OCTOBER ART SESSION I

"Untitled: Ghost River, Alberta in Winter", signed lower right, oil on board, 49.5 x 64.8cm (19 1/2 x 25 1/2in); Provenance: private Ontario collection, the owner informed the auctioneers

Titled verso "Katie's Doll", signed lower left middle and dated (19)71, also signed and dated verso, oil on masonite, 50.8 x 40.6cm (20 x 16in) - Eve Apostoll, born in Detroit, 1931, spent most of

Titled "Blue Meets Red", signed twice verso and dated (20)12, acrylic on canvas, 76.2cm x 1.02m (30 x 40in); Provenance: Galerie D'Arts Contemporains, Montreal, Quebec label verso wi

Titled "Friday Afternoon", signed lower right, also signed verso and dated 2014, acrylic on canvas, 61 x 76.2cm (24 x 30in); gallery label verso with original price of $950.00; Val Slogge

Signed "Mark" lower right, oil on canvas, 66 x 53.3cm (26 x 21in)

"Untitled: Coastal View", signed and dated (19)58 lower right, oil on canvas, 47.6 x 66cm (18 3/4 x 26in) - Ejnar Thornvig, 20th century Danish

"Untitled: Fresh Cut Roses", oil on board, 50.8 x 40.6cm (20 x 16in) - Maud P. Squires, American, 1873-1954

"Untitled: Eventide", signed lower left, pastel on paper, sight 38.1 x 49.5cm (15 x 19 1/2in)

"Untitled: Mountain Landscape", signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in) - Peter Etril Snyder, Canadian, 1944-2017, this is an early work by the artist before he starte

"Untitled: Harbour Reflections". signed and dated (19)98 lower right, watercolour on paper, sight 31.8 x 47cm (12 1/2 x 18 1/2in) - David C.

Titled verso "Waterloo County", signed lower left, oil on board, 40.6 x 55.9cm (16 x 22in) - Matthew F. Kousal, Canadian, 1902-1990

"Peter Clapham Sheppard: A Canadian Master Discovered", poster promoting his 2018 book, sight 69.2 x 48.9cm (27 1/4 x 19 1/4in)

"Untitled: Arctic Landscape", signed lower right, acrylic on canvas, 45.7 x 61cm (18 x 24in)

Titled verso "The Old Homestead", signed lower right and dated (19)74, watercolour on paper, sight 53.3 x 76.2cm (21 x 30in)

"Untitled: Landscape and Nude", signed lower right, oil on masonite, 91.4 x 69.9cm (36 x 27 1/2in), unframed - Vera Uss, contemporary Canadian artist who was born in Belgium, 1936; she ev

"Untitled: Landscape Study", signed and titled in pencil verso, oil on panel, 26.7 x 35.6cm (10 1/2 x 14in); Provenance: gift from the artist to the family of Vera Uss; Fernand Stiévenart

"Untitled: Landscape Scene", signed lower right, watercolour on paper, sight 19.1 x 40cm (7 1/2 x 15 3/4in) - Frank Catano, Italian, 1880-1920

Circa late 19th century depicting a vast landscape with ocean and sailing ships in the distance, no signature evident, watercolour on paper, sight 33 x 45.7cm (13 x 18in)

Vintage art exhibit poster from Goldman's Art Gallery, Israel, sight 69.9 x 47.6cm (27 1/2 x 18 3/4in)

"Untitled: Coastal View with Storm Approaching", signed lower left, watercolour on paper, sight 24.1 x 34.3cm (9 1/2 x 13 1/2in)

Interesting mixed media on canvas including paint, metal and feathers, 62.2 x 49.5cm (24 1/2 x 19 1/2in) - Andrea Maguire, contemporary Toronto artist, label verso

"Untitled: Abstract Study", no signature evident, acrylic on canvas, 81.3cm (32in) square

"Peintres Americains en France" lithograph exhibition poster from 1953, sight 55.9 x 38.7cm (22 x 15 1/4in)

Titled "Brant", silkscreen print in colours, signed in the plate lower right, sight 20.3 x 25.4cm (8 x 10in) - Alfred Joseph Casson, Canadian, 1898-1992

Pair lithograph prints in colour housed in matching frames, sight for each 30.5 x 22.9cm (12 x 9in) - one with small imperfection upper right; Andre Minaux, French, 1923-1986

Titled verso "A Merrville sur le St. Laurent", signed lower right.

