OCTOBER ART

Titled "Scene in Georgian Bay", signed lower right and dated (19)89, also signed and dated to the label verso, oil on masonite, 40.6 x 50.8cm (16 x 20in); Provenance: private collection, Windsor; a

"Untitled: River Rapids, Forest and Mountains", signed lower right, watercolour on paper, sight 36.8 x 55.9cm (14 1/2 x 22in) - Marmaduke Matthews, Canadian, 1837-1913

Original Sampson-Matthews silkscreen in colours after "Algonquin Lake (Spring Mood)", signed in the plate lower right, 50.2 x 67.9cm (19 3/4 x 26 3/4in) - Alan Caswell Collier, Canadian,

"Untitled: Dancing Wolf with Two Heads", signed right side, acrylic on canvas, 66 x 35.6cm (26 x 14in); the canvas is unframed but affixed to a wood stretcher; Provenance: present Toronto

"Untitled: Garden Landscape with Figure", appears unsigned, oil on panel, 20.3 x 25.4cm (8 x 10in); Provenance: J.B.

"Untitled: Puffin in Landscape", signed lower left, acrylic on canvas, 25.4cm (10in) square - Shirley Thomas, contemporary Canadian artist residing in British Columbia

"Untitled: Rural Landscape Scene", signed lower left, pastel drawing on paper, sight 49.5 x 59.7cm (19 1/2 x 23 1/2in); housed inside a custom made frame by the artist - Halfred A.

Titled verso "Fishing Boats, B.C.", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in)

Titled "A Hint of Spring" and dated 1966 verso, signed lower right, oil on canvas laid down on board, 40.6 x 50.8cm (16 x 20in)

"Untitled: Summer Landscape", signed lower right, acrylic on canvas, 61 x 50.8cm (24 x 20in)

"Untitled: Impressionist Study with Figure", signed upper left and verso, oil on board, 22.9 x 30.5cm (9 x 12in) - Hall Pierce Groat Sr., American, born 1932

"Untitled: Lake Scene", signed lower right, oil on board, 20.3 x 25.4cm (8 x 10in)

"Untitled: Landscape Scene, Late Autumn", signed lower right, oil on board, 27.9 x 35.6cm (11 x 14in) - Otto Planding, Canadian, 1887-1964

"Untitled: Still Life: Roses and Pear", signed lower left, acrylic on canvas, 20.3 x 25.4cm (8 x 10in); Provenance: Encadrements Ste-Anne, Quebec

"Untitled: Birch Trees and River Landscape", signed lower right, oil on board, 20.3 x 27.9cm (8 x 11in)

Titled verso "Facing", no signature evident, oil on board, 25.4 x 30.5cm (10 x 12in); Provenance: The Isaacs Gallery, Toronto

"Untitled: Landscape Study", signed and dated (19)50 lower right, oil on board, 30.5 x 40.6cm (12 x 16in); Provenance: A. Haines, Toronto

"Untitled: Lake View in Winter", signed lower left, oil on board, 31.8 x 41.9cm (12 1/2 x 16 1/2in) - William Gardner Blackwood, Canadian, Scottish/Canadian, born 1892

"Untitled: Portrait of a Sitting Woman", signed lower left, mixed media (antique coloured photograph with oil highlights), sight 33.7 x 26cm (13 1/4 x 10 1/4in) - George Henry, Scottish,

Titled "Place De L'en Fer, Riviere Cachee", signed lower left, also signed and dated 2001 verso, oil on canvas, 25.4 x 30.5cm (10 x 12in) - Certificate of Authenticity from the artis

"Untitled: Landscape at Dusk with Figure", signed lower right, oil on canvas, 22.9 x 30.5cm (9 x 12in)

Titled verso "Quebec", signed lower left, oil on canvas laid down, 20.3 x 25.4cm (8 x 10in) - Lincoln Godfrey Morris, Canadian, 1887-1967

Titled verso "Mild Morning at Harriston Junction, CNR 462 #5611", signed lower right, also signed and dated 1990 verso, oil on board, 22.9 x 30.5cm (9 x 12in)

Antique Western Canadian school oil on canvas, appears unsigned, 28.6 x 36.2cm (11 1/4 x 14 1/4in) - housed in a quality period antique frame

Titled "Bills Fishing Boat, Maine", signed lower left, oil on masonite, 30.5 x 40.6cm (12 x 16in) - Ron Goyette, American, 1941-2002

