FEBRUARY ART

Titled "A Blue Pool in the Severn", signed lower right and verso, oil on masonite, 40.6 x 50.8cm (16 x 20in) - Stuart Clifford Shaw, Canadian, 1896-1970

"Untitled: Mountain Landscape Scene with Encampment", signed lower left, oil on board, 45.7 x 33.7cm (18 x 13 1/4in); a few surface marks to board noted; Henry Nesbitt McEvoy, born in Eng

"Untitled: Stream in a Wooded Landscape", signed lower left, oil on board, 50.8 x 40.6cm (20 x 16in) - Lila Caroline McGillivray Knowles, Canadian, 1886-1967

Titled "Peonies", signed lower right, watercolour on paper, sight 45.7 x 35.6cm (18 x 14in) - Silvia Clarke, Canadian, 1911-1994

An impressive large-scale oil on masonite board by Daisy Bailey, signed and dated 1953 lower right depicting a vast multi-coloured tree-lined landscape with cottage and gardens in a fantasy-style s

Titled "Near the Thames, Winter", signed lower left and dated "Jan/(19)65" verso, oil on canvas board, 43.2 x 58.4cm (17 x 23in) - Daisy Bailey, 20th century Canadian artist act

Titled "Daffodils", signed lower right, watercolour on paper, sight 34.3 x 30.5cm (13 1/2 x 12in) - Silvia Clarke, Canadian, 1911-1994

Titled verso "Snow Covered/Centre Bare", signed lower right and verso, oil on canvas board, 35.6 x 45.7cm (14 x 18in) - Roy Austin, Canadian, 1910-1997; born in England and moving to Cana

Titled "Autumn", signed verso and dated July 14, (20)14, acrylic on canvas, 45.7 x 61cm (18 x 24in); Provenance: Thielsen Gallery, London, original gallery price $750.00; Val Sloggett, a

"Untitled: English Cottage", signed lower right, watercolour on paper, sight 20.3 x 29.2cm (8 x 11 1/2in) - note the back of frame is loose and requires some reinforcement

"Untitled: Dancing Two-Headed Black Bear", signed twice, oil on board, sight 41.9 x 27.9cm (16 1/2 x 11in); Provenance: acquired directly from a close friend of the artist, Toronto, paint

"Untitled: The Patrol's Return", signed lower left and to engraved nameplate on frame, oil on canvas, 21 x 31.8cm (8 1/4 x 12 1/2in); Note: this and the following four lots are from

Original antique engraving after the famous work by Benjamin West (1738-1820), engraved by H.B.

"Untitled: View along the River with City in Distance", oil on panel circa 1880, appears unsigned, 22.9 x 27.9cm (9 x 11in); displayed in a quality antique gilt frame; some losses to boar

18th century examples including depictions of Mercury and Perseus, engraved by Bernard Picart (French, 1673-1733), sight for each 26.7 x 18.4cm (10 1/2 x 7 1/4in); housed in matching costly frames<

Titled verso "The Long Rock, Berwickshire", possibly signed indistinctly to stretcher verso and dated July, 1906, oil on canvas, 30.5 x 45.7cm (12 x 18in)

Titled "Friday" and signed verso, acrylic on canvas, 61 x 45.7cm (24 x 18in) - Ross Bishop, a contemporary London abstract artist whose work has been shown in Montreal, Toronto and London

Titled "Farm, Greenfield Rd., Cambridge, Ont." and noted "Now Gone" as this farm no longer exists, oil on canvas, 61 x 45.7cm (24 x 18in) - Hugh Thompson, a contemporary Irish/C

"Untitled", signed lower left, also signed and dated August 2011 verso, acrylic on canvas, 45.7 x 61cm (18 x 24in); Provenance: D & E Lake, Ltd., Toronto, original gallery price $850.00; Andrew

Both made for wall display, including a carved and multi-coloured hand-painted wood plaque inscribed verso "Costa Rica - Made by Indigenous Tribe Boruca", also signed twice, approximately

