SPRING 2021 FINE ART AUCTION

Titled verso "Indira", dated "Oct.

"Untitled: Autumn Landscape with Cottages and Stream", signed lower right, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in) - William St. Thomas Smith, Canadian, 1862-1947

Titled verso "Fall, Lake Rosseau", signed lower left, oil on board, 45.7 x 61cm (18 x 24in) - William Gardner Blackwood, Canadian, born circa 1890/1892

After Bernardino Luini's renaissance masterpiece "Christ Among the Doctors", no signature evident, early oil on canvas attributed to the 18th century, 31.8 x 36.2cm (12 1/2 x 14 1/4i

Titled verso "Regal", signed lower right and verso, dated 2020, acrylic on canvas, 76.2 x 61cm (30 x 24in); Provenance: Modern Arts Gallery, London; Ross Bishop, contemporary London abstr

Titled verso "Last Minute Sally", signed verso and dated "Aug.

"Untitled: Autumn River Landscape", signed lower right, watercolour on paper, sight 26 x 36.8cm (10 1/4 x 14 1/2in) - William St. Thomas Smith, Canadian, 1862-1947

Titled verso "Water Reflections" and dated 1971, signed lower right and verso, oil on canvas, 38.7 x 66cm (15 1/4 x 26in) - Paul Rodrick Johnston, Canadian, 1915-1983

Titled verso "Panacea", pencil signed, titled and dated 1996 lower middle, mixed media on paper, 76.2 x 57.2cm (30 x 22 1/2in) - Christopher Scott, born in London, Ontario, 1967, exhibited Gibson G

"Untitled: Mountain Landscape", signed lower right, watercolour on paper, sight 27.9 x 45.7cm (11 x 18in) - Thomas Mower Martin, Canadian, 1838-1934

"Untitled: London Bridge", signed lower right, oil on canvas, 40.6cm x 1.02m (16 x 40in) - Anthony Robert Klitz, British, 1917-2000

Titled on frame "County Wicklow", signed lower left and dated 1876, oil on canvas, 40.6 x 66cm (16 x 26in); housed in quality antique frame, old repair to canvas; Provenance: Britnell's Art Galleri

"Untitled: Houses in Winter", signed with initials "L.H." in the plate lower left, silkscreen in colours, sight 11.4 x 14cm (4 1/2 x 5 1/2in); Provenance: this and the next thre

"Untitled: Autumn Scene with White House", signed in the plate lower right, silkscreen in colours, sight 26 x 22.2cm (10 1/4 x 8 3/4in); Provenance: same collection as the preceding lot;

Titled "Winter in Quebec", signed "AYJ" in the plate lower right, silkscreen in colours, sight 17.1 x 21.6cm (6 3/4 x 8 1/2in); Provenance: same collection as the preceding two

"Untitled: Winter in Quebec", signed in the plate "AYJ" lower right, silkscreen in colours, sight 17.1 x 21.6cm (6 3/4 x 8 1/2in); Note: this scene is very similar to Jackson's masterpiece "Winter,

Titled verso "Premonition?", signed lower right, oil on panel measuring 15.2cm (6in) square; Provenance: Galerie Valentin, Montreal; also included is the original gallery receipt from Sep

"Untitled", signed and dated (20)16 lower left, mixed media on board laid down on panel, 30.5cm (12in) square; Provenance: Modern Arts Gallery, London; Tom Hilborn, contemporary visual ar

"Untitled: River Landscape in Autumn", signed lower right, oil on canvas board, 30.5 x 40.6cm (12 x 16in) - Sydney Berne, Canadian, 1921-2013

Titled verso "The Tender Chef", signed lower right, mixed media (oil and acrylic) on paper, 17.8cm (7in) square; Provenance: Art Rental and Sales Gallery, Museum London label verso; Rory O'Kelly, I

Titled indistinctly verso depicting a landscape with trees, signed and dated (19)93 lower right, mixed media on paper, sight 16.5 x 19.1cm (6 1/2 x 7 1/2in); Tapan Ghosh, Indian, born 1943, biograp

Titled verso "A Harbour - Southern France", signed lower right, oil on canvas laid down on masonite, 38.1 x 45.7cm (15 x 18in); Provenance: Garfield Galleries, Toronto; Emmanuel Janssens,

"Untitled", signed lwoer left, mixed media on paper, 22.9cm (9in) square; Provenance: Modern Arts Gallery, London; Gerald David Pedros, Canadian, born 1951

Untitled depicting an impressionist landscape scene, signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in) - Patricia (Pat) Ballance-Ingram, Canadian, 1927-2011, graduate of the Ontario Colleg

