APRIL ART

Titled "Guardian Owl", pencil signed and inscribed "Dorset, 1997" to the margin, etching and aquatint in colours editioned 41/100, image size 53.3 x 74.3cm (21 x 29 1/4in); frame outer dimensions 7

After Katsushika Hokusai's most famous work, "The Great Wave off Kanagawa, 1831", woodcut print in colours, sheet size 21 x 31.1cm (8 1/4 x 12 1/4in); signed in red ink to the margin lower right

Titled verso "Sunlit Woods", signed lower right, oil on board, 50.8 x 61cm (20 x 24in) - Dorothy Parsons, Canadian, 1915-2010

"Untitled: Northern River Scene", signed lower left, oil on board, 50.8 x 40.6cm (20 x 16in) - Matthew F. Kousal, Canadian, 1902-1990

Soapstone carving depicting a kneeling hunter holding a carved bone knife, no signature evident, height 13.3cm (5 1/4in) - acquired in Baker Lake, a hamlet in the Kivalliq Region, Nunavut

Titled "Tree", pencil signed to the margin lower right and dated 1966, hand-coloured print on paper editioned 10/10, sheet size 54.6 x 38.1cm (21 1/2 x 15in) - Eve Apostoll, American/Cana

Titled verso "Snowfall, New York, 1930", oil on masonite, 30.5 x 22.9cm (12 x 9in)

"Untitled: Still Life with Roses and Mug", signed indistinctly and dated 1922 lower right, oil on canvas, 34.3cm (13 1/2in) square

Titled verso "A Tremendous Time", signed verso and dated "Jan.

Soapstone carving in the form of an Inuk hunter, signed on base, height 10.8cm (4 1/4in) - this and the following lot were acquired in Baker Lake, a hamlet in the Kivalliq Region, Nunavut

Vintage example carved in the form of an arctic bird, height 6.4cm (2 1/2in)

Signed and dated (19)88 lower right, watercolour on paper, sight 20.3 x 29.2cm (8 x 11 1/2in)

Titled "James Street, North Hamilton, 1886", modern lithograph print, sight 45.7 x 59.7cm (18 x 23 1/2in)

"Untitled: Berwick from the Banks of the Tweed", signed lower right, watercolour on paper, sight 24.1 x 52.1cm (9 1/2 x 20 1/2in) - Fred Stott, British, 1910-2006

Titled "Loon" and signed by Missy Aleck (Coast Salish) verso, wood carving measuring approximately 22.9cm (9in) high x 38.1cm (15in) wide

Traditional handmade Iroquois corn husk mask, outside dimensions 38.1 x 27.9cm (15 x 11in) - Note: the northeastern Iroquois weave several types of basketry, including masks, which embody spirits a

Woodblock print in colours "Kambara: Night Snow", vintage 20th century example after the original Edo period (19th century) work, sheet size 24.8 x 37.5cm (9 3/4 x 14 3/4in) - Utagawa Hir

Watercolour on silk depicting two women writing calligraphy in tranquil landscape, signed and seal stamped upper right, image size 36.2 x 31.1cm (14 1/4 x 12 1/4in)

Titled verso "Feast at a Water-Side Pavilion", woodblock print in colours, sight 29.8 x 19.1cm (11 3/4 x 7 1/2in) - Yamaguchi Soken, Japanese, 1759-1818

Painted after Fan Zeng (Chinese, born 1938) watercolour "Old Man and Tortoise", signed upper left and seal stamped, image size 27.3 x 38.1cm (10 3/4 x 15in)

Titled verso "Beauty in the Rain", woodblock print in colours, signed and seal stamped lower right, sight 28.6 x 17.8cm (11 1/4 x 7in) - Sojun Yamaguchi, Japanese artist originally from K

Titled "Funky Times", signed verso and dated (20)22, mixed media on canvas, 91.4 x 76.2cm (36 x 30in); gallery label verso with price of $1250.00; Ross Bishop, contemporary London, Ontari