A well-executed early 20th century oil on canvas depicting a traditional Norwegian Sami family, signed lower right, 70.5 x 100.3cm (27 3/4 x 39 1/2in)

Titled "Mullion Cove, Mounts Bay, Cornwall", signed lower left and to engraved nameplate on frame, watercolour on paper, sight 19.1 x 36.8cm (7 1/2 x 14 1/2in) - John Clarkson Isaac Uren,

Professionally framed and matted reproduction print after Canadian artist Walter Joseph Phillips (1884-1963), frame size 53.3 x 63.5cm (21 x 25in)

"Untitled", signed lower left, acrylic on canvas board, 40.6 x 50.8cm (16 x 20in) - Grace Frohlick, a contemporary Canadian landscape artist originally from Saskatchewan and now residing

A large-scale and well executed oil on canvas depicting a vast winter landscape with pathway and log cabin, signed and dated (19)56 lower right, sight 63.5 x 96.5cm (25 x 38in), housed in a custom

"Untitled: Summer Gardens", signed lower left, watercolour on paper, sight 38.1 x 56.5cm (15 x 22 1/4in) - small glass imperfection noted

"Untitled: Tree-Lined Landscape", signed lower left, oil on board, sight 24.8 x 16.5cm (9 3/4 x 6 1/2in), displayed in a quality antique gilt frame measuring 53.3 x 45.7cm (21 x 18in) - H

Titled "Winter Sun, Black Creek" and pencil signed, limited edition print numbered 86/475, frame dimensions 72.4 x 87.6cm (28 1/2 x 34 1/2in) - Donald Applebee Smith, Canadian, born 1917,

Titled "Poppies at Day's End", signed lower left, oil on millboard, 71.1 x 55.9cm (28 x 22in); Provenance: Crystal Beach Studios; David C. Drum, Canadian, born 1944

Vintage Markgraf serigraph print in colours titled "Tampico", sight 64.8 x 87.6cm (25 1/2 x 34 1/2in) - small glass imperfection lower left; Toni Onley, Canadian, 1928-2004

Titled "U Valley - Ochre Red Mountain", signed and dated (19)93 verso, oil on panel, 40.6 x 61cm (16 x 24in); Provenance: Canadian Art Galleries, Calgary; Levis Auctions, Calgary; Judith

"Untitled: Resting Crane", signed lower right, large-scale acrylic on board measuring 61cm x 1.22m (24 x 48in) - Robert Milner, contemporary English/Canadian artist

"The Collection: London, Canada", dedicated to 150 years of art in London by Tom Smart, published 1990, with foreword by Nancy Poole and letter from mayor Tom Gosnell, hardcover volume wi

"Untitled: English Countryside with Maiden and Sheep near a Watering Hole", signed lower left, watercolour on paper, sight 45.1 x 31.8cm (17 3/4 x 12 1/2in)

Titled "The Old Stone Mill", signed lower left and dated 1974, oil on canvas board, 40.6 x 50.8cm (16 x 20in) - William Jack Nash, Canadian, 1904-1995; note this and the next two lots are

Titled "The Old Homestead", signed lower left and dated (19)89, oil on canvas board, 35.6 x 45.7cm (14 x 18in) - William Jack Nash, Canadian, 1904-1995

Titled "Bambi and Friends", signed lower right, oil on masonite board, 50.8 x 36.8cm (20 x 14 1/2in) - William Jack Nash, Canadian, 1904-1995

"Henri Matisse - Rooms with a View" and "Claude Monet 1840-1926", both hardcover volumes in excellent condition, and with fine images and text

Titled "Nocturne - Still Crystal Beach Twilight", signed lower right, dated 1992, pastel on paperboard, 29.2 x 42.5cm (11 1/2 x 16 3/4in); Provenance: Crystal Beach Studios; David C.

