SEPTEMBER ART SESSION I

Titled verso "Sunrise, La Cloche Lake", signed lower left, acrylic on board, 45.7 x 61cm (18 x 24in); Provenance: East Queen Gallery, Toronto, original price $3500.00; artist's studi

"Untitled: Forest Interior, Late Autumn", signed lower right, watercolour on paper, sight 36.8 x 25.4cm (14 1/2 x 10in) - William St. Thomas Smith, Canadian, 1862-1947

Titled verso "The Sugar Shack", signed lower left, oil on masonite, 40.6 x 50.8cm (16 x 20in); artist label verso; Peter Etril Snyder, Canadian, 1944-2017

"Untitled: River Landscape in Winter with Barns in the Distance", signed upper right middle and dated, watercolour on paper, sight 35.6 x 54cm (14 x 21 1/4in) - Reverend Richard Percival

"Untitled: Flying Owl", signed right side, acrylic on canvas, 30.5 x 40.6cm (12 x 16in); Provenance: present Toronto collection, acquired directly from the artist; Floyd Kuptana, Inuvialu

Original acrylic on canvas painted after Carl Brenders "Apple Harvest", 38.1 x 27.9cm (15 x 11in)

Titled "On Waterloo St., London, Ont." and signed lower right, watercolour on paper, sight 34.3 x 52.1cm (13 1/2 x 20 1/2in); artist label verso; Martin Zimmer, prominent London, Ontario

Acrylic on canvas board painted after Lawren Harris, signed lower right, 30.5 x 40.6cm (12 x 16in)

Titled "Composition Blue", signed verso and dated 2016, acrylic on canvas, 1.22 x 1.83m (48 x 72in); Provenance: Galerie D'Arts Contemporains, Montreal, original price $2500.00; Note

"Untitled: Harbour Scene", signed indistinctly lower right, well executed oil on board circa 1930, 21.6 x 26.7cm (8 1/2 x 10 1/2in); verso stamped "Picture Frame Service, Edinburgh&q

"Untitled: Portrait of a Man with Cigar and Woman", signed indistinctly with initials lower right and dated (19)15, ink wash on paper, sight 33 x 26cm (13 x 10 1/4in); Provenance: from the same Lon

Titled verso "The Road to the Lake in Winter - Temagami", signed lower left, oil on board, 50.8 x 61cm (20 x 24in); Provenance: The Classic Fine Art Galleries label verso; present private

"Untitled: Study of a House and Windmill", no signature evident, graphite on paper, sight 38.1 x 76.2cm (15 x 30in)

"Untitled: Winter Harbour", signed and dated (19)89 lower right, watercolour on paper, sight 27.3 x 41.9cm (10 3/4 x 16 1/2in)

Vintage framed print after the famous work "Nude Descending a Staircase, No. 2", frame outside dimensions 94 x 62.2cm (37 x 24 1/2in)

Limited edition print numbered 97/500, pencil signed to the lower right margin, image size 50.8 x 72.4cm (20 x 28 1/2in) - some browning to paper and matting; Arto Yuzbasiyan, Canadian/Turkish, bor

"Untitled: Abstract with Square and Figures", signed and dated 2005 lower right, mixed media on board, 1.1 x 1.23m (43 1/4 x 48 1/2in) - Sevki Kuzay, contemporary American artist residing

Original watercolour signed illegibly lower right, sight 44.5 x 59.7cm (17 1/2 x 23 1/2in) - professionally framed and matted, frame outside dimensions 83.8 x 95.9cm (33 x 37 3/4in)

Four antique hand-coloured engravings (three originally drawn by T.

Three hardcover examples including "Robert Bateman - Natural Worlds", "Robert Bateman - An Artist in Nature" and "Glen Loates - A Brush with Life", both Bateman books

Titled "Fresh Start", signed verso and dated (20)16, acrylic on canvas, 1.22 x 1.83m (48 x 72in); Provenance: Galerie D'Arts Contemporains, Montreal, original price $2800.00; Note: t

"Untitled: When You Wish Upon A Star", appears unsigned, vintage pastel on paper, sight 35.6 x 27.3cm (14 x 10 3/4in) - likely used for a children's book or advertisement

Pencil signed limited edition print, numbered 100/150, image size 22.9 x 29.2cm (9 x 11 1/2in) - professionally framed and matted

Quality hardcover copies including "Krieghoff - Images of Canada", "Mary Pratt", "Varley" and "A Painter's Harvest - The Works of Peter Etril Snyder" (t

Set of 6 antique engravings, originally drawn by T.

