JUNE ART SESSION II

Titled "October Birch Trees", signed lower left, oil on masonite board, 30.5 x 45.7cm (12 x 18in); Provenance: Levis Fine Art Auctions and Appraisals, Calgary; Thomas (Tom) Keith Roberts, Canadian,

Tilted "Essayist", signed lower right, oil on canvas board, 25.4 x 20.3cm (10 x 8in); Provenance: Roberts Gallery, Toronto; William Arthur Winter, Canadian, 1909-1996

Titled "U Valley Ochre Red Mountain (The Crowds Applauded)", signed lower right, also signed verso and dated 6-25-(19)93, oil on panel, 40.6 x 61cm (16 x 24in); Provenance: Canadian Art G

Titled "Teapot and Floral", signed lower right, oil on canvas, 40.6 x 50.8cm (16 x 20in) - Wadie El Mahdy, Canadian, 1921-2001

Titled "Grazing Land I", signed lower right, casein on paper, 33.7 x 48.9cm (13 1/4 x 19 1/4in); Provenance: PanCanadian Petroleum Limited, catalogue number 1581; Hodgins Halls Auctions,

"Untitled: View of the Town", signed lower left, watercolour/gouache on paper, sight 30.5 x 48.3cm (12 x 19in); Provenance: Hodgins Halls Auctions, Calgary; Colin D.

Titled "Maison Rouge, Contrecoeur", signed lower left and verso, oil on canvas, 25.4 x 30.5cm (10 x 12in) - Pierre Legault, 20th century Quebec artist

Titled "Venice, Piazza San Marco", signed lower right and stamped verso, oil on canvas, 50.8 x 61cm (20 x 24in) - Marthe Rakine, Canadian/Swiss, 1904-1996

Original acrylic on canvas depicting a standing white rabbit and double-headed wolf on a blue ground, signed upper middle, 64.8 x 38.1cm (25 1/2 x 15in); Provenance: from a Toronto collection, acqu

Titled "Mime", pencil signed to the lower margin, proof etching from her Theatre Suite, sight 29.8 x 18.4cm (11 3/4 x 7 1/4in); professionally framed and matted; Ann Wallin, Canadian, 193

"Untitled: Red Jacket and Sandals on a Chair, Argentina", signed lower right, oil on canvas, 59.7 x 49.5cm (23 1/2 x 19 1/2in); Provenance: this and the next two lots are from the same private coll

"Untitled: WWI Soldiers in France", signed lower right, oil on canvas, 49.5 x 69.9cm (19 1/2 x 27 1/2in) - Jac Leckell, a 20th century French artist who was active in New York

"Untitled: Portrait of a Sleeping Woman", signed lower left, oil on canvas, 59.7 x 50.2cm (23 1/2 x 19 3/4in) - Jac Leckell, a 20th century French artist who was active in New York

A large scale watercolour on paper, depicting a vast mountain landscape with winding river in the foreground, signed lower right, sight 63.5 x 96.5cm (25 x 38in) - William Joseph Wadham, English, 1

"Black Dog Licorice" poster designed by Ken Bailey, frame outside dimensions 96.5 x 66cm (38 x 26in) - published by ArtBeats Inc., 2010

Titled "White Birds in Blue", signed lower left, large scale oil on canvas measuring 91.4cm x 1.22m (36 x 48in); Provenance: acquired directly from the artist, original purchase price $1200.00; Ele

Lithograph print in colours after "In the Distance", professionally framed and matted, frame outside dimensions 87 x 77.5cm (34 1/4 x 30 1/2in) - Pino Daeni, Italian/American, 1939-2010;

"The Tranquility and the Turbulence - The Life and Work of W.J. Phillips" by Roger H. Boulet, M.B.

Acrylic on canvas painted after A.J. Casson's "Daffodils", 35.6 x 27.9cm (14 x 11in)

Vintage print after Paul Peel displayed in an antique 57.2 x 49.5cm (22 1/2 x 19 1/2in) frame; published by Rolph Clark Stone Ltd.