Titled "Port Stanley Harbour Scene", signed lower right and dated (19)89, pastel on paper, sight 16.5 x 25.4cm (6 1/2 x 10in) - Paul Schleusner, well-known Port Stanley artist, studio lab

Both signed still life studies displayed in matching contemporary frames, sight 8.3 x 15.2cm (3 1/4 x 6in) and 14.6 x 5.7cm (5 3/4 x 2 1/4in)

"Painting in Canada" and "A People's Art" by J. Russell Harper, University of Toronto Press, "History of Art - Second Edition" by H.W.

Colour lithograph from Aurora Art Publishers, 1981 after "View of Collioure - 1905", professionally framed and matted, frame size 39.4 x 31.8cm (15 1/2 x 12 1/2in) - Henri Matisse, French

Titled "Cottage and Church at Edwinstone", signed lower left and to engraved nameplate, watercolour on paper, sight 34.3 x 24.8cm (13 1/2 x 9 3/4in)

Three etchings on 27.9 x 53.3cm (11 x 21in) sheet, each titled, signed and editioned 2/6

Titled "Looking Towards Plymouth", signed with monogram lower right and to engraved nameplate on frame, watercolour on paper, sight 9.5 x 22.2cm (3 3/4 x 8 3/4in)

Titled "Fortress of Louisburg", signed and dated (19)78 lower right, oil on masonite, 40.6 x 50.8cm (16 x 20in); Provenance: purchased in Nova Scotia by Roger and Wendy Linder, given to D

Titled "Afternoon Vista, Blue Rock, N.S.", signed lower right, acrylic on masonite, 30.5 x 45.7cm (12 x 18in) - Douglas Elliott, Canadian, 1916-2012

Both found in nearly new condition, "Youth and Beauty - Art of the American Twenties" and "A Portrait of the Hindus - Balthazar Solvyns and the European Image of India 1760-1824"

Signed and dated 1962 lower right with handwritten provenance verso "Pencil drawing by a patient of Margaret McDonald at Metropolitan Hospital in Windsor, Ontario, and given to her by the arti

Late 19th/early 20th century British school oil on board depicting a vast landscape with gardens in the foreground, signed lower left and to engraved nameplate on frame, sight 41.9 x 39.4cm (16 1/2

Titled "Millbrook Marsh", signed lower right, also signed and dated 1990 verso, oil on masonite, 61 x 50.8cm (24 x 20in)

Mixed media on reverse glass panel "The Children's Hour" in the time of COVID 19, The Decameron Project, 100 paintings in lockdown #2, 71.1 x 55.9cm (28 x 22in); Provenance: Crystal

Limited edition print in colours after "Indian Church", numbered 45/695, sight 59.7 x 48.9cm (23 1/2 x 19 1/4in)

Signed indistinctly lower right "Franz Coro"(?) depicting a river landscape with bridge, oil on board, 20.3 x 25.4cm (8 x 10in)

Large oil on board depicting a village street scene with figures and buildings, signed lower left, 58.4cm x 1.19m (23 x 46 3/4in)

Titled "Tolpeden Cliffs", signed lower left and to engraved nameplate on frame, watercolour on paper, sight 27.9 x 22.2cm (11 x 8 3/4in) - John Clarkson Isaac Uren, English, 1845-1932

Parisian school oil on board depicting a colourful street scene with market vendor and shopper, signed lower right, 61 x 30.5cm (24 x 12in)

Museum quality professional framed print after "Maria Luigia De Tassis (Prince Liechtenstein's Gallery, Vienna", sight 31.8 x 24.8cm (12 1/2 x 9 3/4in)

"Untitled: Nude Study", signed lower left, oil pastel on paper, sheet size 49.5 x 50.8cm (19 1/2 x 20in) - professionally framed and matted

"Untitled: Villa Interior with two Washerwomen", signed lower left, oil on canvas, 31.8 x 22.9cm (12 1/2 x 9in) - vintage label from Galerias Ribera, Madrid verso dating this work circa 1

Signed indistinctly lower left and dated 1928, depicting a lovely table setting with fruit, flowers, teacup, wine glass and mantel clock, oil on board, 30.5 x 40.6cm (12 x 16in)