"Untitled: Still Life Study", signed lower left, oil on board, 35.6 x 26.7cm (14 x 10 1/2in)

"Untitled: Arriving to Shore at Sunset", signed with initials lower right "M.H.", oil on board, 30.5 x 45.7cm (12 x 18in) - Reeves & Sons, London stamp to board verso

"Untitled: Landscape View with Waterfall", signed lower left, oil on board, 40.6 x 30.5cm (16 x 12in) - Gamil Wasef, 21st century London, Ontario contemporary painter originally from Egyp

"Untitled: Harbour Scene", no signature evident, oil on masonite, 40.6 x 30.5cm (16 x 12in)

Titled to the frame "Nunerone" and signed "Boomer" lower right, oil on panel, 61 x 91.4cm (24 x 36in) - also signed verso, dated 1977 and noted the frame is cedar, cut in the Ma

Original watercolour on paper, signed lower right, sight 40.6 x 66cm (16 x 26in)

"Untitled: Vase with Flowers", signed lower left, also signed and dated 2008 lower right, mixed media (watercolour and acrylic) on paper, sight 63.5 x 47.6cm (25 x 18 3/4in) - Andrew Plum

Titled "Quebec from the Citadel" and pencil signed to the lower margin, etching/aquatint in colours, image size 20.3 x 17.1cm (8 x 6 3/4in) - Nicholas Hornyansky, Canadian, 1896-1965

Titled "Wharves at Sundown" and pencil signed to the lower margin, etching/aquatint in colours, image size 13.7 x 17.8cm ( 5 3/8 x 7in) - Nicholas Hornyansky, Canadian, 1896-1965

Titled verso "Clearing Evening, Carman Lake, Gatineau Park, Quebec", signed lower right, signed and dated 1985 verso, oil on panel, 30.5 x 40.6cm (12 x 16in); Provenance: private collecti

"Untitled: Vase with Flowers", signed lower right, oil on masonite, 50.2 x 40cm (19 3/4 x 15 3/4in)

Titled "Having Fun" and "Happiness Is...", both pencil signed and dated 2000, limited edition prints numbered 88/150 and 79/150, image size for each approximately 15.2 x 8.9cm (

Original pen and ink wash on paper, signed indistinctly lower left, image size 16.5 x 23.5cm (6 1/2 x 9 1/4in)

"Untitled: Apple", signed and dated (20)06 lower right, acrylic on canvas, 40.6 x 30.5cm (16 x 12in)

Titled "Loch Lomond", signed lower left, oil on canvas, 50.8 x 61cm (20 x 24in)

"Announcing The Arrival Of Our European Shipments", original painting on cloth, frame outside dimensions 1.62 x 1.09m (63 1/2 x 43in) - some wear noted

Artist proof print in colours, pencil signed to the lower right margin, image size 58.4 x 39.4cm (23 x 15 1/2in); from the same collection and framed to match the following lot; Leroy Neiman, Ameri

Artist proof print in colours, pencil signed to the lower right margin, image size 61 x 45.7cm (24 x 18in); from the same collection and framed to match the preceding lot; Leroy Neiman, American, 1

"Untitled: Dark Portrait Study", signed lower right, oil on canvas, sight 54.6 x 37.5cm (21 1/2 x 14 3/4in)

Ten antique Vanity Fair Spy prints including "The Statesmen" and "Men of the Day" series, sheet size for each approximately 35.6 x 22.9cm (14 x 9in); found unframed in folio, so

"Untitled: Beach Scene with Dinghies", appears unsigned, watercolour on paper, sight 23.5 x 34.3cm (9 1/4 x 13 1/2in)

20th century colourful tapestry wall hangings with images of animals, frame outside dimensions 38.1 x 47.6cm (15 x 18 3/4in) and 31.1 x 45.7cm (12 1/4 x 18in)

