landscape Scene", signed lower left, watercolour on paper, sight 48.9 x 73.7cm (19 1/4 x 29in); some foxing on paper; Provenance: Lionel Clarke Galleries and Print Room, Markha

"Untitled: Art Deco Still Life", signed lower right, watercolour on paper, sight 44.5 x 39.4cm (17 1/2 x 15 1/2in) - Benjamin Jorj Harris, American, 1904-1957

Titled verso "Onaping Falls", signed lower left, also signed and dated verso, oil on canvas laid down on masonite, 25.4 x 30.5cm (10 x 12in) - Milan Obradovic, Canadian, born 1959

Titled verso "Christmas Village", pastel on paper, sight 20.3 x 30.5cm (8 x 12in) - no signature evident

Titled "U. of Chicago, The Bridges" and pencil signed to the margin, etching, image size 17.1 x 12.7cm (6 3/4 x 5in)

Titled verso "Magdalen Islands, PQ", signed lower right and dated (19)51, oil on panel, 27.9 x 36.2cm (11 x 14 1/4in); Note: the Magdalen Islands are located in the Gulf of St.

"Untitled: City, Figures, Clouds", appears unsigned, etching on paper circa mid-20th century, image size 38.1 x 21.6cm (15 x 8 1/2in)

Painted after Lawren Harris's "Above Lake Superior", oil on masonite, 49.5 x 61cm (19 1/2 x 24in) - artist unknown

"Lord Kitchener" and "H.M. The Queen", woodblock prints in colours, image size for each 24.1 x 22.9cm (9 1/2 x 9in) - housed in matching frames

Framed digital print in colours "Home From Home", image size 30.5 x 41.9cm (12 x 16 1/2in)

Important antique oil on canvas after Guido Reni's (Italian, 1575-1642) "The Young Bacchus"; the canvas measures 94 x 71.1cm (37 x 28in) and has been relined; housed in an elaborate carved wood and

"The Tranquility and the Turbulence - The Life and Work of Walter J. Phillips" by Roger H. Boulet, M.B.

"Tom Thomson - The Silence and the Storm" by Harold Town and David P.

Early hand-coloured etching, titled to the margin "Tiddy-Doll the great French-Gingerbread-Baker, drawing out a new Batch of Kings...", published by H.

Titled "Summer Garden Algonquin", signed lower left, signed and dated "Feb/14 (20)10" verso, acrylic on canvas, 30.5 x 40.6cm (12 x 16in) - Andrew Plum, British/Canadian, born 1

"The Group of Seven and Tom Thomson" by David P. Silcox, published Firefly books, hardcover, in excellent condition

"1920's Modernism in Montreal - The Beaver Hall Group", edited by Jacques Des Rochers and Brian Foss, published the Montreal Museum of Fine Arts, hardcover, excellent condition

Vintage woodblock print in colours, pencil signed and dated 1966 to the margin lower right, artist's proof, image size 53.3 x 43.2cm (21 x 17in) - Fumio Fujita, Japanese, born 1933

Vintage woodblock print in colours depicting the Ryoan-ji temple stone garden, pencil signed and dated 1970 to the margin lower right, image size 49.5 x 39.4cm (19 1/2 x 15 1/2in) - Isamu Sakamoto,

"Morrice - A Great Canadian Artist Rediscovered" hardcover, "Sam Borenstein" hardcover and "J.W.