A large scale museum quality oil on canvas titled "The Church Post, Betty's Coed (Betws-y-Coed), North Wales", signed lower right, image size 99.1cm x 1.26m (39 x 49 1/2in); housed i

"Untitled: Street Scene in Winter", oil on panel, 40.6 x 30.5cm (16 x 12in) - John Haanstra, Dutch postwar and contemporary artist, born 1940

Vintage Picasso print after "Three Musicians", sight 52.1 x 57.8cm (20 1/2 x 22 3/4in); Provenance: The Detroit Institute of Art, Detroit, Michigan

Lithograph print in colours editioned 68/275, pencil signed to the lower margin, image size 49.5 x 40.6cm (19 1/2 x 16in) - Eugene Valentin, 20th century French artist

Original acrylic on canvas depicting a black wolf riding a white and pink wolf, signed lower left, acrylic on board, 50.8 x 69.9cm (20 x 27 1/2in); Provenance: from a Toronto collection, acquired d

A large soapstone sculpture depicting a hunter, signed and dated 2022, overall height 38.1cm (15in); note the sculpture is removable from the base; Provenance: Waddingtons, Toronto; present Ontari

"Untitled: Church Interior", signed lower right, oil on canvas, 61 x 50.8cm (24 x 20in)

Set of five prints after watercolours by Melbourne Smith, which were commissioned by the Hudson's Bay Company for their 300th anniversary in 1970, titled "Famous Ships in Canadian History

Winchester RCMP Centennial portfolio print set, set of four coloured prints, sheet size for each 45.1 x 57.8cm (17 3/4 x 22 3/4in) - some folding in corners, otherwise good condition

Titled "2nd of the Seven Chutes on the Rouge River, Sept. 12, 1896", signed lower left, watercolour on paper, sight 24.1 x 34.9cm (9 1/2 x 13 3/4in); F.L.

Limited edition print made for the Arts and Letters Club, Toronto, 1978, pencil signed by Casson lower right, sheet size 36.8 x 45.7cm (14 1/2 x 18in) - Alfred Joseph Casson, Canadian, 1898-1992

A set of six hand-signed limited edition coloured prints by Rudolph Stussi (Swiss-Canadian painter and animator, born 1947), including "Variety Store", "Toronto Al Fresco", &quo

Original graphite drawing on paper signed "Fossl" to the lower margin and titled "La Cour D'Albaine", sight 25.4 x 20.3cm (10 x 8in); handwritten information verso dating t

Two original oils on canvas depicting a French landscape scene and mother sheep with lamb, found rolled/unframed; together with a vintage 53.3 x 63.5cm (21 x 25in) carved frame

Quebec school oil on board depicting a river landscape in winter, signed lower right, 30.5 x 40.6cm (12 x 16in)

"Le Flore En L'Isle", signed lower right, oil on canvas, 50.8 x 61cm (20 x 24in)

Titled verso "Timeless Temptations", signed and dated (19)95 lower right, oil on panel, 33 x 48.3cm (13 x 19in)

A reproduction antique map of Paris, displayed in a rustic 62.9 x 78.1cm (24 3/4 x 30 3/4in) frame

"Untitled: Winter Landscape Study", signed lower right, oil on board, 55.9 x 76.2cm (22 x 30in)

"Untitled: Street Scene", signed lower right, oil on canvas, 66 x 53.3cm (26 x 21in)

"Untitled: A Funny Pair", signed lower right, oil on canvas, 40.6 x 50.8cm (16 x 20in)

Both housed in costly modern frames, outside dimensions 80 x 74.9cm (31 1/2 x 29 1/2in) and 73.7cm x 1.03m (29 x 40 1/2in)

Signed verso and dated (19)83, also signed lower left, oil on masonite, 30.5 x 40.6cm (12 x 16in)

Titled "Milton", signed lower right and dated 1981 verso, oil on board, 50.8 x 76.2cm (20 x 30in); Note: the Milton was built in Selma, Nova Scotia in 1879, burned at sea December, 1881

"Untitled: Stark Canadian Sunset", signed lower right, oil on canvas, 50.8 x 61cm (20 x 24in)

By Frank Zollner with beautiful coloured & black/white images, protective slip case included

"Untitled: Feeding Chickens", signed lower right and dated (19)94, oil on canvas, 61 x 45.7cm (24 x 18in)

"Untitled: Nude Study", appears unsigned, oil on canvas, 81.3 x 50.8cm (32 x 20in) - repair to canvas noted

Pencil signed and editioned 97/100 to the lower margin, frame outside dimensions 73.7 x 62.9cm (29 x 24 3/4in)

"Untitled: Northern River Landscape", signed lower right, watercolour on paper, sight 31.8 x 48.3cm (12 1/2 x 19in) - Thomas Mower Martin, English/Canadian, 1838-1934

Well executed watercolour on paper depicting a seaside townscape, signed lower left, sight 44.5 x 35.6cm (17 1/2 x 14in)

Four volumes related to Paul Gauguin paintings and drawings in both black and white, and colour - two hardcover and two softcover books

Framed reproduction print after "York Boat on Lake Winnipeg", sight 25.4 x 34.9cm (10 x 13 3/4in)

Titled "Bridge Neat St. Jovite, Quebec" and dated circa 1935, signed lower right, watercolour on paper, sight 31.8 x 41.3cm (12 1/2 x 16 1/4in) - Jane E.