8 framed sheet music covers from the early 20th century

Both signed with red seal, sight 25.4 x 18.4cm (10 x 7 1/4in) and 23.5 x 18.4cm (9 1/4 x 7 1/4in)

Signed and dated (19)65 lower right, oil on masonite, 45.1 x 32.4cm (17 3/4 x 12 3/4in)

Titled "Industry and Idleness, Plate 11, "The Idle 'Prentice Executed at Tyburn, from the Original Design by Hogarth", image size 10.8 x 17.8cm (4 1/4 x 7in)

"Untitled: Rolling Hills", signed with initials "A.D." lower left, watercolour on paper, sight 27.9 x 19.7cm (11 x 7 3/4in)

Including a Trisha Romance print, pen and ink drawing, Albrecht Dürer reproduction print, etc. - all framed

Titled "Still Life", dated 2014 and signed verso, also signed lower right, oil on canvas, 59.7 x 74.9cm (23 1/2 x 29 1/2in) - Serge Deharian, Canadian, born 1955; a well recognized contem

Titled "Gold Worker" to the lower right margin and signed with initials "A.R." lower left, watercolour on paper, image size approximately 14 x 21.6cm (5 1/2 x 8 1/2in)

"Untitled: Girl with Oranges", signed illegibly lower left, oil on canvas board, 55.9 x 71.1cm (22 x 28in)

"Untitled: Abstract Study", appears unsigned, oil on canvas, 88.9 x 68.6cm (35 x 27in) - some craquelure, canvas imperfection upper right middle

Pencil signed to the lower margin, drypoint on paper, sheet size 29.2 x 21cm (11 1/2 x 8 1/4in) - Vladimir Komarek, Czech postwar and contemporary painter, 1928-2002

"Untitled: Pear", signed and dated (19)98 lower right, watercolour on paper, image size 10.8 x 8.3cm (4 1/4 x 3 1/4in); housed in a quality carved frame with pears in relief, frame outsid

Titled "Climbing Mt. McGill", pencil signed to the lower margin, black and white photograph, image size 21.6 x 15.9cm (8 1/2 x 6 1/4in) - Byron Harmon, Canadian, 1880-1942

"Untitled: Abstract with Face", signed lower left, also signed and dated 1991 verso, oil on cloth, 40.6cm (16in) square; note the cloth is affixed to a wood stretcher but unframed; Kati Agocs is a

Vintage carved wood example made from mixed materials including shells, height 36.2cm (14 1/4in), width 15.9cm (6 1/4in)

Titled verso "Dans un Rang a St.

"Untitled: Floral Arrangement", signed lower right, watercolour on paper, sight 29.2 x 38.1cm (11 1/2 x 15in)

Titled verso "2012 New Year's Eve, Victoria Park", signed lower right, signed and dated Jan.

"Untitled: Birdhouse", signed lower right, oil on panel, 25.4 x 20.3cm (10 x 8in); unframed; Sandi McCabe, contemporary London, Ontario artist

"Untitled: Still Life Study", no signature evident, oil on board, sight 24.8 x 19.7cm (9 3/4 x 7 3/4in); Provenance: acquired at auction in Toronto circa 1990, and was told by the auction

Titled "Church Street (Charleston, S.C.)", pencil signed lower left, limited edition lithograph print numbered 463/3000, image size 34.3 x 54.6cm (13 1/2 x 21 1/2in); professionally frame

Titled "The Rock Cut, Bruce Peninsula Ontario", signed to the lower margin and dated (19)41, etching on paper, image size 25.4 x 20.3cm (10 x 8in) - John Byrne, Canadian, 1906-1976

Lithograph print in colours, "Blue Flowers - Sea View", pencil signed lower left middle, sight 49.5 x 40.6cm (19 1/2 x 16in) - Ray George Ellis, 1921-2013, a prominent American artist; El

Lithograph print in colours, "Basket of Bonitas", pencil signed lower right, editioned 68/100, image size 20.3 x 24.1cm (8 x 9 1/2in) - Ray George Ellis, 1921-2013; note this print was so

Lithograph print in colours, "Hydrangeas by the Sea", pencil signed lower right, editioned 80/100, image size 20.3 x 25.4cm (8 x 10in) - Ray George Ellis, 1921-2013; note this print was s