Titled "Midnight Garden", pencil signed lower right, rare print in colours editioned 2/15, sheet size approximately 66 x 50.8cm (26 x 20in) - Anne Meredith Berry, Canadian, 1932-2003

Two antique photographs in colours, both titled and hand-signed to the margin, image sizes 15.2 x 24.1cm (6 x 9 1/2in) and 12.1 x 17.1cm (4 3/4 x 6 3/4in)

Vintage painting on ornate ceramic tile, indistinct writing in pencil verso, 21.6 x 24.8cm (8 1/2 x 9 3/4in)

Identified verso as Montcalm's Headquarters, Quebec, signed with initials "SJW" lower right, watercolour on paper, sight 17.8 x 23.5cm (7 x 9 1/4in)

"Untitled: Port Scene with Sailboats", signed lower right "Merge", oil on board laid down, image size 12.7 x 35.6cm (5 x 14in)

"Untitled: English Landscape with Cottage and Chickens", signed lower left, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in)

Artist proof etching print, pencil signed and titled to the margin, image size 16.5 x 22.2cm (6 1/2 x 8 3/4in)

Signed with initials "S.H.H." and dated "March 28, (19)45" lower left, graphite on paper, image size 12.7 x 19.7cm (5 x 7 3/4in)

Titled "Nocturne", pencil signed to the margin lower right, photograph in colours, sight 17.8 x 22.9cm (7 x 9in) - Wallace R. Macaskill, Canadian, 1890-1956

"Untitled: Landscape Study", signed lower right, watercolour on paper, sight 22.9 x 31.8cm (9 x 12 1/2in); paper showing foxing; Reginald Frank Knowles Drewe, British, 1878-1983

Antique engraving book plate after Edwin Henry Landseer (English, 1802-183), sight 25.4 x 19.1cm (10 x 7 1/2in)

One signed "Deacon", the other appears to be unsigned - sight 20.3 x 28.6cm (8 x 11 1/4in) and 15.2 x 10.8cm (6 x 4 1/4in)

Including a pastel drawing, watercolour, oils and assorted prints - 7 pieces total

Titled "Orange Lichen - Canadian Shield Series", pencil signed and dated (19)72 lower right, artist proof etching in colours, image size 54.6 x 68.6cm (21 1/2 x 27in) - Edward Ted John Ba

Titled verso "The West Glover Choral Society", signed lower right, oil and ink, sight 36.8 x 45.7cm (14 1/2 x 18in); Provenance: Harris Galleries, Hyde Park, Ontario; prominent London est

Titled verso "On Stage", signed lower right, oil and ink, sight 39.4 x 48.3cm (15 1/2 x 19in); Provenance: Harris Galleries, Hyde Park, Ontario; same prominent London estate collection as

"Grand Opera House", appears unsigned but possibly signed under the matting, oil and ink, sight 67.3 x 59.7cm (26 1/2 x 23 1/2in); Provenance: from the same prominent London estate collec

Titled verso "Cyrano", signed lower right, oil and ink, sight 71.1 x 38.1cm (28 x 15in); Provenance: Harris Galleries, Hyde Park, Ontario; same prominent London estate collection as the p

Original charcoal drawing on paper, signed and dated 1975 lower right, sight 26.7 x 43.2cm (10 1/2 x 17in); together with a Vancouver print "Lost Lagoon", signed and dated in the print (1

Exceptional antique carved oak frame, housing a 1916 print of the Ordination Class, London Conference - frame outer dimensions 50.8 x 61cm (20 x 24in)

A large assortment of Sotheby's and Christies auction catalogues, together with other auction catalogues and "Impressionist and Other Master Paintings" book

Antique hand-coloured etching, pencil signed to the margin lower right, image size 21 x 29.2cm (8 1/4 x 11 1/2in) - this and the next 5 lots of antique etchings/engravings are from the same London,

Titled "The Passage of Cab - I say Captain I have an idea we have ran foul of several things in our passage", antique hand-coloured engraving, image size 16.5 x 22.9cm (6 1/2 x 9in)

Brant, Ontario scene depicting six Indigenous scenes, hand-coloured engraving dated in pencil 1876, sight 34.3 x 24.8cm (13 1/2 x 9 3/4in)

Titled on the margin "Prospectus Oppidi Calsonis (The Prospect of the Town of Kelso", hand-coloured engraving, image size 22.9 x 41.9cm (9 x 16 1/2in) - some foxing

