MAY ART

Original large scale acrylic on paper titled verso "Artist's Female Counterpart Giving Healing", signed with syllabics lower right and pencil signed verso, dated March 19, 1993, image size 53.3 x 7

Titled "Spray Tide Stream", signed lower left, dated 1969 to label verso, oil on masonite board, 45.7 x 61cm (18 x 24in); Provenance: Wallack Galleries, Ottawa; Thomas (Tom) Keith Roberts

"Untitled: Ship in the Bay", signed lower right, pastel on paper, sight 50.8 x 61cm (20 x 24in); Halfred A.

Titled "St.

Titled "Near 13th Concession", pencil signed and dated (19)78 to the lower right margin, limited edition screenprint in colours (EC Editions) numbered 75/200, image size 44.5 x 59.7cm (17

"Untitled: Quebec Street View", signed lower right, watercolour on paper, sight 36.8 x 49.5cm (14 1/2 x 19 1/2in) - Sydney Berne, Canadian, 1921-2013

An exceptional vintage Canadian oil depicting a vast winter village scene in Quebec, signed indistinctly lower right and dated (19)52, oil on masonite, 30.5 x 34.9cm (12 x 13 3/4in); Provenance: fr

Sampson-Matthews silkscreen print in colours "The Ferry, Quebec", signed in the print lower right, 76.2cm x 1.02m (30 x 40in); original label verso; found unframed, some wear around edges

Titled verso "Young Poplars, First Snow", signed lower right, oil on board, 25.4 x 30.5cm (10 x 12in) - Robert Lee Chadwick, Canadian, 1905-1971

Titled "Low Tide, Nirvana", signed lower middle and verso, finger-painted acrylic on canvas, 45.7 x 61cm (18 x 24in); Provenance: gallery label verso with original price of $695.00

"Untitled: Sailing Ships", signed lower right, oil on board, 61 x 76.2cm (24 x 30in) - Vern Simpson, Canadian, born 1940

Titled verso "Ft. St. James (Fort St. James, British Columbia)", signed lower middle and dated 1965 verso, oil on masonite, 45.7 x 61cm (18 x 24in) - Vern Simpson, Canadian, born 1940

Decorative print in stunning colours signed in the plate lower right, depicting a winter evening in Quebec City with the Chateau Frontenac in the distance, sight 44.5 x 59.7cm (17 1/2 x 23 1/2in)

Circa early to mid-20th century oil painting on panel depicting a landscape scene at dusk, no signature evident, 49.5 x 50.8cm (19 1/2 x 20in)

"Untitled: Mother Nature", signed and dated 2002 lower right, watercolour on paper, sight 34.3 x 43.2cm (13 1/2 x 17in)

Both depicting genre scenes "In the Billiard Room" and "The Duel", oils on canvas housed in matching frames, 21.6 x 26.7cm (8 1/2 x 10 1/2in) - old labels affixed to stretchers

Interesting composition sculpture on polished black marble base, "Two Figures", signed, overall height 17.8cm (7in)

"Untitled" View of the Bay", appears unsigned, watercolour on paper, sight 33 x 49.5cm (13 x 19 1/2in); nicely framed and matted

Titled "Smiling At Me", pencil signed and dated (20)07, limited edition photograph in colours numbered 1/10, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in); Provenance: Galerie Plum, Montreal; And

Original pen and ink sketch on paper, signed and dated (19)78, sight 25.4 x 20.3cm (10 x 8in)

Pair original hunting scene watercolours, both signed, sight for each 25.4 x 35.6cm (10 x 14in); housed in matching antique frames; Frank Henry Mason, British, 1875/76-1965

"Untitled: Autumn River Scene", signed lower right, oil on masonite, 30.5 x 40.6cm (12 x 16in) - Anna Jalava, Canadian, 1926-2012

"Untitled: Portrait Study", signed and dated indistinctly lower right, mixed media on paper, sight 33 x 24.1cm (13 x 9 1/2in)

Vintage soapstone carving depicting an Inuit hunter with seal, height 16.5cm (6 1/2in)

"Untitled: Blue Wolf Riding Two-Headed White Wolf", signed left side, acrylic on canvas, 66 x 91.4cm (26 x 36in); unframed; note this is a large scale work by the artist; Provenance: from

"Untitled: Flowers in Bloom", signed 'Fran' lower right and dated (19)56, oil on board, 50.8 x 40.6cm (20 x 16in)

Titled to the frame "On the Outlook" by James Inglis, appears unsigned, oil on board housed inside an exceptional antique giltwood frame, 33 x 25.4cm (13 x 10in) - offered attributed to t

Titled "Laughing Gull and Horseshoe Crab", pencil signed lower right, limited edition print numbered 378/950, image size 22.9 x 43.2cm (9 x 17in); Provenance: Decher Art Gallery Ltd.