19th century Dutch school oil on canvas, signed indistinctly lower left, 40.6 x 61cm (16 x 24in) - housed in a fabulous antique gilt frame of the finest quality; Provenance: private collection, Cam

Vintage Japanese watercolour on paper, no signature evident, sight 73.7 x 55.2cm (29 x 21 3/4in) - framed to match the following lot

Vintage Japanese watercolour on paper, no signature evident, sight 73.7 x 55.2cm (29 x 21 3/4in) - framed to match the preceding lot

"Untitled: Winter River Scene", signed and dated (19)59 lower right, oil on masonite, 45.7 x 61cm (18 x 24in) - Ejnar Thornvig, 20th century Danish

Oil on canvas from the first half of the 20th century, painted after Julien Dupre's "In the Meadow", oil on canvas, 46.4 x 39.4cm (18 1/4 x 15 1/2in) - artist unknown

Titled verso "River Eamont, Near Ullswater, England", signed lower left, watercolour on paper, sight 34.3 x 50.2cm (13 1/2 x 19 3/4in)

Titled verso "Farmyard Near Lake Kamaniskeg", signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in)

"Untitled: Tricycle Study", signed and dated (19)89 lower right, oil on canvas, 61 x 48.3cm (24 x 19in) - Charles Weiss, contemporary Toronto artist

Pair oil paintings on board, both signed, each 61 x 45.7cm (24 x 18in) - housed in quality vintage carved frames; Gertie Piffe, 20th century Kitchener, Ontario artist

Acrylic on canvas, no signature evident, 49.5 x 99.7cm (19 1/2 x 39 1/4in) - on a wood stretcher but unframed

Vintage still life oil on board, signed lower left, 50.8 x 40.6cm (20 x 16in)

Pair late 19th/early 20th century Continental oils on board, no signature evident, each 20.3 x 50.8cm (8 x 20in)

"Untitled: Figure and Eagle Spirit", signed lower left, mixed media on canvas, approximately 76.2 x 58.4cm (30 x 23in); professionally framed and matted, frame outer dimensions 1.04m x 85

Titled verso "Old Farm - Kerry", signed lower right, acrylic on canvas, 35.6 x 40.6cm (14 x 16in); the canvas is on a wood stretcher but unframed; Note: Kerry is located in the peninsular

Titled "The Priest and History", signed lower right, etching print editioned 18/99, image size 7.6 x 12.7cm (3 x 5in) - Michael Robinson, Canadian, born 1948

"Untitled: Winter River Scene", signed lower right, oil on masonite, 30.5 x 40.6cm (12 x 16in) - Anna Jalava, Canadian, born 1926

"Untitled: City Skyline", no signature evident, mid-century oil on board, 30.5 x 40.6cm (12 x 16in)

Titled and pencil signed indistinctly on the margin, dated (19)93, image size 13.3 x 19.1cm (5 1/4 x 7 1/2in)

"Untitled: Landscape with Houses", signed lower right, mixed media on paper, sight 22.9 x 41.9cm (9 x 16 1/2in) - Crosby Hodgman, American, 1902-1999

Titled "Sherbrooke, Montreal", signed lower left, watercolour on paper, sight 31.8 x 24.8cm (12 1/2 x 9 3/4in) - Ray Cohen, Canadian artist and printmaker who studied under Arthur Lismer

Titled verso "A Barn in Bristol", signed lower right, graphite on paper, sight 36.8 x 53.3cm (14 1/2 x 21in) - Francis Wenderoth Saunders, American, 1901-1992, a 20th century Massachusett

Pair vintage etchings on silk, one depicting a seascape scene with boat, the other a landscape with barn, one signed in pencil lower right, sight for each 12.7 x 15.2cm (5 x 6in); housed in matchin

Pair attractive oils on board depicting canal scenes, both signed "Versteeg" and dated 1930, each 35.6 x 25.4cm (14 x 10in); housed in matching frames; Provenance: O.B.

"A General Map of the County of Oxford", vintage hand-coloured map after a 17th century example, sight 34.3 x 29.2cm (13 1/2 x 11 1/2in)

"Untitled: Moody Harbour", oil on masonite, 61 x 45.7cm (24 x 18in); artist identified on frame; Provenance: private London collection, the owner informed auctioneers that this painting w

Titled "Nelson and Bronte" depicting Vice-Admiral Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronte, 1758-1805, antique engraving circa 1835, sight 63.5 x 40.6cm (25 x 16in)

After "Smoke Lake", limited edition numbered 69/8700, frame outer dimensions 48.3 x 49.5cm (19 x 19 1/2in)

Titled "Coldwater Mill", signed lower right, oil on board, 40.6 x 50.8cm (16 x 20in) - Edward Furness, Canadian, 1911-2005; verso is a description of the mill