Titled and signed verso, also signed lower right and dated (19)81, watercolour on paper, sight 28.6 x 39.4cm (11 1/4 x 15 1/2in) - artist card verso

"David Blackwood - Master Printmaker" by William Gough, signed by Blackwood and dated 2001 on the title page, 178-page hardcover book in excellent condition

Oil on board painted after a work by Danish artist Paul Detlefsen, appears unsigned, 50.8 x 61cm (20 x 24in)

Titled "The Gift", pencil signed to the lower left margin, screenprint in colours editioned 26/100, image size 39.4 x 29.2cm (15 1/2 x 11 1/2in) - Bruce Herchenrader, Canadian, born 1949<

Titled "The Harpist", signed and dated (19)86 lower left, also signed verso, charcoal on paper, sight 47 x 31.8cm (18 1/2 x 12 1/2in) - Steven Rhude, Canadian, born 1959

Four hardcover volumes related to Marc Chagall paintings with both black and white and colour images

Titled "Ancient Trade Route", signed lower left, also signed and dated (20)09 verso, acrylic on board, 30.5 x 40.6cm (12 x 16in) - Andrew Plum, British/Canadian, born 1965

Titled "Mevagissey, Cornwall" and "Fowey Harbour", both signed, watercolours on paper, sight for each 21.6 x 37.5cm (8 1/2 x 14 3/4in) - Malcolm Crouse, 19th/20th century Britis

"Untitled: East Coast Harbour", signed indistinctly lower left, vintage oil on canvas board, 45.7 x 61cm (18 x 24in)

Titled "Cornelia", pencil signed to the lower right margin, lithograph in colours, sheet size 55.9 x 45.7cm (22 x 18in); note tear in paper upper middle; John Harold Thomas Snow, Canadian

Two large specimen photographs circa 1930's, the subjects described verso in pencil as "Mrs.

An original watercolour on paper, signed and stamped upper right, sight 66 x 40.6cm (26 x 16in)

"Untitled: Coastal Scene with Two Boats and Figures", signed lower right, watercolour on paper, sight 27.9 x 43.2cm (11 x 17in) - Charles Eugene Moss, British, 1860-1901

Titled and dated "Smallfield House, Surrey, 1875" upper right, signed upper left, graphite sketch on paper, sight 10.2 x 16.5cm (4 x 6 1/2in); Provenance: this and the following lot are f

Titled "Hitchen" and dated circa 1880 to label verso, artist's notation lower middle "Stream", graphite sketch on paper, sight 10.8 x 15.2cm (4 1/4 x 6in); Provenance: from

Early English hand-coloured engraving inscribed "...Right Honourable Charles Earle of Carlisle", believed to be a portrait of Charles Howard (1628-1685), sight 29.2 x 19.1cm (11 1/2 x 7 1

"Untitled: Orca Whales and Greenpeace Vessel", signed and dated 2002 lower right, acrylic on canvas, 76.2cm x 1.02m (30 x 40in)

Lithograph on paper inscribed "Dorset, 1976", signed lower left and also signed by Ashoona Soroseelutu lower right, editioned 32/50, sight 36.8 x 49.5cm (14 1/2 x 19 1/2in)

Titled "Lake Largo Italy, 1977", signed lower left, oil on board, 20.3 x 25.4cm (8 x 10in); Provenance: artist's label verso; Earls Court Gallery, Hamilton; Juanita LeBarre Symington

Titled "Lake Louise, 1955", oil on board, 25.4 x 30.5cm (10 x 12in); Provenance: Earls Court Gallery, Hamilton; verified by the artist's granddaughter Denise Richardson; Juanita LeBa

Titled "Dirty Louie's", pencil signed to the lower margin and dated (19)75, etching on paper editioned 1/5, sight 40.6cm (16in) square - Moira Clark, Canadian, born 1950

"Untitled: Landscape with Birdhouse", no signature evident, watercolour on paper, sight 19.7 x 25.4cm (7 3/4 x 10in)