"Untitled: Street View with Colourful Buildings", signed lower right, oil on board, 38.1 x 45.7cm (15 x 18in)

Heritage edition print after "Northern Town - 1927", numbered 439/495, professionally framed and matted, frame outside dimensions 80 x 90.2cm (31 1/2 x 35 1/2in)

Appearing to be 19th century or earlier with lovely scrolled and geometric designs, displayed inside a 81.3 x 46.4cm (32 x 18 1/4in) modern frame

Original mixed media drawing on paper including pastels titled verso "Woman in Yellow", signed upper right and to partial handwritten label verso, sight 24.1 x 16.5cm (9 1/2 x 6 1/2in) -

"Untitled: Wolf Dancer", signed lower left, acrylic on board, 45.7 x 35.6cm (18 x 14in); Provenance: from a Toronto collection, acquired directly from the artist; Floyd Kuptana, Inuvialui

Titled verso "Muckish Mountain, Donegal Ireland", signed lower left and verso, oil on canvas, 25.4 x 50.8cm (10 x 20in)

"Untitled: Street Scene with Two Figures in the Lower Right Foreground", no signature evident, oil on canvas attributed to the late 18th/early19th century, 30.5 x 24.1cm (12 x 9 1/2in); o

Titled "Crimson Barn #2", signed lower left, dated 2004 to label verso, acrylic on canvas, 15.2 x 20.3cm (6 x 8in) - Helene Groulx, Sault Ste. Marie, Ontario artist

19th century needlework depicting Daniel in the Lions' Den, housed in a 57.2 x 64.1cm (22 1/2 x 25 1/4in) antique oak frame

Modern decorative print after the artist's 1917 work "Composition in Colour A", sight 49 1/2 x 44.5cm (19 1/2 x 17 1/2in)

Large 1916 oil on canvas signed lower right and inscribed "Italy", the canvas measures 81.3cm x 1.02m (32 x 40in); craquelure to canvas and old repair noted

Framed reproduction print after "The Red Cedar", sight 17.8 x 11.4cm (7 x 4 1/2in) - Emily Carr, Canadian, 1871-1945

Early Swiss school oil on panel depicting a vast seascape view with pilgrims in the foreground and ships in the distance, no signature evident, 59.7 x 38.7cm (23 1/2 x 15 1/4in) - surface wear and

"Untitled: Autumn Landscape", signed indistinctly lower right, oil on masonite, 30.5 x 40.6cm (12 x 16in)

Antique coloured etching depicting a Parisian street scene with Notre Dame, signed to the lower right margin, editioned 23/100, image size 21.6 x 16.5cm (8 1/2 x 6 1/2in)

Titled in pencil verso "Redrock" depicting Redrock Stoney Lake, signed verso and dated 1950, oil on board, 22.9 x 29.2cm (9 x 11 1/2in)

"Microscopic Objects, Fig. 32, Plate CCCII" showing various insect species, engraved by A. Bell from The Encyclopedia Britannica, 1797, sheet size 26.7 x 20.3cm (10 1/2 x 8in)

"Untitled: Riverscape View", appears unsigned, oil on canvas, 43.8 x 71.8cm (17 1/4 x 28 1/4in) - note the canvas is affixed to a wood stretcher but unframed; some paint loss, canvas &quo

"Untitled: Modernist Landscape", signed verso, oil on canvas, 91.4cm (36in) square - note the canvas is affixed to a wood stretcher but unframed

Lithograph print in colours after his iconic work "Horse and Train", image size 38.1 x 50.8cm (15 x 20in) - note the original hangs in the Hamilton Art Gallery

Unsigned watercolour on paper depicting a quaint cottage and landscape, sight 26.7 x 34.3cm (10 1/2 x 13 1/2in)

Including a vintage 20th century print of an 1815 sampler, together with two portrait prints "John More, St.