"Untitled: Harbour Scene", signed lower left, watercolour on paper, sight 28.6 x 43.2cm (11 1/4 x 17in); professionally matted and housed in quality antique frame; Provenance: Heritage An

Oil on board depicting an impressionist street scene, titled indistinctly and pencil signed verso, 35.6 x 25.4cm (14 x 10in) - Ethel Gurney Carpenter, American, -1917-2005

Rare 1860 Audubon Bein Edition chronolithograph in colours of "Brown Titlark", sheet number 84, part 12, number 10, plate number 151 - image size 26 x 40cm (10 1/4 x 15 3/4in) - John James Audubon,

"Untitled: Rural Landscape in Winter", signed lower right, watercolour on paper, sight 19.1 x 24.1cm (7 1/2 x 9 1/2in) - James Lorimer Kierstead, Canadian, born 1932

Titled verso "Wisla, Glebce", signed upper right and dated (19)75, large scale oil on canvas measuring 81.3 x 99.1cm (32 x 39in) - old gallery label verso; Edward Ziechciarczyk, 20th cent

Lithograph in colours depicting "Moses", pencil signed lower right, limited edition numbered 112/250, paper size 77.5 x 56.5cm (30 1/2 x 22 1/4in); professionally framed and matted; Salva

Titled verso "Morning's Golden Mist", signed lower right, also signed and dated 2012 verso, acrylic on canvas, 45.7 x 61cm (18 x 24in) - Andrew Plum, British/Canadian, born 1965

"Untitled: Two Figures", signed lower left, oil on canvas board, 50.8 x 40.6cm (20 x 16in); Provenance: present Toronto collection, acquired directly from the artist; Floyd Kuptana, Inuvi

Titled verso "Bowness Farm" and on artist label "Spring Thaw, Bowness, Alberta", signed with monogram lower right, also signed verso, oil on panel, 30.5 x 40.6cm (12 x 16in); Provenance: this and t

Titled in pencil verso "Far Away" depicting a landscape with stream lined with trees, signed lower right, oil on canvas, 66 x 40.6cm (26 x 16in); Note: this work is very much similar to B

Titled on label verso "Lobster Taxi, Maine", signed lower right, oil on board, 41.9 x 53.3cm (16 1/2 x 21in); Exhibited at the 16th Annual Western Ontario Exhibition with original price o

Classic art deco stone statue depicting a female bust, affixed to wood plinth - overall height 42.5cm (16 3/4in); partial label verso

"Untitled: Landscape View with Houses, Trees, River and Rolling Hills", signed lower right and dated (19)49, oil on canvas board, 55.9 x 76.2cm (22 x 30in) - Gordon Harry Glasscock, 20th/21st centu

Titled "Chemin Du Boisé", signed lower right and verso, oil on masonite, 61 x 50.8cm (24 x 20in); Provenance: Hollander York Gallery, Toronto; present London, Ontario private collection;

Titled "Evening Light, Near Roseville, W.C.

Titled verso "The Sailboats of Jerico (Jericho), BC", signed lower left, oil on canvas, 50.8 x 71.1cm (20 x 28in); Note: Jericho Beach is located in west Vancouver, on the border with Was

"Untitled: Vertical Abstract", signed and dated (19)61 lower left, mixed media on masonite including oil and collage, 1.83m x 54.6cm (72 x 21 1/2in); Provenance: this and the next two abstract work

"Untitled: Abstract", signed and dated 1958 lower right, oil on masonite, 61 x 91.4cm (24 x 36in) - John (Jack) Howard Bechtel, Canadian, 1923-1966

Titled verso "You Go Jada", signed and dated 2000 verso, oil on canvas, 86.4 x 71.1cm (34 x 28in); Provenance: Thielsen Galleries, London; Waddingtons, Toronto; same present London collec

Untitled rural landscape study depicting two oxen pulling a farmer on cart, signed lower left, oil on canvas laid down, sight 38.7 x 58.4cm (15 1/4 x 23in); please note craquelure to canvas; G.H.

Titled "Maadim", pencil signed and dated (19)80 lower right, serigraph in colours editioned 11/110, image size 50.8 x 71.1cm (20 x 28in) - Rita Letendre, born 1928, Canadian painter, prin

Titled "Thoughts of the Matter", pencil signed and dated 1986, three lithograph prints in colour editioned 27/37, each individual frame measuring 36 x 26in; together, they measure 91.4cm x 1.98m (3

Titled "Aspens Along the Rio Grande", pencil signed upper right, lithograph in colours editioned 5/15, image size 57.1 x 85.1cm (22 1/2 x 33 1/2in) - Brian Kelley, Canadian, born 1946

"Untitled: Shore Leave", signed with monogram lower right, oil on canvas housed in beautiful period gilt frame, 43.2 x 79.4cm (17 x 31 1/4in); please note craquelure and repair to canvas<

Titled verso "Autumn Birch", signed lower right, oil on masonite, 40.6 x 50.8cm (16 x 20in); Provenance: The Fine Art Galleries, T. Eaton Co.