"Untitled: Landscape Scene", signed lower right, watercolour on paper, sight 25.4 x 36.8cm (10 x 14 1/2in)

"Untitled: Rocky Shoreline", signed lower left, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in) - Dara Aram, a contemporary Canadian visual artist and member of the Ontario Society

"Untitled: Beachside", signed lower left, watercolour on paper, sight 25.4 x 35.6cm (10 x 14in) - Dara Aram, a contemporary Canadian visual artist and member of the Ontario Society of Art

Titled "Summer Sole", pencil signed to the lower margin, mixed media etching in colours editioned 85/350, sight 17.1cm (6 3/4in) square

Titled "Locomotive a Vapeur", pencil signed to the lower right margin, aquatint in colours editioned 1/60, sight 19.7 x 25.4cm (7 3/4 x 10in)

"Untitled: Portrait of a Young Woman", signed and dated upper right, also signed twice verso, oil on canvas, 50.8 x 43.2cm (20 x 17in) - William (Bill) Thomson, a 20th century Canadian/En

"Untitled: Goats on a Mountain Hillside", signed and dated March, (19)94 lower right, watercolour on paper, sight 38.1 x 53.3cm (15 x 21in)

Pair of original scratchboards titled "Praying to the Spirit" and "Visions after Tobacco Offering", both signed and dated (19)82, housed in matching frames, sight for each 55.9

Signed by Walter Samuel and depicting a pleasing Mediterranean scene with canal, boats and buildings in the foreground, river and mountains in the distance, oil on canvas displayed in an enormous 1

20th century charcoal rubbings on paper attributed to Thailand, both displayed in matching 73.7 x 54cm (29 x 21 1/4in) frames

"Untitled: Town Scene with Figures", signed lower right, watercolour on paper, sight 24.1 x 34.3cm (9 1/2 x 13 1/2in); some discolouration to paper noted; Alfred Birdsey, an English-born

"Untitled: Harbour Scene", signed lower right, oil on canvas, 25.4 x 20.3cm (10 x 8in)

"Untitled: Looking Out on a Rainy Day", signed and dated (19)67 lower left, oil on canvas, 55.9 x 45.7cm (22 x 18in)

Titled "Linda and the Balelecia (Balalaika)", pencil signed and dated (19)58, lithograph print in colours, sight 34.3 x 26.7cm (13 1/2 x 10 1/2in)

"Untitled: Port Stanley Street View", signed and dated (19)89 lower right, pastel on paper, sight 38.1 x 50.8cm (15 x 20in); Provenance: this and the following lot are from the same priva

"Untitled: The Old Manor House", signed lower right, pastel on paper, sight 36.8 x 57.2cm (14 1/2 x 22 1/2in) - Paul Schleusner, a well-known Port Stanley, Ontario artist

Pair ink wash scroll paintings housed in matching 1.28m x 59.7cm (50 1/2 x 23 1/2in) frames, one depicting a bamboo tree with bird, the other a dragon, both signed and stamped with the same red sea

"Untitled: Winter Landscape Scene", signed and dated (19)47 lower right, oil on canvas, 55.9 x 66cm (22 x 26in) - Mary Dorothy Seeley-Smith, 20th century Canadian

"Untitled: Harbour Scene", signed and dated (19)97 lower left, mixed media on paper, sight 21 x 40.6cm (8 1/4 x 16in)

"Untitled: Village Scene", signed lower right, watercolour on paper, sight 27.9 x 43.2cm (11 x 17in)

Titled "Gale Force 7", signed lower right and dated (19)76, watercolour on paper, sight 33 x 50.8cm (13 x 20in); Provenance: this and the next two lots are from the same private Ontario c

Titled "Gale Force A.M.", signed lower right and dated (19)79, watercolour on paper, sight 33 x 39.4cm (13 x 15 1/2in); Provenance: from the same collection as the previous lot; John H.