Titled "In the Land of the Maple", pencil signed to the lower margin, woodcut on paper, image size 24.8 x 20.3cm (9 3/4 x 8in) - William Frederick George Godfrey, British/Canadian, 1884-1

Titled "White Phalenopsis", signed and dated lower left, photographic print in colours, sight 21 x 39.4cm (8 1/4 x 15 1/2in) - Arius Hopman, a contemporary watercolourist and photographer

Titled "Spruce Tree and Aurora", pencil signed and dated 1931 to the lower right margin, woodcut print, image size 5.1cm (2in) square - Carl Fellman Schaefer, Canadian, 1903-1995

"Untitled: Landscape Study with Lake and Mountains in the Distance", signed lower right, oil on masonite, 15.2cm (6in) square

Titled "Vieilles Maisons, St.

Titled "Benediction", signed and dated 1940 to the lower right margin, etching on paper, image size 7.6 x 8.9cm (3 x 3 1/2in) - Charles Walter Simpson, Canadian, 1885-1971

"Untitled: Still Life", oil on panel, 48.3 x 40.6cm (19 x 16in) - this work is believed to have been painted by Aleen Elizabeth Aked (English/Canadian, 1907-2003); Aked moved to Ontario at the age

Mixed media abstract sculpture on marble base, signed and dated 1959, height 31.8cm (12 1/2in); diameter of base 30.5cm (12in); Gyula Marosan, Hungarian/Canadian, 1915-2003

"Untitled: Sitting on a Bridge", signed lower right, watercolour with pen and ink on paper, sight 28.6 x 36.2cm (11 1/4 x 14 1/4in)

"Untitled: The Lighthouse", signed lower right, acrylic on canvas, 40.6 x 50.8cm (16 x 20in)

"Untitled: Vast Landscape Scene", signed lower left, watercolour on paper, sight 17.1 x 26cm (6 3/4 x 10 1/4in); Provenance: private Ontario collection; Herbert Sidney Palmer, Canadian, 1

Titled "Monet Garden #3", pencil signed to the lower margin, limited edition print numbered 1/1, image size 10.2 x 15.2cm (4 x 6in)

Titled "The Mill House, Kimberley, Ontario", signed verso, charcoal on paper, sight 45.7 x 61cm (18 x 24in) - housed in a rustic wood frame

Titled "Friday's Fish and Yesterday's News", pencil signed and dated (19)83 to the lower right margin, serigraph in colours editioned 55/250, image size 45.7 x 61cm (18 x 24in)

Titled "Copse of Trees", signed with initials and dated (19)94 lower right, limited edition print numbered 17/25, image size 34.9 x 44.5cm (13 3/4 x 17 1/2in); original price verso of $39

Titled indistinctly verso depicting a house in autumn setting, signed and dated (19)76 lower right, watercolour on paper, sight 39.4 x 53.3cm (15 1/2 x 21in); Provenance: Longboat Key Art Center, F

Oil on canvas with no signature evident, 53.7 x 76.2cm (21 1/8 x 30in); housed in a costly custom frame, outside dimensions 73.7 x 95.9cm (29 x 37 3/4in)

Including an Ivan Fedorovitch Choultse print, sight 59.7 x 74.9cm (23 1/2 x 29 1/2in), and August von Munchhausen print, sight 32.4 x 40cm (12 3/4 x 15 3/4in)

Russian-school hand-painted wall clock, signed lower middle, diameter 31.8cm (12 1/2in) - note the clock is a modern battery-operated model, still with tags

"Untitled: Treed Landscape", signed and dated indistinctly lower right, oil on canvas, 51.4 x 68.9cm (20 1/4 x 27 1/8in)

Inscribed verso "Inspired by Indigenous Art", signed verso, acrylic on canvas, 91.4cm x 1.02m (36 x 40in) - note the canvas is affixed to a wood stretcher but unframed; Serge Deharian, Ca

"Untitled: Still Life with Fruit, Wine Jug and Basket", appears unsigned, oil on canvas, 61 x 91.4cm (24 x 36in)

"Untitled: Nude Study", no signature evident, pastel on paper, sight 55.2 x 36.2cm (21 3/4 x 14 1/4in)