Titled verso "Gypsy with Tambourine", signed lower left, 19th century oil on canvas laid down on board, 47 x 31.1cm (18 1/2 x 12 1/4in) - please note repairs to board

"Untitled: Figural Study", signed middle right and dated 1997, conte drawing on paper, sight 63.5 x 48.9cm (25 x 19 1/4in) - Alexandre Evgrafov, 20th century Russian/Canadian artist

Titled verso "Winds of Gold", signed lower left and verso, acrylic on canvas, 27.9 x 35.6cm (11 x 14in); the canvas is on a wood stretcher but unframed; Andrew Plum, British/Canadian, bor

Titled "Wisdom", signed lower left, watercolour on paper, sight 38.1 x 27.9cm (15 x 11in); Diana Roy, Canadian, born 1940, artist biography and original retail price of $2000.00 verso

"Untitled: Town Scene with Market and People", signed lower left, large scale oil on masonite measuring 76.2cm x 1.02m (30 x 40in) - Helen De Silaghi, Canadian, 1920-2008

"Untitled: Still Life", signed lower right, also signed and dated 1997 verso with figural sketch, oil on canvas, 1.02m x 76.2cm (40 x 30in) - Serge Deharian, Canadian, born 1955; a well r

"Untitled: Figural Study", signed lower left, watercolour and pencil on paper, sight 14 x 10.2cm (5 1/2 x 4in); Provenance: this and the following lot from the same private collection, To

"Untitled: Merchants", signed lower left, watercolour and pencil on paper, sight 14 x 10.2cm (5 1/2 x 4in); Tadeusz Rybkowski, Polish, 1848-1926

Stone carving in the form of a seal on rock, signed to base, height 7cm (2 3/4in) - this and the following six lots are from the same Ontario private collection

Soapstone carving in the form of a seal, signed to base and dated 1975, disc number 5-25109 - height 5.1cm (2in), length 11.4cm (4 1/2in)

Green serpentine carving in the form of a seal, signed on base and dated 1982, height 8.3cm (3 1/4in), width 15.2cm (6in)

Soapstone carving in the form of an arctic bird, signed to base, height 12.1cm (4 3/4in)

Cape Dorset stone carving in the form of a hunter, signed on base, height 7.6cm (3in)

Signed on base with disc number 5101962, height 7.6cm (3in), width 14.6cm (5 3/4in)

Signed on base and dated 1973, disc number 5-08394, height 8.3cm (3 1/4in)

Titled "North West Area, Halifax, N.S.", pencil signed to the margin lower right, photograph in colours, sight 25.4 x 33cm (10 x 13in) - Wallace R. Macaskill, Canadian, 1890-1956

Landscape oil on wood panel, no signature evident, 19.1 x 19.7cm (7 1/2 x 7 3/4in)

Modern lithograph print housed in custom 76.2 x 90.8cm (30 x 35 3/4in) frame

Including a Royal Crown Cola ad, 35.6 x 26.7cm (14 x 10 1/2in); original watercolour and ink drawing, sheet size 50.8 x 34.3cm (20 x 13 1/2in); vintage Van Gogh print, frame outer dimensions 35.6 x

"Untitled: Abstract", signed lower middle, mixed media and collage, sight 55.2 x 76.2cm (21 3/4 x 30in) - Lise Tremblay-Thaychi, Canadian Postwar and Contemporary artist, born in 1946

Photographic coloured print depicting horses in a yard, hand-signed to the matting lower right, sight 34.9 x 27.3cm (13 3/4 x 10 3/4in) - Kim Lowes, contemporary Canadian photographer, studio label

Titled "Unrequited Love #2", pencil signed and dated (19)91 to the lower right margin, mixed media on paper, image size 30.5 x 22.9cm (12 x 9in); frame outer dimensions 71.1 x 62.9cm (28

Colonial Spanish Santos carving attributed to the 18th century, height 26.7cm (10 1/2in)

Titled verso "N.W. Cove, South Shore, N.S.", signed lower right "Len Butcher", signed verso "J.L.