"Untitled: River View, Late Winter", signed lower left and dated (20)06, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in)

"Untitled: Seven Girls", signed lower right, oil on canvas, 49.5 x 69.9cm (19 1/2 x 27 1/2in) - note the canvas is affixed to a wood stretcher but unframed

"Still Life" and "Winter Landscape", both signed, watercolours on paper, sight 36.8 x 7.6cm (14 1/2 x 3in) and 7.6 x 36.8cm (3 x 14 1/2in) - Marjorie Pigott, Canadian, 1904-1990

"Untitled: Abstract Study", pencil signed and dated (19)98 lower right, original mixed media collage (airbrush and ink on paper), sight 44.5cm (17 1/2in) square - Hendrikus Bervoets, Cana

Vintage mid-century print with hand-colouring depicting two horses at play, housed inside a 71.1 x 66.7cm (28 x 26 1/4in) frame

"Untitled: Abstract Study", signed and dated 1969 lower right, gouache on paper, sight 44.5 x 36.8cm (17 1/2 x 14 1/2in)

Vintage oil on canvas depicting a tavern scene with man and woman, signed lower right, displayed in an antique oak frame measuring 90.2 x 73.7cm (35 1/2 x 29in)

Titled "Requiem for Summer", signed lower right, editioned 37/50, housed in a costly 58.4 x 79.4cm (23 x 31 1/4in) custom frame

Heritage edition print after "Mill Lake at Parry Sound - 1931", numbered 483/495, image size 45.7 x 50.8cm (18 x 20in) - professionally framed and matted

Portrait pop art acrylic on canvas, appears unsigned, 91.4 x 61cm (36 x 24in) - note the canvas is affixed to a wood stretcher but unframed

Both appear to be unsigned, oils on canvas mounted under glass, sight for each 52.1 x 71.1cm (20 1/2 x 28in)

Titled verso "Northern Lake", signed lower right, acrylic on board, 40.6 x 50.8cm (16 x 20in)

"Untitled: Evening Walk in the Rain", signed lower right, oil on Academy canvas board, 61 x 45.7cm (24 x 18in)

"Untitled: Landscape Scene", signed lower left, pastel on paper, sight 49.5 x 59.7cm (19 1/2 x 23 1/2in); Halfred A.

A massive triptych watercolour and gouache depicting boats in a harbour, signed and dated 2000, housed in matching frames - the combined image size of the three works totals 73.7cm high x 2.16m wid

Titled verso "Rockies in Winter", signed lower right and verso, oil on masonite, 50.8 x 61cm (20 x 24in)

"Untitled: Toronto Street View with Houses", pencil signed to the lower right margin, limited edition print numbered 372/825, image size 50.8 x 64.8cm (20 x 25 1/2in) - Mary Anne Ludlam,

"Untitled: Portrait of a Lioness", signed lower left, acrylic on canvas, 61 x 45.7cm (24 x 18in)

Titled "Petunias", signed lower left, watercolour on paper, sight 35.6 x 54.6cm (14 x 21 1/2in) - artist's label verso

"Untitled: Stream in the Sunlit Woods", signed lower left, oil on board, 18.4 x 26cm (7 1/4 x 10 1/4in) - George F. Kaumeyer, American, 1856-1951

Pair of abstract mixed medias, sight for each 26.7 x 19.1cm (10 1/2 x 7 1/2in) - both appear unsigned

"Untitled: Sparrows", signed and dated lower right, oil pastel drawing on paper, sight 20.3 x 25.4cm (8 x 10in) - Hanna Jeppesen, a contemporary Hamilton, Ontario artist

An attractive still life watercolour on paper, signed lower right, sight 29.2 x 21.6cm (11 1/2 x 8 1/2in)

"Untitled: Autumn Landscape", signed lower left, oil on canvas, 61 x 91.4cm (24 x 36in) - Gordon Geza Marich, Canadian, 1913-1985

Vintage oil on board depicting a lakeview in autumn, signed lower left, 20.3 x 30.5cm (8 x 12in)

Large scale mixed media on panel, "Untitled: Abstract", signed and dated 2005 lower right, 1.1 x 1.23m (43 1/4 x 48 1/2in) - Sevki Kuzay, contemporary American artist residing in Sante Fe

"Untitled: Different Perspectives of a Woman", signed lower right, oil on canvas, 61 x 91.4cm (24 x 36in) - Julius Damasdy, Canadian, 1937-2020