"Untitled: Sunday Afternoon in the Park", signed indistinctly lower left, oil on board, 53.3 x 63.5cm (21 x 25in)

"Untitled: Old Homestead and Water Pump", signed lower right, watercolour on paper, sight 29.2 x 39.4cm (11 1/2 x 15 1/2in)

"Untitled: Landscape View with Farm House", signed lower left, oil on canvas board, 30.5 x 40.6cm (12 x 16in) - Harry Niilo Grunsten, 20th century Canadian artist, born 1902

"Untitled: Winter Mountain View", signed lower left, oil on canvas, 61 x 90.2cm (24 x 35 1/2in); small repair to canvas lower right middle; Fritz (Friedrich) Saliger, Austrian, 1896-1989<

Titled verso "Frelighsburg (Quebec)", signed lower left, signed and dated 1991 verso, oil on canvas board, 35.6 x 45.7cm (14 x 18in) - Jean Constantineau, Canadian, 1928-2009

Classical style portrait painting, signed and dated 1979 lower right, oil on canvas, 71.1 x 54cm (28 x 21 1/4in)

Titled verso "Paris Market", signed lower right, oil on board, 55.9 x 99.1cm (22 x 39in) - Antonio Devity, Italian, 1901-1993

Original watercolour on paper, signed lower left, sight 26.7 x 36.8cm (10 1/2 x 14 1/2in) - Bill Schwarz, contemporary Canadian artist and member of CSA (Canadian Society of Artists)

Modern black and white print from the film "Breakfast at Tiffany's", frame outside dimensions 99.1 x 38.1cm (39 x 15in)

"Untitled: Portrait Abstract", signed indistinctly lower right, felt pen on paper laid down on panel, 30.5 x 40.6cm (12 x 16in)

"Untitled: East Coast Fishing Harbour", signed and dated 1966 lower right, oil on masonite, 50.8 x 61cm (20 x 24in)

"Untitled: Four Figures", signed indistinctly and dated (19)67 lower middle, mixed media on paper, sight 45.7 x 54.6cm (18 x 21 1/2in)

Titled verso "Harbour Scene", oil on canvas, 20.3 x 25.4cm (8 x 10in); Provenance: artist's inventory number MA-502B verso; originally from a London physician's collection, acqu

Large landscape oil "Untitled: Herding Sheep", signed lower left, label verso indicating this was painted in 1855, oil on board, 71.1cm x 1.07m (28 x 42in)

"Untitled: Figures, Palm Tree, Hour Glass", signed with monogram lower right, large oil on panel, 1.22m x 91.4cm (48 x 36in) - unframed

"Untitled: Hong Kong Street Scene", signed lower right, oil on canvas, 50.8 x 40.6cm (20 x 16in); Provenance: Seaside Art Gallery, Hong Kong; Fung Sao Fung, Chinese, 1926-2012

Titled "The Red Bureau", pencil signed and dated (19)74 lower left, artist proof serigraph in colours, sight 45.7 x 63.5cm (18 x 25in); Provenance: The Isaacs Gallery Ltd., Toronto; John

Late Qing Dynasty ink and colour on silk painted after Leng Mei depicting immortals celebrating longevity, signed upper left, sight 89.5 x 41.3cm (35 1/4 x 16 1/4in)

Titled "China Land Dreamscape", signed lower left, watercolour on paper, sight 50.8 x 24.1cm (20 x 9 1/2in); framed to match the following lot; Andrew Plum, British/Canadian, born 1965

Titled "The Crack of Dawn", signed lower left, watercolour on paper, sight 50.8 x 24.1cm (20 x 9 1/2in); framed to match the preceding lot; Andrew Plum, British/Canadian, born 1965

Titled verso "Figures", pastel drawing on paper, sight 58.4 x 36.2cm (23 x 14 1/4in) - offered in the style of the artist without any guarantee implied

Each titled, pencil signed and editioned, etching prints in colour, image size for each approximately 21.6 x 30.5cm (8 1/2 x 12in); housed in matching 40.6 x 51.4cm (16 x 20 1/4in) frames

"Lisette Charest Estampe" limited edition print with an image of "Les Recitations" and pencil signed by the artist lower right, editioned 239/250, sight 57.2 x 50.2cm (22 1/2 x