Titled "North Channel Series #3", pencil signed to the lower right margin, limited edition serigraph print in colours numbered 34/40, image size 34.3 x 47cm (13 1/2 x 18 1/2in); Provenanc

Colourful dyed silk with coloured accents depicting a village and mountains, sight 39.4 x 45.7cm (15 1/2 x 18in) - vintage label verso from Kaywan Glass and Frames Centre, Abu Dhabi

"Untitled: Landscape View", signed lower left, pastel on paper, sight 19.1 x 69.9cm (7 1/2 x 27 1/2in)

Titled verso "Over Exposed", signed with initials "R.M." and dated (19)74 lower right, acrylic on canvas, 91.4 x 61cm (36 x 24in) - small indentation in canvas middle section

"Untitled: Northern River Landscape", signed lower right, oil on masonite, 40.6 x 30.5cm (16 x 12in)

"Untitled: Winter Farm Scene", signed and dated (19)96 lower left, watercolour on paper, sight 41.9 x 74.9cm (16 1/2 x 29 1/2in)

Parisian school oil signed lower right and verso, dated 1976 verso, oil on masonite, 30.5 x 40.6cm (12 x 16in)

"Untitled: Vast Autumn Landscape", signed and dated 1964 lower right, oil on board, 61 x 91.4cm (24 x 36in)

"Untitled: Northern Landscape and River Rapids", no signature evident, oil on canvas laid down on board, 25.4 x 34.9cm (10 x 13 3/4in) - verso written in pencil "J.E.H.

Titled "Men See Birds with Their Young", pencil signed to the lower margin, dated 1976 and inscribed "Puvirnituq" which is a northern village in Nunavut, linocut print, sight 27

Titled verso "Sees on the Wing", signed lower middle, dated 1986 verso, watercolour on paper, sight 48.3 x 33cm (19 x 13in)

Titled verso "Milkweeds", signed lower right, dated 1986 verso, watercolour on paper, sight 35.6 x 50.2cm (14 x 19 3/4in)

Pencil signed indistinctly lower middle, acrylic on canvas circa 1970, 40.6 x 50.8cm (16 x 20in) - framed behind plexiglass

Titled verso "Lingering", signed verso and dated (19)70, mixed media on plywood board, 33 x 26.7cm (13 x 10 1/2in) - unframed; Geoffrey David Armstrong, Canadian, 1928-2018

Large photographic print housed in a modern 85.1cm x 1.31m (33 1/2 x 51 1/2in) frame

One titled verso "Marble Canyon, Banff", both signed, oils on board, each 25.4 x 20.3cm (10 x 8in) and housed in matching frames

"Untitled: The Captain", signed lower right, oil on canvas, 25.4 x 20.3cm (10 x 8in)

Titled verso "Old Welsh Farm", signed lower left and verso, watercolour on paper, sight 12.7 x 27.9cm (5 x 11in) - artist information verso

Titled "Reflections", pencil signed to the lower right margin and dated (19)69, artist proof engraving in colours, sight 30.5 x 47cm (12 x 18 1/2in)

"Untitled: Rural Scenes", no signature evident, acrylics on canvas housed in matching 44.5 x 55.9cm (17 1/2 x 22in) rustic frames

Titled "Morning Ritual", pencil signed to the margin lower right, limited edition print numbered 11/350, image size 39.4 x 50.8cm (15 1/2 x 20in)

Titled "A Frog He Would A Wooing Go" from Fantasy Farm Series, signed lower right and dated (19)67, mixed media and collage on canvas, 22.9 x 35.6cm (9 x 14in) - Joan Frick, Canadian, 194

Titled "Deep River", signed and dated (19)87 lower right, watercolour on paper, sight 25.4 x 36.2cm (10 x 14 1/4in)

Titled "Nude", pencil signed, lithograph in black and white editioned 1/10, sight 8.9cm (3 1/2in) square

"Untitled: View of the Garden", signed lower right, watercolour on paper, sight 19.1 x 20.3cm (7 1/2 x 8in); some staining on matting and backing; Heather Keating, contemporary St.