"Untitled: Arctic Landscape with Iceberg", signed upper right and dated (19)78, acrylic on panel, 29.8cm (11 3/4in) square; Note: the proceeds of sale for this lot will be donated to the

"Untitled: Portrait of a Woman", signed lower left and dated (18)92, oil on canvas, 34.9 x 26.7cm (13 3/4 x 10 1/2in) - housed in a quality antique gilt frame; this painting is believed t

Abstract lithograph in colours, pencil signed lower left by Ray Mead and dated (19)79, limited edition numbered 109/200, sight 24.8 x 21cm (9 3/4 x 8 1/4in); this lithograph was originally included

Depicting Christ with the crown of thorns, no signature evident, oil on canvas, 16 x 13 1/4in - possibly 19th century or earlier, affixed to a newer stretcher in modern frame

Titled verso "Albany River, 1910", signed lower right and dated 1910, watercolour on paper, 31.75 x 43.8cm (12 1/2 x 17 1/4in); Provenance: artist label verso and private collection, Lond

19th century oil after Bartolomé Esteban Murillo's (Spanish, 1618-1682) 17th century work "Children Eating Pie", signed lower right, oil on panel, 28 x 17.8cm (11 x 7in) - housed in

Titled verso "Floral Still Life", signed lower right, watercolour on paper, 40.6 x 58.4cm (16 x 23in); Provenance: Thielsen Gallery, London; present private London collection; professiona

"Untitled: River Landscape Study", signed lower right, watercolour on paper, 15.9 x 25.4cm (6 1/4 x 10in) - Frederic Marlett Bell-Smith, Canadian, 1846-1923

Large scale oil on canvas depicting a young mother with daughter in a corn field with gleaners in the distance, signed indistinctly lower right, 1.12m x 91.4cm (44 x 36 1/4in) - old Scottish galler

"Untitled: Market Scene", signed and dated 1927 lower left, oil on canvas, 55.9 x 76.2cm (22 x 30in) - Douglas Arthur Teed, American, 1860-1929

"Tree Trunk", pencil signed and dated (19)91 lower right, watercolour on paper, 39.4 x 29.2cm (15 1/2 x 11 1/2in) - note: this work was painted by Seerey-Lester during one his his art classes, writ

"Untitled: Barn Interior with Two Young Farmers and Horses", no signature evident, oil on canvas, 45.7 x 61cm (18 x 24in)

Titled verso "Beaver Pond - Wren Lake", signed and dated 2010 lower left, mixed media on gessoed Norwegian birch panel, 61 x 45.7cm (24 x 18in); Provenance: Michael Zarowsky Fine Art, Toronto; arti

"Untitled: Figural Abstract", signed indistinctly "J. Barajas(?)" lower right, oil on Georgian canvas board, 66 x 50.8cm (26 x 20in)

Titled verso "Fog on the Atlantic", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in) - Lila Caroline Mcgillivray Knowles, Canadian, 1886-1967

"Untitled: Summer Landscape with Cattle", signed lower right, oil on canvas, 25.4 x 30.5cm (10 x 12in) - John Powell Hunt, Canadian, 1854-1932

"Untitled: Tree Lined Landscape with House in the Distance", signed and dated 1954 lower left, oil on board, 25.4 x 35.6cm (10 x 14in); Provenance: E.T.

"Untitled: Railway Tracks through the Rockies", signed lower right, watercolour on paper, sight 26.7 x 34.9cm (10 1/2 x 13 3/4in); professionally framed and matted; Marmaduke Matthews, Canadian, 18

Titled verso "The River Thames at Deptford, 1924", pencil signed lower left, dry-point etching on paper, image size 16.5 x 37.5cm (6 1/2 x 14 3/4in); William Lionel Wyllie, British, 1851-1931, winn

"Untitled: Shoreline in Low Tide", signed and dated 1909 lower right, oil on panel, 33 x 40.6cm (13 x 16in); Provenance: James McClure & Son, Glasgow, Scotland (label verso); housed in gold-pai

"Untitled: The Proposal", signed and dated 1886 upper right, oil on canvas, 50.8 x 34.3cm (20 x 13 1/2in); two old repairs to canvas

"Untitled: Still Life", signed with monogram "J.G." lower right, watercolour on paper, sight 37.5 x 17.1cm (14 3/4 x 6 3/4in); housed in a quality antique frame with stencil design; James H.