"Untitled: Poppies", no signature evident, acrylic on canvas, 62.2 x 52.1cm (24 1/2 x 20 1/2in) - note the canvas is on a wood stretcher but unframed

Titled "De Waterput", signed indistinctly lower right and dated circa 1949 to label verso, watercolour on paper, sight 43.2 x 33cm (17 x 13in); Provenance: Atelier Alexis Arts

Titled "Ville de Quebec", signed lower right, signed/titled and dated 9 Sept, 2012 verso, acrylic on canvas board, 40.6 x 30.5cm (16 x 12in) - unframed

Titled verso "Huntley Rowe, Edinburgh", signed lower right, watercolour on paper, sight 44.5 x 31.8cm (17 1/2 x 12 1/2in) - Featherstone Robson, British, 1880-1936

Titled "La Promenade Des Seurs" and pencil signed to the lower margin, limited edition numbered 522/700, image size 30.5 x 11.4cm (12 x 4 1/2in)

Titled "Churchyard", signed lower left, oil on board, 43.2 x 55.9cm (17 x 22in) - George Feather Lawrence, British, 1901-1981

Titled "A Merchant's Wife of Kalouga, In Her Winter Dress" and "A Mestscherakian Woman" by William Alexander Dadley (1767-1816), hand-coloured engravings produced in 1804,

Titled verso "Lake Simcoe Circa 1890" depicting Jackson's Point Harbour, watercolour on paper, sight 29.2 x 48.9cm (11 1/2 x 19 1/4in)

Two framed antique examples depicting views of New Hampshire and Vermont, sight 36.8 x 30.5cm (14 1/2 x 12in) and 20.3 x 15.2cm (8 x 6in), including one published by S.

Original ink and colour on paper depicting a misty mountain landscape, signed upper right for Wang Dapeng (20th century Chinese artist), sight 1.28m x 45.7cm (50 1/2 x 18in)

Both original works on silk, signed and housed in matching 42.5 x 48.9cm (16 3/4 x 19 1/4in) frames

Antique example depicting dragons and other mythical animals with an ornate border design, frame outer dimensions 30.5cm x 1.28m (12 x 50 1/2in)

Titled "Revival of the Sleighs, Mt.

Titled "Chateau de Ramesay, Montreal", pencil signed to the lower right margin, etching/aquatint in colours, sight 10.2 x 14.6cm (4 x 5 3/4in) - Nicholas Hornyansky, Canadian, 1896-1965

Vintage framed example, signed with red seal lower left, sight 96.5 x 33cm (38 x 13in)

Vintage oil on masonite board depicting a street scene, signed lower right, 58.4 x 43.2cm (23 x 17in) - housed in a quality period ornate frame

Titled verso "Peabody", signed lower right, oil on board, 25.4 x 30.5cm (10 x 12in)

"Untitled: Still Life with Roses", signed lower left, oil on board, 17.8 x 22.9cm (7 x 9in)

Antique example painted circa 1920 depicting a sitting ancestor, housed in 69.9 x 49.5cm (27 1/2 x 19 12in) frame

Each housed in matching 46.4 x 36.2cm (18 1/4 x 14 1/4in) decorator frames

Limited edition print pencil signed by the artist to the lower right margin, numbered 938/950, image size 52.7 x 67.3cm (20 3/4 x 26 1/2in) - Frank Panabaker, Canadian, 1904-1992

Titled "Corona Lifting Over Lake Erie" from the Quarantine Series, mixed media on reverse glass panel, signed and dated 2020 verso, 40.6 x 35.6cm (16 x 14in) - David Drum, Canadian, born

Titled "Atelier de Reparation" and "L'Intrus", both pencil signed lower right, sight for 25.4 x 34.3cm (10 x 13 1/2in) and 23.5 x 31.8cm (9 1/4 x 12 1/2in)

Titled verso "Ghent, Belgium", signed with monogram lower left, watercolour on paper, sight 34.3 x 25.4cm (13 1/2 x 10in); Provenance: this and the following lot are from the same Ontario

"Untitled: A Venetian View", signed with monogram lower left, watercolour on paper, sight 22.9 x 17.8cm (9 x 7in); Provenance: from the same Ontario collection as the preceding lot; Samue

Including a hand-coloured lithograph after Charles Louis Mozin, original etching pencil signed by James Connell, and antique engraving titled "Adelaide Wharf Under London Bridge"; all thr