Titled "Mt. St.

Titled "Three Cottages after Rembrandt", pencil signed to the margin lower right, etching with hand-colouring, image size 15.2 x 20.3cm (6 x 8in)

Titled "Feuillage" and pencil signed, etching in colours editioned 29/200, image size 10.8 x 14cm (4 1/4 x 5 1/2in); small glass imperfection lower right; the artist is from Quebec City,

Frame outer dimensions 67.3 x 77.5cm (26 1/2 x 30 1/2in)

"Untitled: The Old Watering Hole", oil on board, 30.5 x 47cm (12 x 18 1/2in) - artist identified verso and dating this painting circa 1899-1909

Titled "West Waterloo", pencil signed and dated (19)76 to the lower margin, serigraph in colours editioned 1/15, image size 21.6 x 24.8cm (8 1/2 x 9 3/4in); sheet size 57.2 x 43.2cm (22 1

Including a signed John Benn etching and W. Trusler monoprint in colours, sheet sizes 34.9 x 25.4cm (13 3/4 x 10in) and 66 x 45.7cm (26 x 18in) - both unframed

Including original works by Rowena Spersrud, C. Holding, M. Kinsella and Singer, image sizes 12.7 x 19.1cm to 24.1cm square (5 x 7 1/2in to 9 1/2in square)

Including four framed limited edition prints by Liz Lepperance, A.S.Y. Chau, Kenneth A. Ferris and Neil Blackwell; together with an unframed print by Marc Berrie

Including four oil paintings on canvas, three prints and a 88.9 x 73.7cm (35 x 29in) vintage frame

Untitled portrait oil depicting a Peruvian woman decorating a vase, signed lower right, oil on board, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in)

Titled "3 Sisters Mountains on Bow Valley, Alberta", signed lower right, pastel on paper, sight 24.1 x 19.7cm (9 1/2 x 7 3/4in) - Maisie Wride, Canadian, 1892-1973

Titled verso "Fairy in Flight" and "Fairy in Flight with Bird", oils on board, sight for each 31.8 x 24.1cm (12 1/2 x 9 1/2in); one with split in board lower section; both well

Five unframed prints including four Woodland School (signed Loretta, Opie and Charles Elliot), and a Tonny Moser limited edition

Appears unsigned, watercolour on paper, sight 34.3 x 24.1cm (13 1/2 x 9 1/2in)

Titled verso "Mont-Aux-Sources (The Sentinel)", signed lower right and dated 1972, also signed verso, oil on masonite, 35.6 x 44.5cm (14 x 17 1/2in); artist label verso; Jack Pieters, Sou

19th century English watercolour depicting a rural landscape with farmer, wagon, sheep and cottages, signed and dated (18)84 lower left, watercolour on paper, sight 34.3 x 54.6cm (13 1/2 x 21 1/2in

Depicting a smiling man and woman, both signed "Fragini", oils on canvas laid down on masonite, each 25.4 x 20.3cm (10 x 8in) and housed in matching frames

Two black and white etchings, one titled "The Treetop Croissant", both signed and dated 1989 to the lower margins, sight 10.8 x 14.6cm (4 1/4 x 5 3/4in) and 19.7 x 18.4cm (7 3/4 x 7 1/4in

Titled verso "Bush Island, Nova Scotia", signed lower right, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in)

"Untitled: Harbour Scene", signed lower left, oil on canvas, 20.3 x 25.4cm (8 x 10in)

"Untitled: Still Life", signed lower left, watercolour on paper, sight 44.5cm (17 1/2in) square