Original pen and ink drawing on paper, titled verso "Two Bottles", signed lower right and dated (19)76, also signed verso, sight 15.9 x 13.3cm (6 1/4 x 5 1/4in); Provenance: this and the next four

Original felt pen drawing on paper, titled verso "Katie's Doll", signed lower right and dated (19)71, also signed verso, sight 23.5 x 17.8cm (9 1/4 x 7in) - Eve Apostoll, Canadian, 1

Charcoal drawing on paper, titled verso "The President", signed lower right and dated (19)79, also signed verso with inscription "model courtesy Weaven's Farm Komoka", sigh

Original pen and ink drawing on paper, titled verso "Walnuts", signed lower right and dated (19)76, also signed verso, sight 12.7 x 15.2cm (5 x 6in) - Eve Apostoll, Canadian, 1931-1995

Original pen and ink drawing on paper, titled verso "Bottles of Silver and Glass", signed and dated (19)76, also signed verso, sight 11.4cm (4 1/2in) diameter - Eve Apostoll, Canadian, 19

Titled verso "Sheep in the Meadow, Wyoming", also inscribed "Middleton Farm", signed lower right, watercolour on paper, sight 21.6 x 30.5cm (8 1/2 x 12in) - Anne Marsh Evans, Ca

Titled "The Curious Ram", signed lower right, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in); Provenance: The Canadian Society of Painters in Watercolour label verso; Anne Marsh Ev

Well-executed watercolour on paper depicting a young woman with green hood, appears unsigned, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in); together with a vintage print of a nun by C.

Titled verso "Fresh Breeze in the Channel", signed lower left and verso, oil on canvas, 50.8 x 76.2cm (20 x 30in), housed in a quality vintage frame; Provenance: private collection, Sarni

"Untitled: Fall Scene", signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in) - Maxine Wilma Allen, Canadian, 1916-2013

"Untitled: Still Life with Roses", signed lower right and dated (19)91, watercolour on paper, sight 26 x 35.6cm (10 1/4 x 14in) - Maxine Wilma Allen, Canadian, 1916-2013

Titled verso "Garden Lake", signed lower right, dated 1981 verso, oil on board, 20.3 x 25.4cm (8 x 10in) - Maxine Wilma Allen, Canadian, 1916-2013

"Untitled: Abstract", signed 'Sefirot' lower right, acrylic on canvas, 99.1cm x 1.5m (39 x 59in)

"Untitled: Autumn Colours", signed lower right, oil on canvas, 61cm (24in) square

Titled verso "In the Sun Thaw", signed lower left middle and dated (19)64, oil on canvas, 45.7cm x 1.22m (18 x 48in)

68.6 x 53.3cm (27 x 21in) art portfolio case "Toronto 20", a numbered and signed portfolio limited to 100 copies, printed at University of Toronto Press; some sun fading but otherwise in satisfacto

Titled "The Natural History Collector", signed and dated 1995 lower right, watercolour on paper, sight 34.9 x 25.4cm (13 3/4 x 10in)

"Untitled: Hand and Figure", pencil signed and dated 1997 lower left, pen and ink on paper, sight 12.1cm (4 3/4in) square

Titled "Reflections", pencil signed and dated (19)78, etching in blue tones editioned 16/30, image size 22.2 x 22.9cm (8 3/4 x 9in) - George Raab, Canadian, born 1948

Artist proof print, "Untitled: Portrait", pencil signed and dated 1966, image size 6.4cm (2 1/2in) square; frame outer dimensions 33 x 30.5cm (13 x 12in) - Katja Jacobs, Canadian, born 1939

"Untitled: Room and Street", signed in the plate lower right and dated Oct/26/93, lithograph print in colours, sight 34.3 x 40.6cm (13 1/2 x 16in)

"Untitled: Sailing Ships", no signature evident, dark oil on canvas circa 1950-1960, 91.4 x 50.8cm (36 x 20in) - some damage to canvas lower middle section

The box measures approximately 70.5cm (27 3/4in) square

Signed abstract lithograph print, sight 37.5 x 26cm (14 3/4 x 10 1/4in)

Titled "Daisy Field", signed with initials lower right, also signed and dated 2015 verso, acrylic on canvas, 20.3cm (8in) square; artist's biography and COA verso

"Untitled: Abstract in Three Colours", signed 'Rakus' on the stretcher verso and dated (19)67, acrylic on canvas, 61 x 76.2cm (24 x 30in); some craquelure to canvas; Provenance:

"Untitled: Forest Edge Winter", pencil signed lower right margin and dated (19)34, mezzotint etching print, 24.1 x 25.1cm (9 1/2 x 9 7/8in) - Edgar Lee Laur, Canadian, 1867-1943

"Untitled: Countryside Ruins", signed lower right and dated (19)32, watercolour on paper, sight 14.9 x 21.9cm (5 7/8 x 8 5/8in)

Titled "Bouquet d'Ivresse", pencil signed and dated 1984, etching in colours editioned 52/60, image size 20.7 x 26cm (8 1/8 x 10 1/4in); plate size 14.3 x 19.7cm (5 5/8 x 7 3/4in) -

"Untitled: Seagulls over Moored Boats", signed lower right, watercolour on paper, sight 21 x 15 1/8in - Tom Mathews, Canadian, 1920-2000

Early 1867 engraving "Lady Writing a Letter", signed in the print lower right, image size 23 3/4 x 17in; published by Henry Graves and Co., London; Thomas Faed, Scottish, 1826-1900

"Titled "Fish Eagle", appears unsigned, serigraph print on handmade paper, sight 71.8 x 54.6cm (28 1/4 x 21 1/2in

"Untitled: The Old Tree", signed lower left, oil on canvas, 91.4 x 68.6cm (36 x 27in)

"Untitled: Figures in Transition", signed lower right, oil on canvas, 76.2 x 88.9cm (30 x 35in)

"Untitled: Still Life with Grapes", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in); Provenance: private St. Catherines, Ontario collection; O.B.

Titled "October Crab Apple", signed lower left, 34.3 x 50.2cm (13 1/2 x 19 3/4in); artist label verso

"Untitled: Autumn Colours", signed lower middle, pastel on paper, sight 39.4 x 27.3cm (15 1/2 x 10 3/4in)

Titled "The New Hat" and pencil signed indistinctly on the matting, antique pastel on paper, sight 25.4 x 29.8cm (10 x 11 3/4in)

"Untitled: Landscape with Two Pines", no signature evident, oil on board, 50.8 x 40.6cm (20 x 16in)

Large photographic print on canvas depicting autumn leaves in a forest pond, 91.4cm x 1.22m (36 x 48in)

Titled verso "Garden Bouquet", signed lower right, watercolour on paper, sight 59.1 x 38.1cm (23 1/4 x 15in)

"Untitled: Three Figures", signed lower right, oil on canvas, 66.7 x 66cm (26 1/4 x 26in)

"Untitled: Northern Scene", identified verso as a watercolour giclee, sight 24.1 x 16.5cm (9 1/2 x 6 1/2in)

"Untitled: Sunflowers", pencil signed lower left and dated 1956, watercolour on paper, sight 61.6 x 43.8cm (24 1/4 x 17 1/4in)

Titled verso "Springbank", signed lower left, oil on Grumbacher canvas board, 30.5 x 40.6cm (12 x 16in)

Titled verso "The Little Red Barn", signed lower left, pastel on paper, sight 22.9 x 31.8cm (9 x 12 1/2in)

"Untitled: Floral Still Life", signed lower right, pastel on paper, sight 44.5 x 53.3cm (17 1/2 x 21in); Nesta Bowen Horne, born in Barbados, 1896, the daughter of a civil engineer and ar

Set of seven custom framed prints, "Doorways", housed in matching 30.5 x 35.6cm (12 x 14in) frames - Note: these prints are from photographs taken by an artist with a studio in the mounta

Vintage watercolour on paper, "Untitled: River Scene in Fall", signed with initials lower left, sight 16.5 x 22.9cm (6 1/2 x 9in)

"Untitled: Vase of Flowers", signed lower left and dated (19)51, oil on board, 25.4 x 35.6cm (10 x 14in)

Titled "Leschenaultia", signed and dated 1935 lower right, watercolour on paper, sight 30.5 x 16.5cm (12 x 6 1/2in)

"Untitled: Autumn Landscape", signed lower left, acrylic on board, 30.5 x 22.9cm (12 x 9in)

"Untitled: Sunflowers", signed lower right, oil on panel, 29.8 x 33cm (11 3/4 x 13in)

"Untitled: Green River Scene", signed lower right, watercolour on paper, sight 26.7 x 18.4cm (10 1/2 x 7 1/4in) - verso inscribed this work was completed during an advanced watercolour cl

Including a watercolour on paper, signed lower left, sight 26.7 x 36.8cm (10 1/2 x 14 1/2in); together with a pastel drawing signed "Joan L.