"Untitled: The Old Farm Gate", signed lower right and dated (19)93, watercolour on paper, sight 24.1 x 34.3cm (9 1/2 x 13 1/2in)

Vintage linocut print in colours, pencil signed to the lower margin and editioned 28/100, image size 27.3 x 14cm (10 3/4 x 5 1/2in) - Cawthra Mulock, Canadian, 1915-1998

Woodblock triptych print in colours "Playing Hanetsuki" from "Today's Elegant Manners and Customs", signed and titled in the third image, overall size 34.3 x 69.9cm (13 1/2

Woodblock triptych print in colours "Chanoyu (Tea Ceremony)" from "Tosei Fuzoku Tsu (Life of the Day)", signed and titled in the third image, dated 1899, overall size 34.3 x 69.

Titled "Seven Grecian Ladies", signed in pencil to the lower right margin, lithograph in colours editioned 30/35, image size 38.1 x 54.6cm (15 x 21 1/2in) - Adolph Arthur Dehn, American,

Depicting figures in the foreground, buildings in the distance surrounded by an elegant border, sight 21 x 17.1cm (8 1/4 x 6 3/4in)

Signed and stamped right middle, sight 18.4 x 12.7cm (7 1/4 x 5in)

Four-colour etching on wove paper, "Two Doves", pencil signed to the lower right margin, image size 29.2 x 24.1cm (11 1/2 x 9 1/2in) - Elyse Ashe Lord, English, 1900-1971

Antique lithograph of Leicester Castle from "Picturesque Selections" published by W.

Custom modern frame and matting, image size 33 x 45.1cm (13 x 17 3/4in)

Black and white photograph of Robert Lorne Stanfield, signed and dated to the lower right margin, image size 24.1 x 19.7cm (9 1/2 x 7 3/4in)

Antique engraving after the original 1743 work "In the Collection of the Rt. Honble.

"White Doyenne" from D.M. Dewey's Series of Fruits, Flowers and Ornamental Trees, Rochester, N.Y., sight 24.8 x 17.1cm (9 3/4 x 6 3/4in)

Including a print of young girl with bubbles, and M.C. Goan "Mother and Child" - both framed

Signed and dated lower right, watercolour on paper, sight 55.9 x 40.6cm (22 x 16in)

Titled "Indian Summer with Cow Geometry", pencil signed to the lower right margin, artist proof serigraph in colours, sheet size 45.1 x 55.9cm (17 3/4 x 22in) - John Carl Heywood, Canadian, born 19

Signed indistinctly and dated (19)53 lower left, oil on canvas, 40.6 x 50.8cm (16 x 20in)

Titled "Path to the Meadow", pencil signed to the lower right margin and dated (19)80, limited edition lithograph print, image size 33 x 45.7cm (13 x 18in); Provenance: The Franklin Galle

Vintage coloured print, sight 43.8 x 33.7cm (17 1/4 x 13 1/4in)

"Untitled: Red Houses in Winter", signed lower right, oil on board, 25.4 x 20.3cm (10 x 8in) - Nandor Horthy, Hungarian/Canadian, born 1927

Including an unsigned watercolour on paper depicting a winter forest scene, sight 20.3 x 27.9cm (8 x 11in); together with a watercolour of a house, signed with initials "A.F.", sight 21 x

Titled "Intent - Cougar", pencil signed lower right, limited edition print numbered 48/950, frame outside dimensions 48.3 x 55.9cm (19 x 22in)

"Untitled: Old Church", signed and dated (19)81 lower right, watercolour on paper, sight 38.7 x 49.5cm (15 1/4 x 19 1/2in)

Folk art style acrylic on masonite depicting a winter harbour scene, signed and dated (19)84 lower right, 50.8 x 40.6cm (20 x 16in)

Original watercolour on paper, signed and dated (19)56 lower right, sight 40.6 x 53.3cm (16 x 21in)

Impressive oil on canvas painted after Titian's 1533 work "Portrait of Charles V with a Dog", 1.98 x 1.07m (78 x 42in), Note: the last photograph shows a comparison of the shear size and magnificen

"Untitled: Still Life with Apples", appears unsigned, oil on canvas painted in the manner of Eva Bradshaw, 22.9 x 39.4cm (9 x 15 1/2in); housed in an oak arts and crafts frame