Titled "Anne and Eddy Masks", signed upper left, oil on canvas board, 50.8 x 40.6cm (20 x 16in), unframed - Gordon Condy, 20th century Canadian artist

Titled "By Their Fruits Ye Shall Know Them" and pencil signed to the lower margin, etching/aquatint in colours on paper, sight 63.5 x 78.1cm (25 x 30 3/4in) - Barbara Zeigler-Sungur, Cana

Two hardcover volumes in excellent condition "Krieghoff - Images of Canada" by Dennis Reid and "Krieghoff" by J. Russell Harper

Titled verso "Self Portrait" with handwritten note "Gift from Tom Hall - Sept/71, Deceased May 1972", oil on canvas, signed lower right, 40.6 x 30.5cm (16 x 12in) - found unfram

"Untitled: English Cottage Scene", signed lower right, watercolour on paper, sight 27.3 x 36.8cm (10 3/4 x 14 1/2in)

Printed in Canada, 2007, published by Aquarius, Copyright by Sublafilms Ltd., frame size 1.04m x 71.1cm (41 x 28in)

Titled "Innocence", signed upper right, oil on canvas, 40.6 x 30.5cm (16 x 12in); Provenance: The Fine Art Galleries, T. Eaton Co.; Franco Rispoli, Italian, 1921-1989

Titled "Sugar Shack in Autumn", signed lower right, acrylic on masonite, 30.5 x 35.6cm (12 x 14in)

Hardcover volume "The Art of Ben Babelowsky" to mark the 150th anniversary of the Ottawa Citizen with foreword by Roy MacGregor, signed by Babelowsky inside leaf

A large vertical oil on canvas depicting a Parisian street scene, signed lower left, 100.3 x 50.8cm (39 1/2 x 20in) - unframed, some bending to wood stretcher noted

"Hockney Paints the Stage" and "David Hockney: Poster Art", both with excellent colour images, together with a museum exhibition booklet from Musee des Arts Decoratifs, Paris &q

Titled verso "Huntsville - Stone Steps", watercolour on paper, sight 43.8 x 37.5cm (17 1/4 x 14 3/4in) - appears unsigned

Lithograph print in colours titled "Proud Male", signed in the plate, sheet size 48.3 x 61cm (19 x 24in) - unframed

A vintage seascape oil on canvas laid down to masonite board depicting crashing waves along a rocky coastline at sunset, signed and dated (19)81 lower right, 61 x 85.1cm (24 x 33 1/2in) - Bela De T

Titled "Gwen, North of Town", signed lower left with initials and verso, acrylic on canvas, 76.2cm (30in) square - artist's inventory number and gallery label verso with original pri

"Untitled: Nude Study", signed and dated (19)67, ink on card, 50.8 x 76.2cm (20 x 30in); unframed, some discolouration and wear to paper noted; together with an unframed graphite sketch on paper by

"Untitled: The Flower Sellers Market", oil on canvas, 48.3 x 68.6cm (19 x 27in) - Elettra Briante De Angelis, Italian, 1906-1999

"Untitled: Winter Morning", signed and dated 1958 lower right, oil on canvas, 66 x 91.4cm (26 x 36in) - Carl Wennemoes, Danish, 1890-1965

Three Indigenous art books including "Bill Reid" by Doris Shadbolt, "Tales from the Igloo" with illustrations by Agnes Nanogak and "The Day Tuk Became a Hunter" by Ron

Vintage Canadian winter landscape oil by Peter Hyttinen, 61 x 86.4cm (24 x 34in); oil on board depicting a tranquil cottage landscape with woman and resting cows signed "E.