Titled "The Old Homestead", pencil signed lower right, etching, image size 12.7 x 16.5cm (5 x 6 1/2in) - Halfred A.Tygesen, Canadian, 1890-1951

Including a signed French etching, vintage F. Robson print and small 17.8 x 12.7cm (7 x 5in) art deco frame

"Untitled: In the Park", signed lower right, watercolour on paper, sight 28.6 x 40.6cm (11 1/4 x 16in) - Pierre Heymans, French, born 1935

Oilette canvas print, "Geese in Formation", 27.9 x 38.1cm (11 x 15in) - the canvas is on a stretcher but unframed

"Untitled: Summer Hay Harvest", signed with initials lower right, also signed to gallery label verso, watercolour on paper, sight 22.2 x 33cm (8 3/4 x 13in); new matting required; Provena

Titled "High Tide", signed lower middle, oil on board, 15.2 x 20.3cm (6 x 8in) - Gertrude Trudy Doyle, Canadian, 1923-2005

Titled "Inner Light Illumines", signed and titled to label verso, coloured pencil on paper, sight 54.6 x 37.2cm (21 1/2 x 14 5/8in); Provenance: Art Gallery of Brant, Brantford, Ontario

"Untitled: Abstract", artist identified verso, mixed media on canvas, 61 x 91.4cm (24 x 36in)

Titled "Summer Breeze", signed lower right to lower margin, limited edition print numbered 137/450, image size 33.7 x 63.5cm (13 1/4 x 25in); COA verso; Keith Hiscock, Canadian, born 1951

Titled "Willows", signed lower left, oil on masonite, 45.7 x 61cm (18 x 24in) - old label affixed verso

"Untitled: Chrysanthemums", signed lower middle and to frame, oil on canvas, 54.6 x 67.9cm (21 1/2 x 26 3/4in); Provenance: Marshall Field and Company Picture Galleries (label verso); bel

Titled "Arakhova, Greece", pencil signed lower right, aquatint etching print editioned 13/35, image size 43.2 x 54cm (17 x 21 1/4in); Provenance: present Toronto collection, acquired dire

Titled "Royal Alexandra Theatre - Toronto", pencil signed and dated (19)94, limited edition print numbered 6/250, 27.3 x 17.8cm (10 3/4 x 7in)

"Untitled: Fall Birches", pencil signed lower right, lithograph print, sight 57.2 x 41.9cm (22 1/2 x 16 1/2in)

Titled "Moonshadows", signed, dated (19)76 and numbered 1/30 to lower margin, etching print, sight 55.2 x 73.7cm (21 3/4 x 29in) - Don Proch, Canadian, born 1944

Vintage oilette print on canvas, signed in the print lower left, 57.8 x 64.1cm (22 3/4 x 25 1/4in) - James Topping, American, 1879-1949

Including "The Bride", "Eastern Girl", "Japanese Mother and Baby", "Takashi" and "Chinese Celebrant", three limited edition prints, all framed, ima

Titled "Worker", signed verso, oil on masonite, 1.04m x 63.5cm (41 x 25in); Provenance: Art Exhibit First Unitarian Congregation, Toronto circa 1957

Signed indistinctly and dated (20)06 lower right, oil on canvas, 50.8cm (20in) square - the canvas is on a stretcher but unframed

Serigraph print in colours, signed "392" lower right, sheet size 91.4 x 61cm (36 x 24in) - unframed

Titled "If Only", pencil signed lower right, limited edition print numbered 727/950, image size 44.5 x 66cm (17 1/2 x 26in)

"Untitled: Colorado Landscape", signed lower right, watercolour on paper, sight 54.6 x 74.9cm (21 1/2 x 29 1/2in)

Limited edition print after "Cedars and Pines", editioned 461/777, image size 39.4 x 50.8cm (15 1/2 x 20in)

"Untitled: Flower Abstract", signed lower right, oil on masonite, 61 x 45.7cm (24 x 18in)

Pencil signed indistinctly and dated "June 2000" lower left, acrylic on paper, sight 34.3 x 74.9cm (13 1/2 x 29 1/2in)

Titled "September Rose", pencil signed lower right, limited edition print numbered 905/2000, image size 38.1 x 57.2cm (15 x 22 1/2in) - COA verso

Including "James Lumbers Moments in Time", "Emily Carr Country", "Mirrored Souls - A Study of Paul Murray's Art" and "Bridges of Light - Otto Landauer of Leo

Titled "Four Fisherman", pencil signed to the margin lower right, evening edition print of 10, sight 23.5 x 53.3cm (9 1/4 x 21in)

Two scrolls with flowers and birds are original paintings (ink and gouache); the scroll of the Chinese warrior appears to be a hand-coloured print - various sizes