Titled on label verso "Flowers with Fly", watercolour on paper, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in); Provenance: Collection of Albert E.

"Untitled: Study of a Woman Heating a Pot", signed lower left, oil on canvas, 58.4 x 43.2cm (23 x 17in) - A. Hasim, Indonesian, 1916-2002

"Untitled: Portrait of a Grecian Woman Sitting on a Leopard Skin", signed lower right, oil on board, 45.7 x 30.5cm (18 x 12in); Provenance: Waddingtons, Toronto and present Toronto collection; Oliv

Large Inuit multi-figure stone carving, signed and numbered indistinctly on base; paper label with catalogue or reference number on back of foot; Provenance: from a prominent lawyer's estate collec

"Untitled: Travellers at the Well", painted after Nicolaes Pieters Berchem (Dutch, 1620-1683), unsigned, oil on panel, 29.8 x 37.5cm (11 3/4 x 14 3/4in)

Titled verso "Blue Fjords, Newfoundland", signed lower right, acrylic on board, 21.6 x 26.4cm (8 1/2 x 10 3/8in); Provenance: East Queen Gallery, Toronto and studio stamp verso; James Edward Hergel

"Untitled: Haystacks", signed lower left, oil on panel (unfinished in the top right corner), 24.8 x 30.5cm (9 3/4 x 12in); Provenance: acquired by a direct descendant of Beatty and sold in 2008 at

Titled verso "Early Winter", signed lower right, oil on panel, 26.7 x 34.9cm (10 1/2 x 13 3/4in); Provenance: Inman art collection; Alice Amelia Innes, Canadian, 1890-1970

Titled verso "South of France", unsigned, watercolour on paper, sight 22.9 x 33.7cm (9 x 13 1/4in); Provenance: handwritten on label verso by Smith's daughter, Florence C. Phelps, "Painted by W.

Titled verso "Farm Buildings - Near Wabashene, Ont.", also pencil signed and dated 1931 verso, oil on panel, 25.4 x 30.5cm (10 x 12in); Provenance: Inman art collection; Joachim George Gauthier, Ca

Titled verso "Figure Study", signed lower left, oil on canvas board, 60.3 x 50.8cm (23 3/4 x 20in); Provenance: Hamilton Women's Art Association; Inman art collection; Hortense Crompton Mattice Gor

Titled verso "Wet Sunday", signed lower left and dated 1967 verso, oil on board, 30.5 x 40.6cm (12 x 16in); Provenance: Wallack Galleries, Ottawa; Inman art collection; Henri Leopold Masson, Canadi

Titled verso "Straw Market, Florence Italy, 1975", unsigned, oil on canvas board, 25.4 x 30.5cm (10 x 12in); Provenance: Earls Court Gallery, Hamilton; Inman art collection; this work was also veri

Titled "Portrait of Miss Tory", unsigned, oil on canvas, 41.9 x 34.3cm (16 1/2 x 13 1/2in); verso is a short write-up in regards to this painting explaining the close friendship of Eva Bradshaw and

"Untitled: Landscape at Dusk with Sheep Herder, Houses and Mountains in the Distance", signed lower left, watercolour on paper, sight 52.7 x 67.3cm (20 3/4 x 26 1/2in); Provenance: Inman art collec

Titled "In the Field near Home", signed lower right, watercolour on paper, 53.3 x 34.3cm (21 x 13 1/2in); Provenance: Laing Galleries, Toronto; Inman art collection; Marmaduke Matthews, Canadian, 1

"Untitled: Fresh Cut Roses", signed lower right, oil on canvas, 30.5 x 50.8cm (12 x 20in); Provenance: Inman art collection; Eva Theresa Bradshaw, Canadian, 1871-1938

"Untitled: Portrait of a Young Girl", signed lower right, oil on canvas, 76.2 x 63.5cm (30 x 25in); Provenance: Inman art collection; Laura Adeline Muntz Lyall, Canadian, 1860-1930, impressionist p

"Untitled: Still Life Study", signed upper right and upper left, oil on board, 36.2 x 44.5cm (14 1/4 x 17 1/2in); "The Art of the Wiselberg Sisters" article verso; Provenance: Inman art collection;

"Untitled: Portrait Study", signed lower left and dated (19)30, oil on panel, 50.8 x 38.7cm (20 x 15 1/4in); "The Art of the Wiselberg Sisters" article verso; Provenance: Inman art collection; Fann

"Untitled: Still Life with Vase of Flowers", signed lower right, watercolour on paper, sight 43.2 x 33.7cm (17 x 13 1/4in); Provenance: Inman art collection; Silvia Clarke, well-known London, Ontar

"Untitled: St.