Three framed vintage reproduction prints housed in matching 30.5cm (12in) square frames

Vintage hardcover volume in slip case "Pellan" by Germain Lefebvre, with softcover "The Drawings of Alfred Pellan" by Reesa Greenberg

Sepia pastel drawing on artist paper "Untitled: Dance Practise", signed lower left, sight 35.6 x 29.2cm (14 x 11 1/2in)

Original mixed media on paper including watercolour and acrylic, inscribed "Koi" lower right, sheet size 38.1 x 56.5cm (15 x 22 1/4in) - this and the following lot are from the same priva

Original mixed media on paper including watercolour and acrylic, inscribed "Koz" lower middle and appears to be signed and dated upper middle, sheet size 57.2 x 38.1cm (22 1/2 x 15in)

"Untitled: River Scene in Autumn with Mountains in the Distance", signed lower left and to engraved nameplate, oil on canvas housed in a costly 76.2 x 96.5cm (30 x 38in) vintage frame - a

Titled "Great Lakes Suite", signed to label verso, oil on paper, 23.5 x 38.1cm (9 1/4 x 15in) - artist label verso

Artist proof print editioned 10/10, pencil signed to the lower margin, sight 41.9 x 50.2cm (16 1/2 x 19 3/4in) - professionally framed and matted

Titled and dated "Ben Hope, Scotland, 1954" verso, signed indistinctly lower right, oil on canvas, 45.7 x 52.1cm (18 x 20 1/2in)

Titled "Bush Road, Northern Ontario", signed lower left and verso, acrylic on canvas board, 50.8 x 71.1cm (20 x 28in)

Asian school graphite study on paper depicting workers in a rice field, faintly signed with red seal stamp lower left, sight 22.2 x 28.6cm (8 3/4 x 11 1/4in)

Titled "Hyperboreus at Cheminis", pencil signed and dated 2002, editioned 1/10, printed at White White Gallery, sheet size 49.5 x 66cm (19 1/2 x 26in)

Titled "Dingman Creek", signed and dated Aug (19)78 lower right, watercolour on paper, sight 35.6 x 54.6cm (14 x 21 1/2in) - Martin Zimmer, a long-time London, Ontario artist

A stunning acrylic on canvas depicting a forest interior with rays of sun beaming down through the trees, painted in the style of J.W.

20th century Japanese woodblock in colours after Kunisada I, sight 36.8 x 24.8cm (14 1/2 x 9 3/4in); housed in a quality decorative bamboo-style frame

"Untitled: Mountain Lake", signed lower right, pastel on paper, sight 24.1 x 19.1cm (9 1/2 x 7 1/2in) - Maisie Wride, Canadian, 1892-1973

Intricately hand-painted paper cut-out of a standing warrior in uniform, sight 52.1 x 34.3cm (20 1/2 x 13 1/2in)

Titled "Buddies", signed lower right, pastel drawing on paper, sight 36.8 x 53.3cm (14 1/2 x 21in) - artist's handwritten labels verso with original price of $125.00

Titled "T.S.

Vintage print on burlap "Caribou Hunter", sight 26.7 x 34.3cm (10 1/2 x 13 1/2in) - Helen Kalvak, Copper Inuk graphic artist from Ulukhaktok, Northwest Territories, 1901-1984

"Untitled: The Grand Staircase", signed and dated (19)86 lower right, also signed and dated verso, watercolour on paper, sight 31.8 x 24.1cm (12 1/2 x 9 1/2in); Provenance: Gallery Boutiq

"Untitled: Winter Landscape with Windmill", signed with initials and dated (19)30 lower right, oil on Academy board, 30.5 x 45.7cm (12 x 18in)

"Get Thee Glass Eyes" depicting a monkey reading The Times, modern decorative print displayed in a quality 35.6 x 31.1cm (14 x 12 1/4in) frame

"Untitled: Winter Scene", signed lower right, watercolour on paper, sight 26.7 x 21cm (10 1/2 x 8 1/4in) - artist label verso with handwritten well wishes from the artist

"Cat in Branches", pencil signed to the lower margin, etching on paper, sight 9.5 x 8.3cm (3 3/4 x 3 1/4in)

Both signed and housed in matching custom 33 x 26.2cm (13 x 11 1/2in) frames, artist information verso - Debra Mondrow, a contemporary Ontario artist represented by Abbozzo Gallery