Titled "View from the King's Bastion Quebec, the Isle of Orleans in the Distance - From a Drawing by Major Williams, R.A.", antique hand-coloured engraving dated "1860" on

"Wild Duck Shooting", "Columbia College and College Green, New York, 1830" and untitled landscape/shoreline antique coloured print - all three framed

Limited edition print numbered 206/500, pencil signed to the margin lower right, image size 25.4 x 36.8cm (10 x 14 1/2in)

Including an early Canadian land deed dated 1854 (during Queen Victoria's reign), professionally framed and matted, frame outer dimensions 54.6 x 60.3cm (21 1/2 x 23 3/4in); together with a &q

Six assorted prints including after Rembrandt, botanical, etc.; note one frame loose

"Untitled: Sheep Farm", signed lower left, watercolour on paper, sight 22.9 x 34.3cm (9 x 13 1/2in) - Walter Bothams, British, 1850-1914

"Untitled: Backyard with Rocker and Quilt", signed and dated (19)88 lower right, watercolour on paper, sheet size 58.4 x 76.2cm (23 x 30in) - Johnnene Maddison, contemporary London, Ontar

Quality 19th century gilt frame housing a vintage print of a beach scene, frame outer dimensions 41.3 x 48.9cm (16 1/4 x 19 1/4in)

Titled verso "Garden Facade", signed lower right and verso, oil on masonite board, 60.3 x 81.3cm (23 3/4 x 32in); Provenance: Harris Galleries Inc., London; Brian Jones was a Canadian art

"Untitled: Ducks at Flight", signed lower left, oil on canvas, 49.5 x 69.2cm (19 1/2 x 27 1/4in); some craquelure to canvas; Max Johannes Arildskov, Danish, 1896-1980

Titled verso "Marina in Pastel", signed lower right, acrylic on canvas, 50.8 x 40.6cm (20 x 16in); Provenance: Cain Gallery label verso - William Tacke, American artist, full biography ve

Titled verso "Olive Trees", signed lower right, oil on paperboard, 27.9 x 20.3cm (11 x 8in); matted, not framed; David C. Drum, Canadian, born 1944

Titled "Split Rock" and "Portage des Chats", image size for each 12.1 x 18.4cm (4 3/4 x 7 1/4in); housed in matching frames; William Henry Bartlett, British, 1809-1854

Titled "Niagara", antique hand-coloured engraving after a painting by Harry Fenn, published D. Appleton and Co., New York, image size 13.3 x 23.5cm (5 1/4 x 9 1/4in)

Titled verso "Veuve River, Northern Ontario", signed lower left and verso, oil on canvas laid down on masonite, 30.5 x 25.4cm (12 x 10in); unframed; Milan Obradovic, Canadian, born 1959

"Ely Cathedral" hand-coloured engraving after Garland, "Edinburgh Castle" hand-coloured engraving after G.

"Great French Paintings from Cezanne to Matisse - The Barnes Exhibit - Art Gallery of Ontario" with image by Claude Monet, frame outer dimensions 81.9 x 61.6cm (32 1/4 x 24 1/4in)

"Untitled: Treeline View with Building and Cars in the Distance", signed lower right and dated (19)33, gouache with pen and ink, sight 54.6 x 74.9cm (21 1/2 x 29 1/2in)

"Untitled: Green Landscape with Castle Ruins", signed lower right, watercolour on paper, sight 21 x 29.8cm (8 1/4 x 11 3/4in); Provenance: The Isaacs Gallery, Toronto

"Untitled: Summer Landscape", signed lower right, oil on masonite, 21.6 x 31.8cm (8 1/2 x 12 1/2in) - housed in a vintage birdseye maple frame

Titled "Yonge Street, Toronto", pencil signed and dated to the margin lower right, photograph in colours, sight 33 x 48.9cm (13 x 19 1/4in); Provenance: Nash Jewellers, London label verso

Titled "Iris Night #5", pencil signed to the margin lower right, limited edition print numbered 9/20, image size 35.6cm (14in)