Both untitled depicting winter landscape scenes, 29.8 x 40.6cm (11 3/4 x 16in) and 38.1 x 30.5cm (15 x 12in); Provenance: Nash Galleries, London

"Untitled: Portrait of a Woman", no signature evident, oil on canvas, 78.7 x 68.6cm (31 x 27in); attributed to the 18th or possibly early 19th century Austrian school, with engraved namep

Titled "High Tides, Portland", signed lower left, oil on masonite, 22.9 x 30.5cm (9 x 12in)

"Untitled: Landscape in Autumn", signed lower left, oil on masonite, 25.4 x 30.5cm (10 x 12in); Provenance: Wolfe Studios, Chatham

Signed indistinctly lower right, oil on canvas, 71.1 x 50.8cm (28 x 20in)

"Untitled: The Fox Hunt", signed indistinctly lower right, oil on canvas, 50.8 x 91.4cm (20 x 36in); please note condition of canvas including paint loss and repair upper left; unframed, the canvas

Titled verso "Frosty November", signed and dated 1894 lower left, oil on canvas, 61 x 91.4cm (24 x 36in); canvas repair left side; Robert Watson, British, 1865-1916

"Untitled: Portrait of a Woman", signed lower right, oil on panel, 45.7 x 35.6cm (18 x 14in)

Titled "Boom in Bos", signed lower right, oil on canvas laid down on panel, 36.8 x 23.5cm (14 1/2 x 9 1/4in); housed in a quality period gilt frame; Marinus Heijl, Dutch, 1836-1931

Painted after Thomas Moran's "Rainbow Hills", signed lower left, watercolour on paper, sight 54.6 x 40.6cm (21 1/2 x 16in)

"Untitled: Landscape at Sunset", signed indistinctly lower left, pastel on paper, sight 39.4 x 80cm (15 1/2 x 31 1/2in); housed in an exceptional antique gilt frame

"Untitled: Highland Cattle", signed "J. Mathew" and dated 1925 lower left, oil on canvas, 50.8 x 76.2cm (20 x 30in)

"Untitled: Purple Mountain Vista", no signature evident, oil on board, 38.1 x 45.7cm (15 x 18in)

19th century landscape oil on board with fisherman in the foreground, signed lower right, 43.2 x 61cm (17 x 24in)

Both signed, housed in similar frames - sight 57.2 x 64.8cm ( 22 1/2 x 25 1/2in) and 66.7 x 41.3cm (26 1/4 x 16 1/4in)

Original etching in colours, "Chateau Frontenac", pencil signed to the lower right margin and dated (19)91, editioned 257/500, image size 17.8 x 7.6cm (7 x 3in); professionally framed and

Pair etchings in colours, both pencil signed to the lower margins and dated (19)94 and 95, editioned 132/700 and 287/700, image sizes for each approximately 10.2 x 8.3cm (4 x 3 1/4in); both profess

"Untitled: Harbour Scene with Seagulls", unsigned, inscribed verso "William John Hopkinson, New Brunswick", oil on board, 30.5 x 40.6cm (12 x 16in); Provenance: private Ontario

Oil on canvas depicting a woman holding a basket of flowers with Paris flower market vendors in the background, signed and titled lower right, 61 x 76.2cm (24 x 30in) - Francois Gerome, French, bor

"Untitled: Landscape with Winding Road, Two Figures and Trees", signed lower right, oil on masonite, 61 x 50.8cm (24 x 20in) - Louis Dobry, Canadian, born 1915

"Untitled: Floral Arrangement", signed lower right, vintage oil on linen, 61 x 50.8cm (24 x 20in)

Framed lithograph print, "Homeward Bound", sight 45.7 x 76.2cm (18 x 30in)

"Untitled: Sunflowers", signed lower right, acrylic, sight 52.1 x 42.5cm (20 1/2 x 16 3/4in); Provenance: Waddingtons, Toronto; Louis Dobry, Canadian, born 1915

"Untitled: Nude Figure, Pitcher, Grapes, Pear", appears unsigned, oil on canvas, 71.1 x 50.8cm (28 x 20in)

"Untitled: Still Life", signed lower right and dated (19)97, acrylic on canvas, 66 x 40.6cm (26 x 16in)

"Untitled: African Elephants at the Waterhole", signed lower left, oil on canvas board, 35.6 x 45.7cm (14 x 18in)