"Untitled: Busy Harbour Scene", signed lower left, oil on canvas, 61 x 76.2cm (24 x 30in)

Titled "Winter Logging with Red Flannel Cap", signed lower right and verso, oil on canvas, 25.4cm (10in) square; housed in a suitable rustic style frame

Vintage Quebec school oil on board depicting a view of the Laurentians in late summer, signed lower right and verso, 25.4 x 30.5cm (10 x 12in)

Artist proof etching print, "The Cow", signed to the lower margin, image size 12.7cm (5in) square - professionally framed and matted at Strand Fine Art, London

Titled "Bug" and signed to the lower margin, hand-coloured mixed media print editioned 1/7, image measures 24.1 x 19.1cm (9 1/2 x 7 1/2in)

"Untitled: Town View from the River", signed lower right, watercolour on paper, sight 20.3 x 33cm (8 x 13in)

Heritage edition print after "Autumn Decoration - 1931", numbered 493/495, image size 40.6 x 61cm (16 x 24in) - professionally framed and matted

"Untitled: Northern Landscape Scene", signed lower left, acrylic on board, 40.6 x 50.8cm (16 x 20in)

An early watercolour sketch of a tree-lined landscape scene with sheep grazing in the distance, no signature evident, sight 21.6 x 29.2cm (8 1/2 x 11 1/2in) - well framed

"Untitled: Mother and Child", pencil signed to the lower left margin, etching on paper, image size 34.9 x 14.6cm (13 3/4 x 5 3/4in)

Painting on silk with image of a bird on branch, signed "Praha" and dated (19)97 to the lower margin, 11.4 x 20.3cm (4 1/2 x 8in)

Signed verso and dated 1926, oil on canvas, 40 x 26cm (15 3/4 x 10 1/4in)

"Untitled: Landscape View", signed lower left, well-executed oil on board measuring 30.5 x 35.6cm (12 x 14in)

Pair of oils on canvas "Untitled: Still Life Floral Paintings", signed lower right and displayed in matching frames, 20.3 x 25.4cm (8 x 10in) - Canadian 20th century artist

"Untitled: Two Faces", signed and dated (19)84 lower right, gouache on paper, sight 43.2 x 27.9cm (17 x 11in)

"Untitled: Paris Street Scene", original oil painting on canvas, 30.5 x 40.6cm (12 x 16in) - born in the Netherlands in 1907, this versatile Dutch artist created many paintings, drawings,

"Untitled: Horse Portrait A", signed lower left, original oil painting on canvas, unframed, 50.8 x 61cm (20 x 24in) - this Dutch artist was born in 1925, studying at the Academies of Ams

"Untitled: Horse Portrait B", signed lower left, original oil painting on canvas, unframed, 50.8 x 61cm (20 x 24in) - from the same London collection as the preceding lot

Produced by a local artisan including acrylics on canvas decorated with various materials, each measuring 45.7 x 61cm (18 x 24in) - on stretchers but unframed

Titled "The Citadel, Halifax, 1927", signed to the lower right margin, photograph in colours, image size 17.8 x 24.1cm (7 x 9 1/2in) - Wallace R. Macaskill, Canadian, 1890-1956

"Untitled: Pemaquid Point, Maine", signed lower right, oil on board, 35.6 x 45.7cm (14 x 18in)

Original charcoal drawing on paper depicting a portrait of a singer, signed and dated lower right, sight 50.8 x 38.1cm (20 x 15in)

"Untitled: Village on the Lake", signed lower left, oil on board, 40.6 x 55.9cm (16 x 22in) - William Stanley, Canadian, 1900-1949

"Untitled: Still Life Floral", signed lower left, oil on canvas, 50.8 x 61cm (20 x 24in); unframed

"Untitled: Seascape", signed lower right, oil on canvas, 50.8cm x 1.02m (20 x 40in); Kurt Lunge, Swedish, born 1935; Lunge worked as a sailor until 1960, and painted during his journeys t

"Untitled: The Horse Race", signed indistinctly lower right, acrylic on canvas, sight 44.5 x 61cm (17 1/2 x 24in); displayed in a costly frame; note the painting is framed under glass

"Untitled: Forest Scene", signed lower right, oil on canvas, image size 68.6 x 96.5cm (27 x 38in)