"Untitled: Three Pears", signed lower right and dated 1984, silver point on paper, sheet size 12.7 x 25.4cm (5 x 10in); Provenance: from the same collection as the preceding two lots; Joh

Vintage print in colours "Habitants Racing in a Horsedrawn Sleigh", signed in the plate lower left, sight 33.7 x 51.4cm (13 1/4 x 20 1/4in); some surface wear and foxing to board; Corneli

"Portrait of a Woman with Fan", colourful needlework displayed inside a 40.6 x 47.6cm (16 x 18 3/4in) frame

Titled "First Snow", signed lower right and dated 1995 to label verso, chalk pastel on paper, sheet size 35.6 x 47cm (14 x 18 1/2in); Provenance: The Gallery, Ancaster, Ontario

"Untitled: Abstract Still Life", signed lower right, watercolour on paper, sight 30.5 x 47cm (12 x 18 1/2in) - Richard Powell Edwards, Canadian, born 1944

"Untitled: Tug of War", no signature evident, oil on board, 22.9 x 61cm (9 x 24in) - some losses noted and showing wear

Titled "Colorful Crucifixion", pencil signed to the lower margin, woodcut in colours editioned 1/5, sight 53.3 x 20.3cm (21 x 8in)

Tilted "Near the Dingle" and "Summer Rain", both signed, watercolours on paper, sight for each 26.7 x 37.5cm (10 1/2 x 14 3/4in); both with artist labels verso; matting showing

Titled "Ontario Farmhouse", signed lower left and verso, oil on masonite, 30.5 x 40.6cm (12 x 16in) - John Everett Secord, Canadian, 1908-1996

Titled "Fields", signed lower right and verso, acrylic on board, 20.3 x 25.4cm (8 x 10in) - Norman Richard Brown, Canadian, born 1958

Both signed "H.

Titled "On The Road to Amy Corners, Que.", signed lower right and verso, dated April 1975 verso, oil on masonite, 30.5 x 45.7cm (12 x 18in); Provenance: private Ontario collection, the pr

"Untitled: Impressionist Landscape with Women in a Field", signed lower right, oil on canvas, 61 x 50.8cm (24 x 20in) - note the painting requires cleaning and new framing suggested

Original painting on enamel, signed lower left and artist identified to label verso, 17.8 x 12.7cm (7 x 5in)

An early Canadian school oil, signed lower right and titled "Madawaska River", 14.6 x 20.3cm (5 3/4 x 8in) - laid down to card in an elegant antique frame

"Untitled: Still Life", signed lower right, oil on canvas, 61 x 50.8cm (24 x 20in)

Two vintage paint by numbers depicting WWI air warfare, each 22.9 x 30.5cm (9 x 12in)

"Untitled: Portrait of a Cat", signed and dated (19)56 lower right, pastel drawing on paper, sight 18.4 x 15.9cm (7 1/4 x 6 1/4in)

Signed "Todd" and dated (19)60 lower left, pastel on paper, sheet size 41.9 x 27.9cm (16 1/2 x 11in)

Two Quebec City watercolours, together with a graphite drawing signed by Gerald Crawford

A large landscape oil on canvas depicting a mother and child in the foreground with river and mountains in the distance, appears unsigned, 61cm x 1.22m (24 x 48in) - the artist identified on label

Three Victorian era hand-coloured fashion prints, vintage engraving and pair interesting textured mixed medias in folk art carved frames

Original oil on masonite board in the style of Alfred Lee Rowell, unframed, 48.3 x 83.8cm (19 x 33in) - appears unsigned

Titled "Legende Laurentiane", pencil signed to the lower margin, lithograph in colours editioned 3/100, sight 38.7 x 55.9cm (15 1/4 x 22in); presentation plaque affixed to matting; please

Original mixed media on panel "The Three Musicians", signed lower left, frame outside dimensions 1.22m (48in) square; scratch to surface upper left; if located outside of Southwestern Ont

Antique oil print in colours titled "The Day Before Marriage", signed in the plate and dated 1853, sight 36.8 x 26.7cm (14 1/2 x 10 1/2in) - George Baxter, English artist and printer, 1804-1867

Antique oil print in colours titled "The Mountain Stream", sight 36.8 x 26.7cm (14 1/2 x 10 1/2in) - George Baxter, English artist and printer, 1804-1867

Three original watercolours on paper including the Saskatchewan Legislative Building, Alberta Parliament Building and the P.E.I.

Both signed and stamped with red seals, displayed in matching 67.3 x 45.7cm (26 1/2 x 18in) frames

Titled "Blue Cathedral" from her Cathedral Series, pencil signed and dated (19)65 to the lower margin, intaglio print in colours editioned 13/25, plate size 30.5 x 37.5cm (12 x 14 3/4in)

Titled "Houses on Spadina", signed lower left, oil on board, 20.3 x 15.2cm (8 x 6in) - Lillian Jean McGeoch, Canadian, 1903-1992; she studied under J.W.