"Untitled: Still Life", signed lower right, oil on canvas, 40.6 x 52.1cm (16 x 20 1/2in); Provenance: Inman art collection; Eva Theresa Bradshaw, Canadian, 1871-1938

Titled "Ploughing with Team", unsigned, oil on board, 22.9 x 33.7cm (9 x 13 1/4in); Provenance: Lila Knowles Estate, London (label verso); Inman art collection; Note: in expert opinion, this and th

Titled verso "Wheatfield in Winter", unsigned, oil on board, 22.9 x 30.5cm (9 x 12in) - same provenance as the preceding lot

Titled verso "Harvest Time", unsigned, oil on board, 22.2 x 31.8cm (8 3/4 x 12 1/2in) - same provenance as the preceding two lots

Titled verso "A Country Stream", unsigned, oil on board, 21 x 25.4cm (8 1/4 x 10in) - same provenance as the preceding three lots

"Untitled: Still Life", signed lower left, oil on canvas, 63.5 x 54cm (25 x 21 1/4in); Provenance: Inman art collection; Eva Theresa Bradshaw, Canadian, 1871-1938, this a large format painting by t

"Untitled: Seascape", signed lower right, watercolour on paper, sight 28.6 x 43.2cm (11 1/4 x 17in); Provenance: Inman art collection; William St. Thomas Smith, Canadian, 1862-1947

"Untitled: Sunrise on the Farm", signed lower right, oil on board, 17.1 x 25.4cm (6 3/4 x 10in); Provenance: Inman art collection; Edward Randolph Glen, Canadian, 1887-1963

Titled verso "Ploughed and Planted", signed lower right, watercolour on paper, sight 14 x 24.1cm (5 1/2 x 9 1/2in); Provenance: Glasgow Road Gallery, Hunter River, PEI; Inman art collection; Hugh C

"Untitled: Village Scene along a Stream", unsigned, watercolour on paper, sight 48.9 x 66.7cm (19 1/4 x 26 1/4in); Provenance: handwritten on label verso by Smith's daughter, Florence C.

Titled "Kolomna Kremlin", signed lower right, oil on board, 19 3/4 x 30 1/2in; Provenance: London Art Group, with Certificate of Authenticity verso

Titled verso "Jester", signed lower right and dated 1988, also signed and dated verso, acrylic on canvas, 76.2cm (30in) square; also included is a Certificate of Authenticity and other documentatio

Titled verso "Autumn - Carr's Bridge", signed lower left, watercolour on paper, sight 27.9 x 38.7cm (11 x 15 1/4in); Provenance: private St.

"Untitled: Forest Pathway", signed lower right, watercolour on paper, sight 36.8 x 26.7cm (14 1/2 x 10 1/2in); Provenance: St. Thomas estate; Thomas Harrison Wilkinson, Canadian, 1847-1929

"Untitled: Sheep Herder", signed lower right, watercolour on paper, sight 22.9 x 39.4cm (9 x 15 1/2in); housed in a quality antique frame; Provenance: St.

"Untitled: River Landscape View with Farmers in the Distance", unsigned, watercolour on paper, sight 26.7 x 40.6cm (10 1/2 x 16in);  housed in a quality antique frame; Provenance: St.

"Untitled: Room Interior with Mother and Children", signed lower right, oil on board, 55.9 x 71.1cm (22 x 28in); old newspaper affixed verso which dates this work circa 1930; Provenance: St.

Titled verso "Cliffs at Port Bruce", signed lower left and dated (19)71, also signed and dated verso, watercolour on paper, sight 29.2 x 39.4cm (11 1/2 x 15 1/2in); Provenance: St.

Titled verso "Fish Harvest", signed lower right and dated (19)71, also signed and dated verso, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in); Provenance: St.

Titled "Lion et Chasseurs", pencil signed lower right, artist proof etching, image size 29.2 x 22.9cm (11 1/2 x 9in); professionally framed and matted; Marc Chagall, Russian/French, 1887-1985

Titled on label verso and dated 1971, signed lower right, oil on board, 25.4 x 35.6cm (10 x 14in); Leszek Stanko, Polish, 1924-2011

"Untitled: Autumn Lake Scene", signed lower left, oil on masonite, 25.4 x 35.6cm (10 x 14in) - Otto Planding, Canadian, 1887-1964