Inscribed verso "Lawren Harris by Serge Deherian", oil on board, 30.5 x 40.6cm (12 x 16in) - Serge Deharian, Canadian, born 1955; a well recognized contemporary Toronto artist originally

Modern decorative print housed in a costly 1.12m x 91.4cm (44 x 36in) frame

Titled "Sunlit Alley, Sienna", signed lower right, also signed verso and dated 2010, acrylic on canvas, 35.6 x 27.9cm (14 x 11in)

Both displayed in 30.5 x 41.3cm (12 x 16 1/4in) frames

An original watercolour on paper depicting a sparrow on a branch, with messages about nature signed "E.E.

"Untitled: The Hearing Test", signed lower right, oil on canvas laid down to panel, 40 x 47.6cm (15 3/4 x 18 3/4in)

Batik (dyed fabric) of a loon, signed verso, 45.7 x 70.5cm (18 x 27 3/4in); Provenance: Log Cabin Crafts, Minden, Ontario

Large MCM oil on canvas, signed lower left, 1.02m (40in) square

"Untitled: Construction Site", pencil signed lower left and dated 1980, watercolour on paper, sight 33 x 30.5cm (13 x 12in)

Depicting "Images of Spring", pen and ink with watercolour on paper, 15.2 x 20.3cm (6 x 8in) to 20.3 x 25.4cm (8 x 10in); Provenance: Westmount Gallery, Toronto

Two South American textile Mola works displayed in a 47 x 30.5cm (18 1/2 x 12in) frame

Modern print housed in an elegant and costly 53.3 x 45.7cm (21 x 18in) frame

Decorative plaque with an image of the famous Da Vinci work, 34.3 x 25.4cm (13 1/2 x 10in)

Titled "Quartet in Sawdust", signed lower left, ink drawing on paper, 41.9 x 52.1cm (16 1/2 x 20 1/2in); Provenance: Roberts Gallery, Toronto; Jack Nichols, Canadian, 1921-2009

A large oil on panel depicting a still life, signed "Fox" lower right, 1.22m x 45.7cm (48 x 18in) - unframed

"Untitled: Walkway to the Villa", signed indistinctly lower left, watercolour on paper, sight 31.8 x 22.9cm (12 1/2 x 9in)

"Canada's 125th Anniversary", limited edition plaque numbered 14/5000, sight 33 x 47.6cm (13 x 18 3/4in)

"Untitled: Winter Landscape with Homestead in the Distance", signed and dated (19)93 lower right, watercolour on paper, sight 33 x 49.5cm (13 x 19 1/2in)

Original drawing on paper, signed and dated 1995 lower left, sight 50.8 x 39.4cm (20 x 15 1/2in)

Framed poster from the BBC television show depicting Tardis going through the time vortex, published by Culturenik, 1996, sight 55.9 x 86.4cm (22 x 34in)

19th century watercolour on paper depicting a mother and child in the foreground gathering branches, appears unsigned, sight 21.6 x 15.2cm (8 1/2 x 6in)

India ink drawing on paper titled "Fond Memories", sight 20.3 x 15.2cm (8 x 6in) - artist's label verso with original price of $80.00

"Untitled: Northern Lake Scene", signed and dated (19)91 lower right, mixed media on paper, sight 25.4 x 35.6cm (10 x 14in)

Original watercolour on paper depicting calves alongside their mother and poultry in a barn, signed lower left, sight 26.7 x 38.1cm (10 1/2 x 15in); Provenance: Waddingtons, Toronto; Claude Cardon,

"Untitled: Autumn Landscape with Winding Trail", signed lower right, oil on board, 15.2 x 20.3cm (6 x 8in)

Untitled oil on canvas depicting a clipper ship and tug heading to sea, signed lower right and verso, oil on canvas, 40.6 x 35.6cm (16 x 14in); housed in an exquisite antique gilt frame; Provenance

Quebec school oil on canvas, signed lower right, 30.5 x 35.6cm (12 x 14in) - note the canvas has some bending and should be re-stretched

Professionally framed limited edition print after "The Jack Pine", numbered 464/495, outside dimensions 50.8 x 53.3cm (20 x 21in)

"Untitled: Rocky Shoreline", signed lower middle, oil on canvas, board, 25.4 x 30.5cm (10 x 12in)