"Untitled: Sailing Vessels approaching the Harbour", appears unsigned, watercolour on paper, sight 14.6 x 20.3cm (5 3/4 x 8in)

Antique woodblock print in colours depicting actor Ichimura Takenojô in period attire, sight 31.8 x 24.1cm (12 1/2 x 9 1/2in)

Titled verso "Dawros Bridge Falls Tully Cross Connemara", signed lower left, oil on canvas, 45.7 x 50.8cm (18 x 20in) - Thomas Everard Spence, 1899-1992

One of the finest examples to surface in years, a lovely river landscape scene with houses along the river's edge, signed and dated 1912 lower right, oil on canvas, 35.6 x 55.9cm (14 x 22in); craqu

13 woodblock prints, artists include Hiroshige, Kuniyoshi, Kunisada, Eizan and Toyokuni, dated circa 1830's-1850's

"Portrait of Samuel Schelguigius" circa late 17th/early 18th century, engraved in Augsburg by Elias Hainzelmann, sight 28.6 x 19.1cm (11 1/4 x 7 1/2in)

Fine hardcover volume by Gerd Woll with 1,111 illustrations including 222 plates in full colour, published Harry N. Abrams Inc., New York, 2001

"Untitled: View of Fisherman by the Lake", signed lower right, watercolour on paper, 19.1 x 30.5cm (7 1/2 x 12in); housed in a period frame, new matting suggested; William Nichol Cresswel

Set of three watercolours on paper housed in matching modern frames, sight for each approximately 62.2 x 30.5cm (24 1/2 x 12in); Provenance: John Van Haastrecht Collection

Limited edition print titled "Madawaska", numbered 189/300, signed by the artist with initials lower right, professionally framed and matted, frame size 53.3 x 57.2cm (21 x 22 1/2in)

Three antique gilt carved frames - largest measures 82.6cm x 1.03m (32 1/2 x 40 1/2in), inside dimensions 55.9 x 76.8cm (22 x 30 1/4in); inside (image size) dimensions for additional frames 71.1 x

"Untitled: The Pier, Castle Lough Killarney", signed lower left, oil on board, 40.6 x 50.8cm (16 x 20in) - Sean O'Connor, Irish, 1909-1992

"Untitled: View of Castle with Figures in the Foreground", signed lower left, watercolour on paper circa 1865, sight 24.1 x 30.5cm (9 1/2 x 12in) - Sir John Gilbert, English, 1817-1897

Hardcover volume "Paterson Ewen" by Matthew Teitelbaum, with colour and black and white images, excellent condition; retrospective catalogue and "Paintings 1971-1987 Phenomena"

Etching from "La Tauromaquia" with circular impressed dry seal lower right with Goya portrait, sixth Royal Edition Circle of Fine Arts Madrid 1928 on centenary of Goya's Death, sight

5 limited edition prints each pencil signed by the artist to the lower margins, two frames measure 61 x 73.7cm (24 x 29in), three measure 44.5 x 55.9cm (17 1/2 x 22in)

An early circa 325-year-old engraving depicting Frankfurt, Germany by Peter Schenk, sight 22.9 x 27.3cm (9 x 10 3/4in) - matted, not framed

Large examples with images of white egrets circa late 19th/early 20th century, displayed in matching 1.36m x 48.6cm (53 1/2 x 19 1/8in) frames (some wear noted)

"The Dairymaid", original watercolour on paper signed by the artist lower left and dated 1918, sight 22.9 x 36.8cm (9 x 14 1/2in) - Stephen Reid, prominent Scottish illustrator, 1873-1948

"Kunisada Actors and Geishas", antique hand-coloured woodblock prints on paper, sight for each approximately 36.8 x 24.1cm (14 1/2 x 9 1/2in) - some foxing and creasing noted

Chez Huquier engraving of a vase displayed in a costly birdseye maple frame measuring 39.4 x 31.8cm (15 1/2 x 12 1/2in), French circa 1737