Inscribed verso "Painted on Location - London Skyline", signed lower left and dated (19)85, pastel on paper, sight 30.5 x 40.6cm (12 x 16in) - Paul Schleusner, well known 20th century Por

Titled verso "Early Spring, Catfish Creek, 1997", signed and dated lower right, pastel on paper, sight 24.1 x 29.2cm (9 1/2 x 11 1/2in) - valuation of $200.00 verso

"Untitled: Peggy's Cove Harbour", signed lower left, oil on masonite, 30.5 x 40.6cm (12 x 16in); Provenance: Beales' Bailiwick Limited, Peggy's Cove, Nova Scotia, label ver

20th century decorative hand-coloured map after a much earlier example, "The Kingdome of Denmarke", frame outer dimensions 64.8 x 76.2cm (25 1/2 x 30in)

Titled "Lake Rosseau", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in) - Michael K. Roth, 20th century Canadian artist

"Untitled: Autumn Landscape", signed lower left, oil on board, sight 11.4 x 15.2cm (4 1/2 x 6in) - Florence (Flo) May Campbell, 20th century Canadian artist active in Owen Sound and nearb

Titled verso "Clovelley", signed lower right, oil on board, 20.3 x 15.2cm (8 x 6in) - note Clovelley is a harbour village in the Torridge district of Devon, England

"Untitled: River Landscape", signed lower right, acrylic on board, sight 24.8 x 31.8cm (9 3/4 x 12 1/2in) - contemporary artist from Goderich, Ontario, label verso

"Untitled: Cityscape", signed lower left, mid-century oil on canvas, 25.4 x 20.3cm (10 x 8in) - brief biography of the artist verso

Folk art style oil on canvas board, signed and dated (19)97 lower right, 40.6 x 50.8cm (16 x 20in)

Titled "Reflexions de Tremblant", pencil signed to the margin lower right, serigraph in colours editioned 3/4, sheet size 45.7 x 38.1cm (18 x 15in) - displayed in a shadowbox frame

Titled verso "Canterbury Castle from the Dark Entrance", signed lower right, dated 1937 verso, watercolour on paper, sight 27.9 x 45.7cm (11 x 18in) - S.J.

"Untitled: River Scene, Late Autumn", signed lower left, also signed twice verso and dated 1986, oil on board, 20.3 x 25.4cm (8 x 10in) - artist biography and studio stamp verso

"Untitled: Shoreline Cliffs", signed lower right, oil on masonite, 61 x 76.2cm (24 x 30in)

"Untitled: Study of Three Figures", signed with initials lower right "E.E.C." and dated 1960, Southeast Asian silk embroidery measuring 66 x 86.4cm (26 x 34in)

Titled "A Futile Talk", signed, mixed media including painted wood and metal, 25.4cm (10in) high, the base measures 23.5 x 30.5cm (9 1/4 x 12in) - Ian Fancey, Canadian, born 1940; from Sp

"Untitled: Autumn Countryside", appears unsigned, oil on board, 40.6 x 50.8cm (16 x 20in) - painted much in the style of the Beaver Hall Group of Montreal

"Untitled: City People", signed and dated (20)04 lower right, acrylic on board, 61 x 40.6cm (24 x 16in) - contemporary Alberta artist, card verso

Titled to engraved brass plaque "Barbados Careenage", signed lower right, oil on masonite, 45.7 x 76.2cm (18 x 30in)

"Untitled: The Musketeer", signed and dated 1935 lower right, oil on canvas, 29.8 x 24.8cm (11 3/4 x 9 3/4in)

"Untitled: Sunny Seaside Porch", oil on board, 21.6 x 27.3cm (8 1/2 x 10 3/4in) - note the painting is signed "Fulvia Capri" lower left which is likely the location of this work

"Untitled: Shore Birds and Flowers", pencil signed "Novack" lower right and dated (19)71, serigraph print in colours editioned 1/10, sight 36.8 x 48.3cm (14 1/2 x 19in); Provena

"Untitled: Cabins by the River in Winter", signed lower right, oil on canvas, 43.2 x 53.3cm (17 x 21in) - this work was framed at the T.