"Untitled: Mountain Range with River in the Foreground", signed lower right, oil on canvas board, 25.4 x 35.6cm (10 x 14in) - Harold Lloyd Lyon, Canadian, 1930-2020

Titled "Waterton Lakes, Alberta", signed lower right, watercolour on paper, sight 35.6 x 50.8cm (14 x 20in) - Peter Goetz, Canadian, 1917-2007

"Untitled: A River Runs Through", signed lower left, oil on board, 30.5 x 40.6cm (12 x 16in)

"Untitled: Playing Cats", signed lower right, pen and ink on paper, sight 19.1 x 29.2cm (7 1/2 x 11 1/2in); Provenance: Betty McArthur Gallery, Woodstock stamp verso

"Untitled: White House with Picket Fence", appears unsigned, watercolour on paper, sight 39.4 x 29.2cm (15 1/2 x 11 1/2in)

"Untitled: Still Life Study", signed 'Ritter' lower left, oil on masonite, 61.6 x 91.4cm (24 1/4 x 36in)

"Untitled: Busy Market Scene", signed lower right, oil on canvas, 40.6 x 50.8cm (16 x 20in) - Witman Etelka Vizkeleti, Hungarian, 1882-1962

Titled "Le Cirque", signed lower right, watercolour on paper, sight 39.4 x 30.5cm (15 1/2 x 12in); Provenance: Waddingtons, Toronto; old Art Gallery of Ontario label verso - Emilio Grau-S

Framed decorative prints, outside dimensions 53.3 x 62.9cm (21 x 24 3/4in)

Kandinsky-style acrylic on board, 33 x 91.4cm (13 x 36in) - artist unknown

"Untitled: The Guardian Angel", signed lower right and dated 1960, watercolour on paper. sight 34.3 x 25.4cm (13 1/2 x 10in)

Quebec school oil on board, signed lower left, 50.8 x 61cm (20 x 24in); Provenance: Galerie Elite, Quebec

Antique watercolour on paper, signed lower right, sight 21.6 x 27.9cm (8 1/2 x 11in)

Collage on paper including pen and ink with acrylic, signed "Blonder" lower right, 43.2 x 25.4cm (17 x 10in)

Titled verso "Flying in at Dawn - Black Ducks", signed lower left, oil on canvas, 50.8 x 61cm (20 x 24in); Provenance: Frank Jarman Limited, Ottawa - Hugh Monahan, Canadian, 1914-1970

Limited edition hand-coloured serigraph print in the style of Tarkay, signed and titled indistinctly to the lower margin and numbered 6/350, image size 58.4 x 40.6cm (23 x 16in)

Original charcoal drawing on paper depicting a gray wolf, signed and dated (19)82 lower right, sight 43.2 x 55.9cm (17 x 22in)

With image of a duck in a pond, signed and stamped with red seal upper middle left, sight 86.4 x 35.6cm (34 x 14in) - foxing to paper noted

A modernist landscape watercolour on paper painted much in the style of Marjorie Pigott, signed lower left, sight 48.3 x 72.4cm (19 x 28 1/2in)

A large scale oil on canvas "The Old Mill", signed lower right and to stretcher verso, 91.4 x 76.2cm (36 x 30in) - Richard Karon, Canadian, 1928-1987

"Untitled: The Crucifixion", signed verso, watercolour on paper, sight 61 x 41.9cm (24 x 16 1/2in) - Gordon Robertson MacNamara, Canadian, 1910-2006

A nice little oil on canvas board depicting a house near Waterford, signed lower right and handwritten pencil notations verso, 20.3 x 25.4cm (8 x 10in)

Framed print after "The Last Voyage", sight 40.6 x 59.7cm (16 x 23 1/2in); Provenance: Metro Frame Gallery, Toronto; Toller Cranston, Canadian, 1949-2015

Limited edition serigraph print on wove paper "Cafe Tabac", pencil signed to the lower right margin and editioned 26/100, image 29.2 x 43.2cm (11 1/2 x 17in) - appraisal verso for $950.00

Original mixed media on canvas including acrylic with a number code and skull, 76.2 x 91.4cm (30 x 36in), artist unknown - the canvas is on a wood stretcher but unframed

Vintage art deco style print in colours after "Dream of Paradise" by Hermann Traugott Rüdisühli, sight 50.8cm x 1.02m (20 x 40in)