9 early photographs of Roman antiquities in various sizes (two framed), condition of paper "as is" for some of the unframed examples

Including a Japanese school watercolour on paper signed upper right and with red seal, sight 31.8 x 21.6cm (12 1/2 x 8 1/2in); an antique diptych woodblock print on paper, and well-framed Chinese s

Titled "Roiate" and "Civitella di Subiaco" from "Views of Rome and Its Environs", 1841, housed in matching 46.4 x 61.6cm (18 1/4 x 24 1/4in) frames - Edward Lear, Engl

A large selection of vintage and antique wood frames in various sizes and styles, including well-carved examples

Pair antique French engravings "The Flute Player" and "A Fete-Champetre", both matted/unframed; together with a Charles G.

Five quality hardcover Robert Bateman art books with images of his work, three of the five signed by Bateman

Watercolour scroll with images of flowers and dragonflies, signed upper right side, full dimensions 1.73m x 71.1cm (68 x 28in)

"Untitled: Kitchen Table", appears unsigned, watercolour on paper, sight 27.9 x 21.6cm (11 x 8 1/2in)

"Untitled: Summer Landscape", signed lower right, oil on canvas, 40.6 x 50.8cm (16 x 20in)

"Untitled: After the Snowfall", signed and dated (19)77 lower right, watercolour on paper, sight 54.6 x 73.7cm (21 1/2 x 29in)

Titled "Marina", signed and dated (19)91 lower right, also inscribed "London, Ontario", mixed media on paper, sheet size 44.5 x 52.1cm (17 1/2 x 20 1/2in)

"Lucien Freud on Paper" hardcover volume found new in packaging; "Lyonel Feininger - At the Edge of the World", "James Ensor" and "ArtsCanada - Some Aspects of Ne

Nostalgic mid-20th century Canadian "Paint By Numbers" depicting The Last Supper, frame size 40.6 x 83.8cm (16 x 33in)

"Untitled: Forms", signed left side, mixed media, sheet size 21.6 x 14cm (8 1/2 x 5 1/2in); Provenance: Hodgins Art Auctions, Calgary; Cawthra Mulock, Canadian, 1915-1998

Woodblock print in colours of Takahashi Shotei's "House at Negishi by Night", sight 17.8 x 11.4cm (7 x 4 1/2in)

Titled "Summer Pink", signed lower left, watercolour on paper, sight 33 x 53.3cm (13 x 21in) - handwritten artist's label verso

Titled "Moonlight", pencil signed and dated to the lower margin, etching on paper, sight 35.6 x 25.4cm (14 x 10in)

Including watercolour on paper by London artist Jenny Kool, vintage oil on canvas signed "G.

"Untitled: Northern Landscape", appears unsigned, oil on canvas painted after the Group of Seven, 40.6 x 50.8cm (16 x 20in)

"Untitled", pencil signed and dated (19)76 to the lower margin, etching on paper editioned 1/7, sight 47.6 x 33cm (18 3/4 x 13in)

"Untitled: Man Playing the Fiddle", signed indistinctly lower right, oil on canvas, 45.7 x 55.9cm (18 x 22in)

"Untitled: Portrait Study in Blue and Orange", signed lower middle and dated (20)08, watercolour on fabric, sight 49.5 x 36.8cm (19 1/2 x 14 1/2in)

"Untitled: View from Shore", signed lower right, watercolour on paper, sight 28.6 x 20.3cm (11 1/4 x 8in)

Three signed mixed medias on canvas "Surrealist Scenes", together with a vintage art folio with assorted prints inside (unframed, all appear to be the same image)

"Untitled: Vast Mountain Landscape", signed lower right, oil on canvas, 76.2cm x 1.02m (30 x 40in)

Original watercolour on paper by Debie Rothenberger, together with a costume print and a vintage photograph in colours of Cape Breton - all three works are framed

"Untitled: Seascape", signed lower right, oil on canvas, 59.7 x 79.4cm (23 1/2 x 31 1/4in)