"Untitled: Fishing Boats on a Shore", signed lower left and dated 1928, oil on board, 24.1 x 34.9cm (9 1/2 x 13 3/4in) - Edward Randolph Glen, Canadian, Canadian, 1887-1963

Titled to engraved brass plaque "Going Shopping", signed lower left, oil on masonite, 40.6 x 50.8cm (16 x 20in) - original sale price was $150.00

Titled "Green River" and dated 1953 verso, signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in)

Titled "Falkirk Scotland" and dated March, 1967 verso, signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in)

Including five gilt framed 19th century oil paintings including a pair in the Hudson River School style, naive oil paintings and antique photographs - 12 pieces total

Titled "Winter in Quebec" and dated 1956 verso, signed lower right, oil on canvas, 61 x 40.6cm (24 x 16in)

Titled "Signaux", pencil signed, dated 1958 and inscribed "Paris" to the lower right margin, stamp lithography print editioned 17/20, sight 50.8 x 40.6cm (20 x 16in) - Roland Gi

Belcher Islands, Hudson Bay Inuit stone carving in the form of a hunter with wood spear and club, signed in syllabics on base and on label, height 21.6cm (8 1/2in) - in expert opinion, this carving

A large selection of framed prints in various styles and sizes, 17 pieces total

Titled "Toronto Island" verso and dated 1954, signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in)

Titled "Skirting the Lake", pencil signed to the margin lower right, limited edition print numbered 205/500, image size 28.6 x 39.4cm (11 1/4 x 15 1/2in) - Peter Etril Snyder, Canadian, 1944-2017

Framed limited edition print after "Split Lake, Georgian Bay", editioned 6/3700, professionally framed and matted, frame outer dimensions 48.9 x 50.2cm (19 1/4 x 19 3/4in)

Two framed prints after Lawren Harris and A.Y. Jackson, frame outer dimensions 27.9 x 33.7cm (11 x 13 1/4in) and 33.7cm (13 1/4in) square

Two prints including "B.C.

Titled verso "Five Birds", signed middle right, mixed media on board, sight 39.4 x 29.2cm (15 1/2 x 11 1/2in)

Antique lithograph print in colours, titled verso "Full Moon", signed in the plate lower right, sight 36.2 x 45.1cm (14 1/4 x 17 3/4in) - housed in a quality antique frame

Including a framed poster "The Inner Atlantic", frame outer dimensions 25.4 x 30.5cm (10 x 12in) and larger print of the same subject housed inside a 50.2 x 62.9cm (19 3/4 x 24 3/4in) fra

Two signed limited edition prints, "Springtime" and "Boys on a Fence with Horse", image sizes 37.5 x 41.3cm (14 3/4 x 16 1/4in) and 31.8cm (12 1/2in) square - Helen Rempel, 20th

Including museum prints after Camille Pissarro and George Romney, and a landscape print with barn and stream - all three framed, 22.9 x 30.5cm to 35.6 x 40.6cm (9 x 12in to 14 x 16in)

Titled "The Thermopylae Leaving Foochow", lithograph print published in England, 1962, pencil signed to the margin by Dawson lower right middle, image size 50.8 x 73.7cm (20 x 29in); fram

Titled verso "North Bay" and dated Aug.

Titled verso "Coniston-Hydro Rd. with Tony Bianco" and dated Aug.

Titled verso "Lake Nipissing with Tony Bianco" and dated Sept.

Titled verso "Rooftops over Jerusalem", signed lower right, mixed media on paper, sight 20.3 x 27.9cm (8 x 11in)

Pencil signed to the lower margin and editioned 1/1, vibrant abstract hand-coloured print with collage, image size 34.9 x 26cm (13 3/4 x 10 1/4in) - professionally framed and matted