Titled and signed indistinctly verso, also inscribed "Brasil" and dated 2011, oil on canvas, 80.6 x 99.1cm (31 3/4 x 39in) - note the canvas is affixed to a wood stretcher but unframed

From the Musée des Beaux-Arts de Montréal, October 1988 - February 1989, frame outside dimensions 99.7 x 69.2cm (39 1/4 x 27 1/4in) - glass imperfection lower left

Titled verso "Marianne", signed and dated (19)96 lower right, pastel drawing on paper, sight 48.3 x 35.6cm (19 x 14in) - John Joy, Canadian, 1925-2012

"Untitled: Portrait of a Woman with Whistle", signed indistinctly upper right, acrylic on paper, sight 66 x 45.7cm (26 x 18in)

Titled "Lady in Lace", pencil signed to the margin lower right, lithograph in colours editioned 265/300, image size 66 x 38.7cm (26 x 15 1/4in)

"Untitled: Herding Cattle", signed and dated 1969 lower right, oil on canvas, 76.2 x 61cm (30 x 24in)

Framed lithograph print, sight 55.9 x 43.2cm (22 x 17in)

Signed with initials lower right and dated (19)93, acrylic on canvas, 91.4 x 61cm (36 x 24in)

"The Sculpture of Picasso" by Roland Penrose, chronology by Alicia Legg, published by The Museum of Modern Art, New York, 1967; together with two leather bound volumes of "The Intern

"Untitled: Nude Study", signed to the lower right margin, mixed media on paper, image size 55.9 x 45.7cm (22 x 18in)

Titled "A River View", signed and dated lower right, watercolour on paper, sight 52.7 x 74.3cm (20 3/4 x 29 1/4in) - Reverend Richard Percival Daniel Hicks, Canadian, 1903-1973

"Untitled: Surrealist Abstract", no signature evident, acrylic on canvas, 76.2 x 61cm (30 x 24in) - note the canvas is affixed to a stretcher but unframed

Titled "Scribbles", pencil signed to the lower right margin, artist proof print in colours, image size 45.7 x 61cm (18 x 24in); Provenance: purchased Princess Cruises Fine Art, November,

Titled verso "Near Sault Ste Marie", signed and dated (19)70 lower right, watercolour on paper, sight 42.5 x 59.1cm (16 3/4 x 23 1/4in) - John Joy, Canadian, 1925-2012

"Untitled: Study of a Nude Man", signed indistinctly lower left, pastel drawing on paper circa 1960, sheet size approximately 58.4 x 43.2cm (23 x 17in)

"Untitled: Landscape with Rainbow", signed lower left, oil on canvas, 57.2 x 92.7cm (22 1/2 x 36 1/2in) - some paint loss to canvas; Paul Vorgang, German, 1860-1927

"Untitled: Buildings", mixed media on paper, sight 45.7 x 61cm (18 x 24in) - David C. Armstrong, contemporary Canadian artist, born 1937, biography verso

Oil on canvas painted after Simon Hollosy's 1885 "Corn Husking - Lovers", 91.4 x 61cm (36 x 24in) - artist unknown

"Untitled: Nude Studies", both appear unsigned, chalk on paper in sepia, housed in matching 81.3 x 40cm (32 x 15 3/4in) frames; one with small glass imperfection lower right

"Untitled: A Fisherwoman", signed indistinctly lower right, oil on canvas, 64.8 x 53.3cm (25 1/2 x 21in)

"Untitled: Figure and Igloo", signed upper centre, pastel on paper, sheet size 45.7 x 30.5cm (18 x 12in) unframed; Lucy Tasseor Tutsweetok, Arviat, Nunavut, 1934-2012

"Untitled: Family", serigraph print in colours, signed in the plate lower right, sight 26.7 x 34.3cm (10 1/2 x 13 1/2in); note the print is matted, not framed; Robert Chee (Hashke-Yil-Cal

"Untitled: Schooner on the Open Seas", signed and dated 1945 lower left, oil on canvas board, 38.1 x 45.7cm (15 x 18in)

"Untitled: Western Canada", no signature evident, watercolour on paper, sight 29.2 x 47cm (11 1/2 x 18 1/2in)

Titled "Inco Slag Train", pencil signed to the lower right margin and dated (19)73, photolitho serigraph in colours editioned 22/100, image size 40.6 x 53.3cm (16 x 21in); note the sheet is matted