Titled "The Pathway", pencil signed lower right, limited edition print numbered 2030/4411, image size 38.1 x 33cm (15 x 13in)

Titled "Sky Riders", signed lower right, watercolour on paper, sight 32.4 x 45.7cm (12 3/4 x 18in)

Titled verso "Drifted Fence", signed lower right, oil on masonite, 40.6 x 50.8cm (16 x 20in)

"Untitled: Autumn Landscape", signed lower right and dated (20)05, oil on masonite, 40.6 x 61cm (16 x 24in) - Paul Schleusner, born in Germany, immigrated to Canada in 1958 and opened his

"Untitled: Mountain Landscape", signed lower right, oil on board, 45.7 x 61cm (18 x 24in)

Titled verso "The Water Splash, Kersey", signed lower left, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in); frame loose

"Untitled: River Scene", signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in)

Titled "Village Laurentian" and signed on matting, acrylic, sight 29.2 x 36.8cm (11 1/2 x 14 1/2in) - note some discolouration on matting

Titled verso "Floral #1", signed verso and dated 2017, acrylic on canvas,27.9 x 35.6cm (11 x 14in)

Reproduction print in colours, sight 52.1 x 40cm (20 1/2 x 15 3/4in)

"Untitled: Shoreline View", signed lower left, watercolour on paper, sight 19.1 x 34.9cm (7 1/2 x 13 3/4in) - please note foxing; Provenance: Abbey Galleries, London, England; this and th

"Untitled: Eton Street Scene", signed lower right, watercolour on paper, sight 33 x 27.9cm (13 x 11in)

Both signed indistinctly in pencil, watercolours on paper, sight 24.1 x 36.2cm (9 1/2 x 14 1/4in) and 24.1 x 36.8cm (9 1/2 x 14 1/2in) - please note foxing, and new framing is suggested

Titled "View of London", antique hand-coloured engraving after a painting by S.J. Neele, image size 15.2 x 35.6cm (6 x 14in)

T. Rowlandson etching after a drawing by Thomas Gainsborough, published May 1st, 1789 (a year after Gainsborough's death), image size 25.4 x 32.4cm (10 x 12 3/4in)

Titled verso "Morning - Dell Quay", signed verso, oil on masonite, 30.5 x 43.2cm (12 x 17in)

Early hand-coloured map of The West Ridinge of Yorkshire, sold by Roger Rea the Elder (circa 1650) after a map by John Speed (1522-1629), sight 40 x 52.1cm (15 3/4 x 20 1/2in); reverse framed to sh

Early hand-coloured map of Wilshire with a rare image of Stonehenge, sold by Henry Overton circa 1710 after a John Speed (1551-1629) map - sight 37.5 x 50.2cm (14 3/4 x 19 3/4in)

Early hand-coloured map of Somersetshire with an image of Bathe, dated in the plate 1610 and sold by John Sudbury & George Humble, sight 39.4 x 52.1cm (15 1/2 x 20 1/2in); reverse framed to sho

"The College of Physicians" and "Hospital, Middlesex", antique aquatint prints by J.C. Sadler, image size for each 19.1 x 25.4cm (7 1/2 x 10in)

Titled "Bottom Fishing" and "Fly Fishing", antique engravings after J. Pollard, image sizes 34.3 x 43.2cm (13 1/2 x 17in) and 34.9 x 44.5cm (13 3/4 x 17 1/2in)

Including an antique portrait photo, two engravings and 5.7 x 4.4cm (2 1/4 x 1 3/4in) daguerreotype

Nice assortment of antique prints including hand-coloured examples, various sizes - 16 pieces

Pencil signed to the margin lower right, image size 95.3 x 61.6cm (37 1/2 x 24 1/4in) - matted, not framed

Both pencil signed by the artist, sheet sizes 31.8 x 85.7cm (12 1/2 x 33 3/4in) and 33 x 85.7cm (13 x 33 3/4in) - both unframed