Titled "Kensington Market", signed lower right, oil on board, 20.3 x 25.4cm (8 x 10in), from the same Ontario collection as the preceding lot - Lillian Jean McGeoch, Canadian, 1903-1992

Titled "Summer's End", pencil signed to the lower margin, artist proof etching print, plate size 12.1 x 7.6cm (4 3/4 x 3in) - Rita Briansky, Canadian, born 1925

"Jack Bush - Paintings and Drawings 1955-1976", lithograph print in colours for Serpentine Gallery, London, sight 82.6 x 59.9cm (32 1/2 x 22 3/8in) - Jack Bush, Canadian, 1909-1977

"Untitled: Two Dancers", watercolour and graphite on paper in the style of Leonor Fini, signed indistinctly lower left, sight 29.5 x 21.9cm (11 5/8 x 8 5/8in)

Titled "Autumn", signed lower right and dated 1992, oil on board, sight 7.6 x 10.2cm (3 x 4in)

Three vintage lithograph prints in colour including "Haast Bluff Range, Western MacDonnells", "West of Temple Bar Gap" and "Ghost Gum, Glen Helen", all pencil signed,

Titled "Tranquility", pencil signed and dated 1977 to the lower margin, studio proof intaglio print in colours, sight 61 x 40cm (24 x 15 3/4in) - Mathias Muleme, Canadian, born 1967, a we

Titled "Love II", pencil signed and dated 1979, intaglio print in colours editioned 85/100, sight 22.9 x 14cm (9 x 5 1/2in) - Mathias Muleme, Canadian, born 1967; from the same collection

"Untitled: Still Life with Fruit", signed indistinctly lower right, oil on board, 19.1 x 27.9cm (7 1/2 x 11in)

Titled "Sunset Near Ullapool (Scotland)" and dated Mar. (19)87 verso, also signed and dated lower right, oil pastel on paper, sight 10.8 x 15.2cm (4 1/4 x 6in); artist's label verso

Three mixed medias (ink and watercolour) on paper depicting views of Venice, all signed, sight 23.5 x 15.9cm (9 1/4 x 6 1/4in); housed in matching frames

Vintage tapestry depicting a Renaissance court scene, sight 24.1cm (9 1/2in) square

Titled "Cottage by the Lake", signed lower right, oil on board, 30.5 x 40.6cm (12 x 16in)

Titled "Solar Flame", pencil signed to the lower right margin and dated 1965, etching in colours editioned 1/10, plate size 22.2 x 29.5cm (8 3/4 x 11 5/8in) - Gwyneth Mabel Gwillim Travers, Canadia

Set of four modern decorative prints after the 16th century works displayed in matching 49.5 x 31.8cm (19 1/2 x 12 1/2in) frames including "Jean Du Plessis, Lord of La Bourgonniere", "Mademoiselle

"Untitled: Portrait of a Child", signed indistinctly lower left, oil on linen canvas laid down, sight 35.6 x 27.9cm (14 x 11in)

"Untitled: Clown with Hat", signed lower right, pastel drawing on paper, sight 55.9 x 40cm (22 x 15 3/4in)

Painted after "Popolana Alla Fontana" by Leon Bonnat, signed lower right, oil on canvas laid down on board, 48.3 x 33cm (19 x 13in)

Titled "Love", signed indistinctly lower right, limited edition print numbered 47/150, sight 57.2 x 74.9cm (22 1/2 x 29 1/2in)

Two prints after W.J. Phillips displayed in 38.7 x 49.5cm (15 1/4 x 18 1/4in) and 41.9 x 49.5cm (16 1/2 x 19 1/2in) frames

20th century Chinese school ink painting depicting peacocks, signed and with artist's seal upper left, sight 59.1 x 41.3cm (23 1/4 x 16 1/4in)

Titled "Kingston, LaSalle Causeway", pencil signed to the lower right margin and dated 1966, serigraph print in colours editioned 40/75, sight 21.6 x 56.5cm (8 1/2 x 22 1/4in) - Gwyneth Mabel Gwill

Titled "Colour Splash #3", signed and dated (19)82 lower left, also signed verso, watercolour on paper, sight 37.5 x 54.6cm (14 3/4 x 21 1/2in); Provenance: Wendy Clarke Studios; Michael Zarowsky,

"Untitled: Autumn Forest Riverscape", signed lower left and to engraved nameplate, oil on masonite, 49.9 x 60cm (19 5/8 x 23 5/8in)