"Untitled: Floral Arrangement", signed lower right, watercolour on paper, sight 36.8 x 25.4cm (14 1/2 x 10in)

"Untitled: Winter Street Scene", signed lower left, oil on canvas, 55.2 x 45.7cm (21 3/4 x 18in)

Titled "Winds of Time", pencil signed to the lower right margin and dated 1963, etching on paper editioned 1/20, sheet size 29.8 x 37.5cm (11 3/4 x 14 3/4in); unframed; Helen Goldfus, Ame

Titled "The Group", pencil signed to the lower right margin, artist's proof H/C (Hors Commerce) etching on paper with hand-colouring, sheet size 38.1 x 28.6cm (15 x 11 1/4in); unfram

"Untitled: Portrait", pencil signed and dated 1998 lower left, watercolour on paper, sheet size 50.8 x 35.6cm (20 x 14in); unframed; Helen Goldfus, American, 1916-2012

"Untitled: View by the Shoreline", signed lower right, oil on canvas, 45.7 x 59.7cm (18 x 23 1/2in) - unframed

"Untitled: Winter Landscape", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in)

Titled "Rue St. Louis" and signed "Claudin" lower middle, pen and ink on paper, sight 30.5 x 12.7cm (12 x 5in)

"Untitled: River View in Summer", appears unsigned, oil on masonite, 30.5 x 40.6cm (12 x 16in)

"Fortiter Et Fideliter", signed and dated (20)05 lower right, mixed media on paper, sight 34.9 x 33cm (13 3/4 x 13in)

Titled "Thunderbird", pencil signed lower right and dated (19)88, limited edition serigraph in colours numbered 17/220, sight 37.5 x 48.9cm (14 3/4 x 19 1/4in)

Pair of watercolours on paper, both signed and dated (19)87, sight for each 26.7 x 37.5cm (10 1/2 x 14 3/4in); housed in matching frames

"Untitled: Northern Landscape", signed and dated (20)05 lower right, acrylic on canvas, 21.6 x 19.1cm (8 1/2 x 7 1/2in); unframed but the canvas is affixed to a wood stretcher; Laura Woermke, Canad

"Untitled: Still Life", signed lower right, watercolour on paper, sight 45.7 x 33cm (18 x 13in)

"Untitled: Mountain Vista", signed and dated 1977 lower right, oil on board, 50.8 x 61cm (20 x 24in)

"Untitled: Catching Fish", signed indistinctly lower right, acrylic on canvas, 50.8 x 40.6cm (20 x 16in)

"Untitled: View with Old London Courthouse", signed and dated 1974 lower left, watercolour on paper, sight 51.4 x 71.8cm (20 1/4 x 28 1/4in)

"Untitled: Two Cats Playing with Yarn", pencil signed "Ricard" lower right, etching in colours editioned 36/40, image size 31.8 x 15.2cm (12 1/2 x 6in)

"Untitled: The Lesson", signed indistinctly lower left, oil on masonite, 35.6 x 30.5cm (14 x 12in)

"Untitled: Lush Green Forest Interior with Stream", signed lower right, acrylic on canvas, 50.8cm x 1.02m (20 x 40in)

"Untitled: Table Setting with Fruit, Pitcher and Bowl", signed "Bito" lower right, oil on canvas, 50.8 x 61cm (20 x 24in)

Two stylized wood carvings of standing figures, heights 71.1cm (28in) and 76.2cm (30in) - the consignor informed Gardner's his parents purchased these carvings in Northwest British Columbia 30

Titled "Barn in Haliburton, Winter", signed lower right, signed and dated 1972 verso, also artist's studio stamp verso, oil on panel, 25.4 x 30.5cm (10 x 12in) - William Kratzer, Can

"Untitled: Floral Arrangement", signed and dated (19)84 lower right, oil on board, 50.8 x 40.6cm (20 x 16in)

"Untitled: Side Profile View", signed lower right, oil on board, 40.6 x 29.2cm (16 x 11 1/2in)

"Untitled: Landscape View", no signature evident, oil on board, sight 44.5 x 29.2cm (17 1/2 x 11 1/2in)

Titled "Maple Sugar Time", signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in) - old exhibition label verso