Original watercolour depicting a still life study, painted on a textured surface which was handmade using mat board, latex paint and acid free tissue paper, signed and dated 2006, sight 66 x 15.2cm

Pair watercolours painted on textured surfaces which were handmade using mat board, latex paint and acid free tissue paper, both signed and dated 2005/2006, sight 21.6 x 14cm (8 1/2 x 5 1/2in) and

Titled verso "17-2", signed indistinctly and also inscribed "Dominic McGeary" verso, oil on canvas, 78.7 x 98.4cm (31 x 38 3/4in)

"Untitled: Coastal View with Crashing Waves", signed lower right, oil on board, 22.9 x 30.5cm (9 x 12in)

"Untitled: Fall Approaching", no signature evident, acrylic on canvas, 40.6 x 50.8cm (16 x 20in)

Large scale decorative oil on canvas depicting an American schooner on the open seas, signed lower right, 61 x 91.4cm (24 x 36in) - housed in a 83.8cm x 1.14m (33 x 45in) custom frame

"Untitled: Still Life with Pears, Peach, Plum and Cherries", signed lower right, acrylic on canvas, 61 x 50.8cm (24 x 20in)

Pencil signed and dated to the lower right margin, image size 40.6 x 57.8cm (16 x 22 3/4in); Provenance: Waddingtons, Toronto

Titled "Sounds of Love", signed lower right, acrylic on canvas, 80 x 100.3cm (31 1/2 x 39 1/2in) - Serge Deharian, Canadian, born 1955; a well recognized contemporary Toronto artist origi

Depicting two dancers in blue relief on tanned paper, sight 51.4 x 40.6cm (20 1/4 x 16in)

Lithograph print in black and white depicting two nude figures, pencil signed illegibly lower left, image size 31.8 x 40.6cm (12 1/2 x 16in); Provenance: Art Trend Gallery, Willowdale, Ontario

Titled "Yellow Roses", signed lower right and verso, oil on masonite, 61 x 45.7cm (24 x 18in)

"Untitled: Two Figures with Flowers and Fish in Landscape", signed indistinctly and dated (19)84 lower left, acrylic on canvas, 55.9 x 45.7cm (22 x 18in)

"Untitled: Woman in Red on Blue Couch", pencil signed lower right, pastel on paper, sight 43.2 x 57.2cm (17 x 22 1/2in)

"Untitled: Meal Time", signed and dated (20)07 lower right, oil on masonite, 50.8 x 61cm (20 x 24in)

Original watercolour, pen and ink on paper, signed lower right, sight 69.9 x 49.5cm (27 1/2 x 19 1/2in)

"Untitled: Woman and Man", signed lower right, watercolour and ink wash on paper, sight 57.2 x 39.4cm (22 1/2 x 15 1/2in); Provenance: Waddingtons, Toronto

Titled "Eel's Creek, Kawartha", signed lower left and verso, dated 1985 verso, oil on masonite, 40.6 x 50.8cm (16 x 20in)

"Untitled: Holland", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in) - Sydney Berne, Canadian, 1921-2013

"Untitled: Early Fall Landscape", signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in)

Titled "The Bourgeau Range Near Banff, British Columbia", signed lower middle, also signed and dated 1959 verso, oil on Reeves canvas board, 45.7 x 61cm (18 x 24in)

Titled "Sand and Sun", signed lower right, oil on board, 38.1 x 61cm (15 x 24in) - Ronald N. Okey, Canadian, born 1921, studio label verso

"Untitled: Landscape Scene with Cottage", appears unsigned, oil on board, 50.8 x 61cm (20 x 24in)

Titled "African Elephants", pencil signed and dated (19)97 lower right, lithograph print editioned 3/4, image size 45.7 x 61cm (18 x 24in)

Titled "The Rideau Canal", signed lower right, oil on masonite, 20.3 x 61cm (8 x 24in)

"Untitled: Winter Scene", signed indistinctly lower right, oil on canvas board, 30.5 x 40.6cm (12 x 16in)

Titled "The Air, The Forest, and the Watch", pencil signed to the lower right margin, limited edition print numbered 8278/42558, frame outside dimensions 85.7cm x 1.13m (33 3/4 x 44 1/2in

Titled "Quiet Water", signed verso, oil on board, 50.8 x 61cm (20 x 24in)